BARTA STOOL (2026)
Commissioned by
@artscollectivenn
Inspired by the djembe drum, the Barta Stool translates rhythm into form. Its segmented, upholstered body echoes the percussive logic of the instrument where sound reimagined as a tactile, communal object.
Wrapped in LABRUM textiles, the surface carries movement. It recalls water, migration, and the circulation of materials and ideas across geographies, a language of flow rather than fixity.
Woven into each panel are stylised mask forms, drawn from Sierra Leonean visual traditions within my lineage. The structural presence of Temne masks, defined by angularity, strength, and protection sits in dialogue with the Mende mask, where pattern, refinement, and femininity are foregrounded. Though distinct in form, both operate within ceremonial contexts that honour life, community, and ancestry.
Here, the mask shifts from performance to surface. No longer worn, but embedded. No longer distant, but held.
Through this gesture, cultural symbols are not preserved as static artefacts, but reactivated through use, through touch, proximity, and gathering. The stool becomes both object and archive, carrying memory not as something to be observed, but something to be lived.
Images -
@doculture.film @whatupitsjumo