ITUR

@itur.motion

3D Motion Designer Visuals for electronic music Worked with DJs & music collectives ๐Ÿ“ฉ DM / [email protected] Paris ๐Ÿ‡ซ๐Ÿ‡ท
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Weeks posts
ECHIDNA Half Woman, Half Snake She lies in the desert, her twin tails stretched out, split beneath her. She travels miles and miles and miles, living off the dust of the land, thanking her great-grandmother for the food. Oh Papatลซฤnuku, how good you are, how good. She reaches the coast. The sun plays with the chop of the waves. She enters the water to pledge allegiance to her great-grandfather Tangaroa. A daughter of Tลซ-te-wehiwehiโ€” he had to have a Pฤkehฤ name, didnโ€™t he? Sat onโ€” what did he sit on? She admits she could have misheard. And she floats, nymphal, in the ocean. ESSA MAY RANAPIRI #3Danimation #Blender3d #Animation
0 18
2 months ago
Animation made for the GOAT @rzrktmusic . Thanks again for your trust ๐Ÿ”ฅ
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7 months ago
My latest animations, created by combining Blender, Midjourney KLING AI, and Da Vinci. DM me if you want to grab the loops ;) #Blender3D #MotionDesign #3DAnimation #DigitalArt #CGI #VFX #Render #3DVisuals #VisualArt #BlenderArtist #aigeneratedart
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10 months ago
0 2
18 days ago
Attends, jโ€™รฉcoute le calme en moi. Le temps se dรฉploie doucement autour de mes pensรฉes. Dans le silence, je me retrouve.
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20 days ago
Le 13 mai, Breach ouvre ร  une nouvelle faille avec le Collectif Munera. Direction le Terminal 7 pour une ๐—›๐—”๐—ฅ๐—— ๐—˜๐——๐—œ๐—ง๐—œ๐—ข๐—ก au coeur de Paris. ร€ travers la brรจche, 6 artistes viennent envahir notre monde : ๐—”๐—ก๐—š๐—˜๐—ฅ๐—™๐—œ๐—ฆ๐—ง, ๐—›๐—ฌ๐—ฆ๐—ง๐—”, ๐——-๐—™๐—ฅ๐—˜๐—ž, ๐—–๐—›๐—”๐—ข๐—ฆ ๐—ฃ๐—ฅ๐—ข๐—๐—˜๐—–๐—ง, ๐—๐—จ๐—Ÿ๐—œ๐—˜๐—ซ, ๐—”๐—ฃ๐—ข๐—ฃ๐—›๐—œ๐—ฆ. Restez attentifs, lโ€™annonce du DJ Contest sort bientรดt. Tu es prรชt ร  traverser cette nouvelle dimension ร  nos cรดtรฉs ? ๐ŸŽŸ๏ธ Lien en bio โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ” ๐—•๐—ฅ๐—˜๐—”๐—–๐—› - ๐—›๐—”๐—ฅ๐—— ๐—ง๐—”๐—ž๐—˜๐—ข๐—ฉ๐—˜๐—ฅ ๐—˜๐——๐—œ๐—ง๐—œ๐—ข๐—ก ๐Ÿญ๐Ÿฏ ๐— ๐—”๐—œ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ง๐—˜๐—ฅ๐— ๐—œ๐—ก๐—”๐—Ÿ ๐Ÿณ - ๐—ฃ๐—”๐—ฅ๐—œ๐—ฆ ๐Ÿ“น @itur.motion
0 81
1 month ago
Every frame is a painting. And every line tells you what to feel. People talk about composition like it's a rule to follow. For me it's something else โ€” it's a language. And in this animation, every shot has its own way of speaking. Shot 1 โ€” The camera looks up. Two red diagonals converge on the character like invisible spotlights. You have no choice but to look at them. They're already above you. Shot 2 โ€” The red line splits the horizon in two: sky on one side, earth on the other. The character stands exactly at the boundary. The blue diagonal breaks that symmetry and breathes movement into the frame. Without it, it's a photo. With it, it's a story. Shot 3 โ€” A single red line, right at eye level. The gaze drifts off-frame toward something we'll never see. That empty space in front of the face carries more weight than everything behind it. Shot 4 โ€” Both pupils, perfectly aligned on the red line. Each eye sitting on a rule-of-thirds intersection. The framing is so precise it feels like being watched. This isn't a close-up anymore. It's a confrontation. Shot 5 โ€” The blue lines pull your eye toward the back, the river, the mountains. The red drops from the sky straight down to the creature. It just says: this is where you look. Shot 6 โ€” No character. Just vegetation, ground, and a snake sliding silently in the background. The red lines cut the frame into layers โ€” ferns above, earth below, and in between, a presence you almost miss. This shot doesn't show the danger. It hides it just enough to make you look for it. Red for the axis. Blue for energy. White for structure. Lines don't need to be explained. They're meant to be felt. #3DArt #CGI #Cinematography
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2 months ago
A few shots from the process behind my latest animation. The entire environment was fully created and animated in Blender. Every element of the scene was designed in 3D first. I use Kling AI only as a rendering tool for the final visual pass. In this context, itโ€™s a great way to save a lot of rendering time while still keeping full creative control over the idea, the environment and the animation. AI becomes part of the pipeline. A tool to enhance the final result, not the creator of the work. AI is used as a tool, not as the creator. Iโ€™ll share more detailed breakdowns in the future to show how I integrate AI tools into my workflow. My main inspirations for this project were the Chinese animated film WHITE SNAKE by Amp Wong and Zhao Ji (2019), as well as the short film โ€œCRESTโ€ by @zertox3d
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2 months ago
Some shots from my latest animation #blender3d #3d #artoftheday
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2 months ago
Always a pleasure experimenting with character creation in Blender. #b3d #blender3d #blenderartist #blendercommunity #3dart
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3 months ago
A few shots from my latest music video. Full 4K video on YouTube (link in bio)
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3 months ago
What is.. love? A color chosen without thinking, spilled across a blank canvas, hoping it means something. Love is the courage to create, to shape emotion with trembling hands, turning silence into music, and chaos into form. It lives in unfinished pieces, in mistakes that become beauty, in every artist searching for words they cannot paint. Maybe love is art itselfโ€” an attempt to make feelings visible, even if they only last for a single gaze. itur -4K on YouTube (link in bio)- MUSIC : MOTHERLAND - @liakuri Loon Moon - @imanunami REMIX
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3 months ago