Home ivansealPosts

Ivan Seal

@ivanseal

Works Berlin - collaborates The Caretaker
Followers
16.9k
Following
1,671
Account Insight
Score
36.68%
Index
Health Rate
%
Users Ratio
10:1
Weeks posts
LAST DAY TOMORROW!! An absolute must see show!!! Open from 12 till 6pm @galerie_nordenhake BERLIN.. 1. Concrete Head #6 , concrete, stones, debris 2026. 2. 2026316b, clay drainage pipe and fittings, anonymous human sperm, historical wax 2026. 3. United Fuckers of Contingency in Stasis, aluminum pole, jeans, coins, motor, stainless steal 2026 (4. Detail ). #sofiahultén #nordenhakegallery #nordenhake
378 6
23 days ago
#Repost @theblacklights.uk with @use.repost ・・・ . + B \ WITH THE THIRD WAVE, THE BLACK LIGHTS EXPANDS INTO A PROGRAMME OF VISUAL ART, PERFORMANCE, FILM & COLLECTIVE EXPERIENCE, UNFOLDING IN HOTELS, CINEMAS, GALLERIES AND CIVIC SPACES ACROSS BLACKPOOL. + B \ IVAN SEAL YOUR GUESTS NEVER MENTION ME AT THE ALBERT HOTEL, IVAN SEAL PRESENTS AN IMMERSIVE B&B TAKEOVER WITH PAINTINGS THAT HOVER BETWEEN MEMORY & DECAY, MARRIED WITH LOOPING AUDIO BY THE CARETAKER + B \ BOW DOWN HARRISON BIRTWISTLE / TONY HARRISON DIRECTED BY SAM FAIRBROTHER. A FOLK STORY MUTATES ACROSS LANGUAGES AND BODIES: MURDER, JEALOUSY, RESURRECTION + B \ REGENT CINEMA HAND-PICKED BY DIRECTOR GERARD JOHNSON IN A WORLD THAT WON’T STOP MOVING, THIS IS YOUR INVITATION TO SIT STILL. SINK INTO THE VELVET OF THE REGENT CINEMA - BLACKPOOL’S 1921 JEWEL + B \ WAR OF THE ROSES (IN BRASS) TWO BRASS BANDS - ONE LANCASHIRE, ONE YORKSHIRE - SQUARE OFF ON THE NORTH PIER IN A SONIC SKIRMISH INSPIRED BY THE SPATIAL COLLISIONS OF CHARLES IVES + B \ MARK FELL & RIAN TREANOR PRESENT NOTHING IS EXPLAINED, EVERYTHING IS OPTIONAL. PART PERFORMANCE, PART LABORATORY, PART ART INSTALLATION, PART SOCIAL EXPERIMENT + B \ JACK SHEEN X LOUISE GIOVANELLI LIVE STRING PERFORMANCE INSTALLATION INSIDE GIOVANELLI’S EXHIBITION AT THE GRUNDY ART GALLERY. SOUND, FABRIC & PAINTING MERGING INTO A SINGLE SURFACE + B \ BOUND X IMPIETY HOUR MORPHOLOGIES AN ART BOOK & RECORD FAIR AT WINTER GARDENS. DURING WHICH, VISITORS CAN SUBMIT TEXTS, IMAGES AND VOICE NOTES TO A LIVE EDITORIAL DESK, FORMING A PUBLICATION IN REAL TIME + B \ SODA AGENTIC ANXIETY MANCHESTER SCHOOL OF DIGITAL ARTS PRESENT AI & AV WORKS BY AUDINT, MICHAEL ENGLAND, LOIS MACDONALD & ADAM CAIN, & CHRISTOPHER GLADWIN IN HOUNDSHILL SHOPPING CENTRE + B \ MEGA DAY IN A MICRO-PUB BINGO WITH AYA. PUB QUIZ. CHARITY TOMBOLA. A FULL DAY OF BRITISH PUB RITUAL + B \ PHOTOS @danwmurphy & @ansonjohnston_ + B \ PRODUCED BY BLACK LIGHTS PROJECTS CIC IN ASSOCIATION WITH TWH SUPPORTED BY ARTS COUNCIL ENGLAND & BLACKPOOL COUNCIL + B \ + B \ #blackpool \ #festivalofbritain \ #theblacklights \ #thirdwave
150 0
1 month ago
Last day @passage_art (thanks @victor_auberjonois x )
2,214 34
1 month ago
Frictional Geography Josefina Ayllón, Terence Birch, Giuseppe De Mattia, Joachim Lenz, Davide Mancini Zanchi, Marta Mancini, Beatrice Meoni, Ivan Seal Following the exhibition Viaggi / Journeys, presented in London last July, and Another Look at Reintegra Fine Art, A+B, Alma Pearl, Matèria, and z2o Sara Zanin, the galleries come together for the third installment of their shared dialogue in Geography of Friction, which opens on Saturday, March 7, 2026, in Brescia at A+B Gallery. Venue: A+B Gallery, Corsetto Sant’Agata 22, 25121 Brescia Opening: Saturday, March 7, 2026, 6:00 pm Exhibition dates: March 7 – April 18, 2026 Visiting hours: Thursday to Saturday, 3:00 pm – 7:00 pm; other days by appointment. If traditional geography organizes, delimits, and assigns fixed positions, Geography of Friction proposes an unstable map, defined by points of resistance rather than coordinates. The exhibition invites viewers to traverse a territory where the artwork is, more than a destination, an interruption, a temporal dilation, a generative slowdown. The unexpected alters the very way of proceeding and, by reflection, of knowing the world through painting. The exhibition brings together surfaces and fragments made intense by the materiality of paint, the possible narratives, irony, and staging strategies capable of modifying the trajectory of ordinary vision. The resulting friction is to be understood as an active experience that reorganizes the geography of the visible and transforms observation into a form of proximity between body and memory. The works of the eight participating artists — Josefina Ayllón, Terence Birch, Giuseppe De Mattia, Joachim Lenz, Davide Mancini Zanchi, Marta Mancini, Beatrice Meoni, Ivan Seal — are conceived to shape non-linear narratives. In this image, works by: @martha__mancini (@materia_gallery_rome ) @ivanseal (@almapearlgallery ) @materia_gallery_rome @almapearlgallery @z2osarazanin 📸 @petro_gilberti
40 2
1 month ago
019 : Ivan Seal - MONDEE OOBE BOATHE presents five paintings, Eskayprewt 1-5 (2026), conceived specifically for the space. Working within and against the still life tradition, Seal constructs forms that hover at the edge of recognition. They are not depictions but propositions: objects that appear to have passed through time, shaped by distortion, erosion, and recall. The title of the exhibition and the paintings are generated through a nonsense algorithm, a method Seal has employed since 2007. Language here does not clarify; it unsettles. Meaning flickers, dissolves, reassembles. The same dynamic unfolds on the canvas. Dense impasto gathers and disperses across dark, indeterminate grounds. Forms surface, fragment, and re-materialize, suspended between abstraction and suggestion. The series began with the lamp above the Hermannplatz space, its glow recalling a full moon. From this image emerged the idea of a boat dissolving into the night, lit only by lunar light. Yet, as often in Seal’s work, the initial motif recedes. Across the five paintings, the boat becomes increasingly unstable, less anchored in representation. What remains is atmosphere. Over the course of a month, the paintings will appear in changing constellations. No fixed sequence, no set duration. A visitor may encounter Eskayprewt 1 and return to find Eskayprewt 3 in its place minutes after. The next day, another configuration. This subtle reordering extends the logic of the work into space: memory is tested against itself. Did the image change, or did recollection? Is what is seen familiar, or merely assembled from fragments? The trumpet melody produced by Seal for the exhibition loops throughout the month, accompanying the ships as they drift into the night. @ivanseal #ivanseal
363 14
1 month ago
BIG BIG thankyou to all who made it out to see the first work in the series and all those who pressed their ears against the glass to listen to the sound work @passage_art on ubahn Hermannplatz (direction Spandau) last night. You are all the best!!! @passage_art @victor_auberjonois @almapearlgallery @kirbyleylandj
468 15
2 months ago
#Repost @aplusb_gallery with @use.repost ・・・ FRICTIONAL GEOGRAPHY Josefina Ayllón, Terence Birch, Giuseppe De Mattia, Joachim Lenz, Davide Mancini Zanchi, Marta Mancini, Beatrice Meoni, Ivan Seal Venue: A+B Gallery, Corsetto Sant’Agata 22, 25121 Brescia Opening: Saturday, March 7, 2026, 6:00 pm Exhibition dates: March 7 – April 18, 2026 Visiting hours: Thursday to Saturday, 3:00 pm – 7:00 pm; other days by appointment. If traditional geography organizes, delimits, and assigns fixed positions, Geography of Friction proposes an unstable map, defined by points of resistance rather than coordinates. The exhibition invites viewers to traverse a territory where the artwork is, more than a destination, an interruption, a temporal dilation, a generative slowdown. The unexpected alters the very way of proceeding and, by reflection, of knowing the world through painting. The exhibition brings together surfaces and fragments made intense by the materiality of paint, the possible narratives, irony, and staging strategies capable of modifying the trajectory of ordinary vision. The resulting friction is to be understood as an active experience that reorganizes the geography of the visible and transforms observation into a form of proximity between body and memory. 📸 images: Ivan Seal, jewuvufowevaunfoweva (n.50), 2023, oil on canvas, 50x40 cm. Courtesy Alma Pearl. Terence Birch, New Leg at Roehampton (Taking a Plaster Cast of a Patient’s Maimed Leg), 2025, oil on canvas, 40 x 30 cm. Courtesy Alma Pearl. @tbirchartist @ivanseal @almapearlgallery
559 0
2 months ago
This coming Friday, come by and say hello @passage_art
352 6
2 months ago
#Repost @theblacklights.uk with @use.repost ・・・ . + B \ HERE_YOU BEGIN SO GLOW CHOOSE THE DARK + B \ TODAY WE REVEAL OUR FIRST ARTIST LINE-UP MORE WILL FOLLOW IT IS A GIVEN + B \ 2K88 & LAUREN DUFFUS & RAINY MILLER & BIANCA SCOUT A GUY CALLED GERALD BLACKHAINE THE CARETAKER CEEPHAX ACID CREW THE COMMISSION FOR NEW & OLD ART EVIAN CHRIST FACTORY FLOOR DJ FLIGHT & KODE9 GESCOM IVAN SEAL JAWNINO JOANNE ROBERTSON MIA KODEN MICA LEVI & BBC PHILHARMONIC ORCHESTRA MICROPLASTICS MOIN POULTON-LE-FYLDE BRASS BAND SHELL COMPANY SILVERWINGKILLER SKAM SPACE AFRIKA + B \ TICKETS GO ON GENERAL SALE VIA RESIDENT ADVISOR THIS FRIDAY AT 10AM GMT + GO GET YOURS FIRST GETS THE FUTURE + B \ SUBSCRIBE FOR UPDATES + B \ + B \ + B \ + B \ + B \ PRODUCED BY BLACK LIGHTS PROJECTS CIC IN ASSOCIATION WITH THE WHITE HOTEL KINDLY SUPPORTED BY ARTS COUNCIL ENGLAND + B \ #blackpool \ #festivalofbritain \ #theblacklights \ #redcarpetlife + B \ @2k88synu / @laurenduffus / @rainymiller_ / @bianca_scout / @aguycalledgerald / @blackhaine / @kirbyleylandj / @ceephax303 / @thecommission.mcr / @evianchrist / @factory_floor / @djflight / @kode9 / @ivanseal / @jawnino / @joannemaryrobertson / @miakoden / @bbcphilharmonic / @microplastics.music / @aya_yco / @jenniferwalton.co.uk / @96_back / @moin_band / @shell____company / @slvrwngkllr / @skam_records / @space_afrika
380 4
5 months ago
👁️ A closer look: surfaces come alive with tension by @IvanSeal . In his new works shown in “Grottoesque”, the artist uses thick layers of paint that twist into improbable forms. The textures are psychological as much as physical, with residues of memory, excess, and transformation, allowing the works to shimmer between states to evoke both pleasure and discomfort though distortion. Through these warped details, Seal turns the canvas into a living surface that resists perfection. 🔗 Presented by @AlmaPearlGallery , see the show now on #VorticArt until October 25, 2025 via link in bio. #VRExhibition #IvanSeal #Grottoesque #AlmaPearl #Vortic #ContemporaryArt #Painting #Texture #ArtExhibition
0 5
6 months ago
Last day tomorrow @almapearlgallery
726 5
6 months ago
New solo presentation @almapearlgallery #almapearlgallery #ivanseal
806 12
7 months ago