ᔕᗯIᔕᕼ
◐◒ February 28
◐◒ 7pm
◐◒ SLUG, Leipzig
◐ IᑎIT.ᑭᒪᗩY ◒
@en______u and
@jusnjjshh explore new worlds of sound together in their project
@init.play___ . Their introspective and abstract ambient album of the same name (2022) captures the essence of a shared, dusty summer through granular processing, field recordings, and dynamic, evolving meters. This time, they delve even deeper into synthesis, building complex textures and patterns that explore spatial and temporal configurations, transforming the everyday into something extraordinary and searching for meaning where there is supposedly none.
◐ ᑎIᑕ KᖇOG ◒
@nic_krog is a musician and sound artist whose signature is a volatile blend of bass-heavy clubmusic intertwined with subversive sound art and diaristic spoken word. Their work deals with themes of isolation, identity, and transformation. With the release of the audio play „Perfect Pattern“ (
@psychicliberation , 2025), the artist focused in on a raw and self-aware kind of sonic self-portraiture, taking cues from 20th century experimental music, 90s queer house tracks, and the storytelling style of soap operas and Jean-Luc Godard’s „Le Mépris“, resulting in something all their own. Krog’s latest EP „Better Failing“ was released by the label Foul-Up.
◐ ᑭᒪᖴ ◒
@parzifooooooool has the tendency to push their individual sounds to a threshold where they boarder on the scream: an immediate unfiltered sonic expression, unmediated by logic, language or conventional harmonic structures.
With
@kutin_____ performing on self-built light-feedback machines that drive an array of synths,
@lukas________koenig weaving intense rhythmic patterns through his percussive-electronic craft, and
@elvinbrandhi ’s feral, visceral vocalizations.
Cutting through it all, PLF produces harsh music.
Their third album „SKREAMERZ“ was released at the end of December 2025 by
@ventilrecords .
Perfect poster as usual by
◐ Teresa Schönherr
@schoenherr___
With graphics by
◒ toiret status
@toiret_status
Photo credits:
Slide 3 ©Mirko JJ Ostuni
Slide 4 ©David Visnjic
Funded by Musikfonds e.V.
@musikfonds.de by means of the Federal Government Commissioner for Culture and the Media.
