dongyi

dongyi 《一種分析辣椒素的方法 a method for capsaicinoid analysis》黑膠聆聽會 pre-listening vinyl on May 26, 27th at ZÁBU, taipei 黑膠發行日＿＿＿2023.5.31 🇹🇼 vinyl released in taiwan on May 31st, 2023 vinyl released in korea on FEB, 2024 바이닐 앨범 : 날초소 분석법 <예스24, 알라딘, 핫트랙스 한국 🇰🇷온라인 LP판매 중 2024.02~> SIDE A 1. 완월 翫月 2. 에루화 erufa 3. 농담 濃淡 4. 꼬리인사 尾觸 SIDE B 1. 해협의낭만주의 海峽浪漫主義 2. 과세문안 過歲問安 3. 동산이몽 東山耳夢 4. 이카이노 猪飼野 我正在分享我的專輯藝術背後的故事。 京都有一座高麗美術館。 這是我每次去京都會去的美術館。 我的專輯是在創始人鄭詔文（1918-1989）的極大尊重和啟發下開始的。 六歲時與家人移居日本。 由於警察不斷騷擾，一家人離散，鄭祖文當了碼頭工人。 後來，他為了省錢，在京都開了一家彈珠遊戲店。 他決心奪回被日本當局奪走的祖國文化遺產。 在收集文物的同時，他於1969年成立了朝鮮文化公司，並出版了季刊《日本朝鮮文化的遺跡》。 並以生前積蓄的積蓄於1988年10月25日建立了高麗美術館。 我拍攝的那個空間二樓陽台的照片是我的搭檔台灣藝術家komuyi創作的一幅畫，他給了我很大的幫助。 Koreas 南北韓八道各地的泡菜、醬油鍋都聚集在這裡。 這幅畫即使在朝鮮半島也找不到，我很幸運在京都找到了它。 我正在向你透露我在這個罐子裡遇到的聲音。 #鄭詔文 #날초소분석법 #一種分析辣椒素的方法 #台湾第14回ゴールデンインディーミュージックアワード受賞作 #2024年韓国ポピュラーミュージックアワード最優秀現代クロスオーバーアルバム賞 #amethodforcapsaicinoidanalysis

only 500 limited version. The last small quantity on sale at record shop in taiwan. thanks everyone. 🌶️ 2025.02.09. 《a method for capsaicinoid analysis》 was Won for the 21st Korean Music Awards for [Best Global Contemporary Album] and the 14th Taiwan Golden Sound Creation Awards for [Best Jazz Single]. Also Nominated for the 35th Taiwan Golden Melody Awards-GMA [Best Instrumental Album], [Best Instrumental Album Producer]. tracklist 1. 완월 翫月 2. 에루화 erufa 3. 농담 濃淡 4. 꼬리인사 尾觸 5. 해협의낭만주의 海峽浪漫主義 6. 과세문안 過歲問安 7. 동산이몽 東山耳夢 8. 이카이노 猪飼野 “dongyi walked the road of Korean modernization—from Jeju to Osaka, Tokyo, from Shanghai to Nanjing, and onward to Taiwan—breaking away from the stagnant paths of the colonial era and forging anew dangak, aak, and samhanak. As ancient East Asian music is cast into an alchemical crucible, waiting to be stirred, he fuses it with folk melodies of a distinctive sharp acidity. Extracting the ‘capsaicin (narchosou)’ accumulated in the Korean body, he analyzes the roots of Korean character formation and collective repression, and traces a decompression trajectory toward ‘Coming Home.’ Because the album A Method for Capsaicin Analysis reveals a tangle of complex emotions, he sought out Hong Kong’s finest engineer, Kent Poon, and completed the mastering to finely calibrate its final sonic affect.” — Ren Jiangda (founder of Crystal Records, a Taiwanese indie label established in the 1980s; an overseas Korean based in Taiwan) *Special mastering for limited CD version only. Have fun! *Stickers & Postcard only for pre-order pepople. #一種分析辣椒素的方法 #deluxeedition #diaspora #jazz #electronics #ambient #coreetribemusic #台湾第14回ゴールデンインディーミュージックアワード受賞作 #2024年韓国ポピュラーミュージックアワード最優秀現代クロスオーバーアルバム賞 #Instructorofanalyticalmethods

一個快閃即興午後 Flash Improv Afternoon 取樣成打擊樂器的城市聲響，穿過效果器的薩克斯風和吉他，溫潤渾厚的低音提琴擦弦，從濕熱的梅雨季節台北午後提煉出一段又一段的靈光。 5/15 下午 4:00 pm - 6:00 pm at Fat Tone 肥頭音樂 自由入場自由樂捐 謝明諺 sax x 陳穎達 gt x 東熙 bass x Fred Warnby drums ＿＿ 謝明諺 薩克斯風/合成器 台北人，爵士樂手。就讀全人中學時開啟了他的音樂之路。旅居歐洲六年，現活躍於各式各樣的國內外演出，跨界合作邀約不斷。他曾獲得2012台中國際爵士薩克斯風大賽首獎，並受邀在2017台北世大運閉幕式演出熄聖火樂。參與過的十餘張爵士專輯共獲得了兩座金曲獎、七座金音獎的肯定。在獨立、實驗、影視和流行樂壇也跨刀合作了超過百首的作品。 最新的作品則是2026年初發行，改編自舒伯特連篇歌曲冬之旅，由鄭順聰填詞，林理惠演唱的《冬之旅台語爵士浪遊》。 陳穎達 Ying-Da Chen｜吉他/效果器 從事吉他演奏與音樂創作多年，跨足爵士樂、自由即興、後龐克、前衛搖滾以及管弦樂與室內樂的寫作。四張專輯『R.E.M MOODS』、『動物感傷』、『離峰時刻』與『你聽過Beige嗎』皆入圍金金音音創作獎，其中獲得第六屆的「最佳爵士單曲」與第九屆的 「最佳爵士專輯」。2012年畢業於荷蘭阿姆斯特丹音樂學院，返台後活躍於樂壇，曾受邀至婆羅洲音樂節、札幌爵士週、澳門爵士週、台北爵士音樂節、台中國際爵士音樂節、台南貴人散步、兩廳院夏日爵士等活動演出。2021-24旅居紐約，新專輯『Live Without Irony』已於2025年10月14日出版並獲得 Bandcamp 的十月份最佳爵士專輯推薦，與鼓手尊龍組成的「露露樂團」也蓄勢待發。 東熙 Dongyi 低音提琴 東熙 (Dongyi) 是來自韓國釜山的低音提琴演奏家與作曲家ㄓ，目前旅居台灣。他的音樂風格橫跨爵士、即興與跨界實驗，以細膩且具張力的演奏技巧著稱。 東熙在藝術表現上備受肯定，曾於 2023 年榮獲金鐘獎「聲音設計獎」及金音獎「最佳爵士歌曲獎」。2024 年更憑藉個人專輯《一種分析辣椒素的方法》奪得第 21 屆韓國大眾音樂獎 (KMA)「最佳當代跨界專輯獎」。他積極參與台灣與韓國兩地的音樂交流，常與頂尖爵士樂手合作，是當前東亞即興音樂圈中極具影響力的低音提琴手。 Fred Warnby 王瑞德 鼓/取樣SPD 是一位來自瑞典的鼓手，專長於爵士即興、電子音樂與巴西音樂。作為一位風格多元的音樂家，瑞德長期致力於自在穿梭於不同曲風與聲響地景之間，同時在鼓組演奏中維持鮮明的個人特色與一致性的聲音語彙。他始終將真誠的表達置於技術正確性與風格框架之上，也因此自然地挑戰了傳統鼓手角色的定位。 2025 年，王瑞德完成了哥德堡／哥本哈根／奧斯陸三地聯合碩士課程，主修即興與作曲。他的研究聚焦於如何在現代爵士即興脈絡中，將傳統巴西節奏與電子律動融合於鼓組演奏之中。無論是在自己的創作，或作為合作樂手時，他都展現出跨文化與跨曲風合作的多元面貌，並始終將即興精神視為音樂核心。 視覺： @choutingyii

明天，在鶯歌，dongyi trio 將為 2026 新北市多元文化節帶來第一場演出。 大家熟悉的鶯歌，是以陶瓷街和老街聞名的地方。不過，這一兩年，鶯歌的氣氛正在慢慢改變。2025 年 4 月，新北市美術館開館之後，這裡也開始成為現代藝術和在地文化相遇的新地方。 新北市美術館位在鶯歌溪和大漢溪交會附近的三鶯新生地。這裡不只是展覽空間，也有戶外表演場、工作坊和教育活動。它把地方的歷史、自然生態和城市風景慢慢連在一起。 在這樣的變化中，2026 新北市多元文化節也在這裡展開。 這是兩天的音樂節，有 Suming 舒米恩、Ilid Kaolo、A_Root 同根生等台灣原住民音樂人，也有來自不同地方的演出者一起參與。 dongyi trio 是由電子低音提琴、薩克斯風和電吉他組成的三人樂團。這次我們會演出《一種分析辣椒素的方法》裡的作品，也會帶來幾首爵士曲。 我們想用即興的自由、亞洲的港口與港口之間移動的心情，做出一種慢慢進入身體裡的聲音。 dongyi — double bass @justinliao1219 — tenor saxophone @tutu720627 — electric guitar set list 濃淡 — dongyi erufa — dongyi 翫月 — dongyi wind blows — 任仁建 flying grace — steve swallow 📍 新北市美術館 1樓新美聚場及周邊場域 / 免費入場 🗓 5.9 SAT 13:30 #dongyitrio #新北市多元文化節 #WorldFolkClub #新北市美術館

颱風來臨前一小時⋯⋯ 268宜蘭縣五結鄉季水路 #aquarianaudio #H2dX #taiwanoceanambient #수중사운드스케이프채집기 #동해안 #녹음태풍오기한시간전 #台灣海洋氛圍

new profile photo by @lee_kyuchel

謝謝大家來看演出。 在這個很美、也很靠近大自然的空間演出，我們得到很多力量。 謝謝大家跟我們一起做這個實驗：用新的方式，重新理解五十年前 Keith Jarrett 的專輯。 這張專輯以前是為了劇場的大喇叭做的混音。 如果你有機會用大喇叭聽，請一定要聽聽看。 - 《Death and the Flower 2026》 Live Sonic Composition: Four Chapters at Siu Siu 少少 (Primitive Sense Research Laboratory) Chapter 1: Death and the Flower performance with dongyi, @bari.dance Chapter 2: Player performance by @sundialll_sundialll Chapter 3: Great Bird performance by 古谷山 @gu_gu_shan Chapter 4: All Togteher - On the album's inner sleeves Keith Jarrett signed this poem dated on December 5, 1974: Death And The Flower We live between birth and death Or so we convince ourselves conveniently When in truth we are being born and We are dying simultaneously Every eternal instant Of our lives We should try to be more Like a flower Which every day experiences its birth And death And who therefore is much more prepared To live The life of a flower So think of Death as a friend and advisor Who allows us to be born And to bloom more radiantly Because of our limits On Earth Think of this until you realise Eternity And cease to need The illusion of Death But do not do this Before you lose the first great illusion: The Illusion of Life Because To do this You must die Many times And live to Know it 在同一個時間裡交織。 主題源自 1974 年黑膠專輯詩作。 「死亡」與「花」被並置—— 提醒我們，生成與消逝從來同時發生。 每一段聲響與動作如同一朵花： photo by yiroh yih #原始感覺研究室 #타이베이 #원시감각연구소 #양명산자락 #DeathandtheFlower #keithjarrett

Siu Siu 少少 ｜《Death and the Flower》 2026 / 3 / 7（週六） 一場 90 分鐘的即興舞蹈與聲音現場生成。 三組來自韓國、印尼、德國與台灣的藝術家
在山林之中即時創作—— 舞蹈 貝斯、鼓
低音提琴
模組合成器
人聲 @gu_gu_shan @pablo_liebhaber @howtoeatsun @bari.dance @sundialll_sundialll @ramaputratantra @alicahanlica 在同一個時間裡交織。 主題源自 1974 年黑膠專輯詩作。 「死亡」與「花」被並置—— 
提醒我們，生成與消逝從來同時發生。 每一段聲響與動作
如同一朵花： 出現
綻放
消逝 這是一段只能發生一次的時間。 — 日期｜2026.03.07（六）
場次｜15:00–16:30／19:00–20:30
地點｜少少原始感覺研究室 (報名資訊請見IG bio 連結) — 活動內容包含 • 三組即興現場演出（舞蹈 × 聲音 × 即興） • 四國藝術家（韓國 × 印尼 × 德國 × 台灣） • 身體與聲音的相互傾聽 • 山林場域中的時間體驗 • 演後交流（Artist Talk & Q&A）


Siu Siu｜Death and the Flower March 7, 2026 
A 90-minute live improvisation of dance and sound. Three acts from Korea, Indonesia, Germany, and Taiwan
create in real time within the mountains of Siu Siu. Dance、bass
Double bass
Modular voice synth
Voice、drums Interwoven in one shared moment. Inspired by a 1974 vinyl and its inner poem,
“Death” and “Flower” are placed side by side—
where ending and becoming happen at once. Each sound and movement
appears, unfolds, and fades
like a flower. This is not a reproduction,
but a time that happens only once. — Date｜March 7, 2026
Sessions｜15:00–16:30 / 19:00–20:30
Venue｜Siu Siu Lab of Primitive Sense Registration link in bio. — Program includes • Three improvised duo performances
• Artists from four countries
• A shared listening space of body and sound
• Mountain site experience
• Post-performance Q&A 
#improvisation 
#contemporarydance 
#experimentalmusic 
#liveperformance 
#soundart

EAR DUCT,US Out Now ! 금일 정오 Ear duct,us (2025)가 발매되었습니다. 이어덕투스는 올해를 시작으로 동시대의 여러 공간과 환경 속에서 듣기와 소리, 귀와 몸, 그리고 우리의 관계에 대한 인식과 이야기를 이어가고자 합니다. 이 음반은 그 첫 해인 2025년의 시간을 갈무리하는 기록이자, 듣는 여정을 향해 네 연주자가 건네는 애정 어린 👂🏻 초대입니다. 함께 소리를 담아주신 동이, 선아, Olivier님과 브릭월 사운드 효민 감독님, 앨범 커버를 위해 열일해주신 Obo님, 로고 디자인의 주현님, 프로젝트 전반에 큰 힘을 실어준 현진 PD님과 한국문화예술위원회에 감사의 마음을 전합니다. 이 음반이 모두의 귀에 닿을 수 있기를 바라며, 연말 잘 마무리하시고 새해 복 많이 받으세요 ! 지금 국내외 주요 스트리밍 서비스에서 감상하실 수 있습니다. | Tracklist | 1. 4 Bells 2. Tides 3. Twittering, Fluttering, Trembling 4. Sharp-tongued | Credit | Produced by Yeji Kim All music improvised by Yeji Kim, dongyi, Jo Seon Ah, Olivier Marin All music recorded, mixed and mastered by Hyomin Kang @brickwall_sound Assisted by Chae-eun Kim Haegeum - Yeji Kim Viola d’amore - Olivier Marin @oliviermarinalto Gayageum - Jo Seon Ah @kim_mohmo Double bass - dongyi @howtoeatsun Artwork by Obo Yim @yimobo_oboyim Logo by Juhyun Lee @o_woool Supported by Arts Council Korea @arkokorea Digital distribution by KDM @kdigitalmedia_official

ACC × Kyrgyz National Theatre Co-production [Semetei] Highlights Performances * 2025.11.28–29 ACC Theater 1 (Gwangju, KR) * 2025.12.11–12 Kyrgyz National Opera and Ballet Theatre (Bishkek, KG) Cast * Spirit — Ji Jeongnam * Bakai — Cho Haseok * Chiyyrdy — Kim Jiyeon * Kobosh — Kim Seonghwan * Semetei — Park Dusu * Kanykei — Oh Sunah * Jakyp — Gil Deokho * Bakdoolot — Park Miyeong * Kulchoro — Kim Sangwoo * Aichurek — Kim Yuri * Abyke — Lee Gilhan * Epic Singer — Duishonalieva Rakhima * Temirkhan — Baizakov Maksatbek * Sarytaz — Narbai uulu Yimanbai * Ismail — Esengazy uulu Nurbek * Karakun — Asanakunova Begaiym Musicians * Drums / Synthesizer / Guitar / Voice — Rémi Klemensiewicz * Komuz — Zhaiylov Mars; Nasirova Lira ; Turdueva Aitegin * Domra — Tilekov Aibek * Kyl kiyak — Kenzhegulova Aliia * Double Bass — dongyi Creative Team * Director — Yu Yeongbong * Playwright /Adaptation — Kim Gyeongju; Yu Yeongbong; Kang Hungu * Music Director — Rémi Klemensiewicz * Associate Director — Jeon Jungyong * Set /Scenic Design — Jan Štěpánek * Choreography — Ryu Janghyeon * Lighting Design — Kim Seonggu * Assistant Lighting Designer — Ji Soyeon * Lighting Programmer — Yun Su * Sound Design — Park Sanghyeok * Sound Engineer — Park Sangeun * Costume /Makeup Design — Lee Jeonghee * Stage Manager — Choi Jeonghwan * Assistant Stage Manager — Kim Taeyong * Subtitles — Seong Dain * Voice Therapy — Kim Jinyoung * Assistant(Voice Therapy) — Kim Jiyeon * Assistant Director — Kim Seungdeok * Coordinator — Song Gwonsuk * Assistant Coordinator — Jang Hani * Tour Management — Art Company Slove * Production PD — Lee Jeongeun * Stage Production — Sewon Stage Art * Interpreters — Tilekberdieva Nurzhan; Raupova Nargiza Abduvalievna; Nurgazy Kyzy Meerimgul ACC Staff * Stage Manager — Baek Yongmin * Sound Director — Kim Wangmin * Lighting Director — Kim Gyeongeun * Director of Photography — Kim Sunwoo * House Manager — Lee Gisu * Company Managers — Lee Sihyeon; Kim Dain * Producer — Kim Jongwon Presented by * National Asian Culture Center (ACC) Produced by * National Asian Culture Center (ACC) * Ministry of Culture of the Kyrgyz Republic #Semetei #Семетей #asianculturecenter #키르기스탄전설

키르기스탄 수도 비슈케크 한가운데에는 소련시절부터 80년 가까이 공연이 이어져 온 국립 오페라·발레 극장이 있습니다. 이번주에 올해 마지막 공연을 요기서 합니다. 그럼 20000 I’ve just arrived in Bishkek, the capital of Kyrgyzstan. I’m here as the double bass and electric double bass player for “Semetei,” a project based on the Kyrgyz heroic epic produced by the Asia Culture Center in Gwangju, and this week we’re preparing a performance that will be broadcast live across Kyrgyzstan. Manas and Semetei are part of a grand Central Asian epic that keeps asking, through war, return, blood and memory, what it means to be a hero. For the past few years I’ve been working with East Asian ports, diaspora stories and traditional music, and now it feels as if that gaze has reached all the way to Central Asia. The questions that have accumulated while moving between the Korean Peninsula, Taiwan, Japan and China are now stretching out to meet the language of mountains, steppes and nomadic myths, so excitement and tension rise together. During my time here I want to keep holding onto this question: “From my position in East Asia, how will I look at Central Asia, and how will I listen to it?” After last month’s performance at ACC in Gwangju, I’m now preparing for a show in this old Soviet-era theatre in Kyrgyzstan, catching the small moments that arise along the way. It feels as if, between the Korean Peninsula, Taiwan and Bishkek, an invisible hexagram is quietly opening. I hope all of you are doing well wherever you are. “To survive amid war and ruins, the birds slip into the armor abandoned on the ground, hiding their bodies there, choosing blood-stained armor instead of nests.” (from the song “Birds Inside the Armor”) - В Бишкеке покажут спектакль «Семетей» — современное прочтение эпоса «Манас», созданное при сотрудничестве Кыргызстана и Кореи. Постановка уже успешно прошла в Кванджу. Спектакль отличается ярким светом и современной сценографией. Это важный шаг культурного обмена и продвижения кыргызского наследия. 📅 11–12 декабря, 19:30 📍 Театр оперы и балета Вход свободный. photo credit @piano_maan #cemetei #Kyrgyzstan #吉爾吉斯斯坦 #キルギスタン #키르기스탄 #국립아시아전당 #중앙아시아

저는 ACC 국립아시아문화전당과 Kyrgyz National Opera & Ballet Theatre가 공동제작한 음악극 〈세메테이〉에 악사로 참여하기위해 지난주 부터 광주에 와있습니다. 중앙아시아 영웅 서사시 <마나스>를 지금의 시선으로 다시 들여다보며, 작품은 한 가지 질문을 집요하게 따라갑니다. “영웅은 원래 강한 존재였을까, 아니면 약함을 숨기기 위해 영웅이 될 수밖에 없었던 걸까.” 음악은 이번 작품의 핵심 대사(언어)입니다. 음악감독, 퍼포머 Remi Klemensiewicz는 작년부터 키르기스탄 전통 연주자들과 협업하며, 코무즈·키야크·돈부라의 선율을 전자 사운드와 결합시켰습니다. 그리고 저의 어쿠스틱 더블베이스와 전자 더블베이스가 장면마다 교차하며 전체 서사에 긴장과 감정을 입힙니다. 이번 주 광주 ACC공연은 오는 12월 키르기스탄 국립오페라발레극장 무대를 앞둔 공식 상연입니다. 수년 간, 서로 다른 언어·국가·문화의 창작진이 함께 쌓아온 시간들을 관객 앞에 새롭게 놓이는 자리이기도 합니다. 개인적으로 아주 기대 하고 있습니다. *(원작) 마나스 대서사시: 천 년간 구전되어온 키르기즈 민족영웅 마나스 일가의 3대에 걸친 일대기를 그린 세계에서 가장 긴 영웅서사시(길이가 약 50만 행으로 추정). 세메테이는 마나스의 아들이자 두 번째 서사의 주인공이다. *지인 티켓할인 가능하니 관심 있으신분들은 저에게 DM 주세요! —- 〈SEMETEI〉 2025 — International Co-production Asian Culture Center (ACC), Gwangju, South Korea 11.28 (Fri) · 19:30 11.29 (Sat) · 14:00 Kyrgyz National Opera & Ballet Theatre, Bishkek, Kyrgyz Republic 12.11 (Thu) – 12.12 (Fri) · 19:30 공식 예매 https://naver.me/GlGLzGyp 주최·제작 국립아시아문화전당(ACC), 키르기즈공화국 문화부 협력극장, 키르기즈공화국 국립오페라발레극장 Credits 연출｜유영봉 극작/각색｜김경주 · 유영봉 · 강훈구 협력연출｜전중용 음악｜Remi Klemensiewicz 미술｜Jan Štěpánek 안무｜류장현 조명디자인｜김성구 (조명어시스턴트디자인: 지소연 / 조명프로그래머: 윤수) 음향디자인｜박상혁 (음향엔지니어: 박상은) 의상·분장디자인｜이정희 무대감독｜최정환 (무대조감독: 김태용) 자막｜성다인 보이스테라피｜김진영 (서브: 김지연) 조연출｜김승덕 ACC 무대감독｜백용민 ACC 조명감독｜김경은 ACC 음향감독｜김왕민 ACC 촬영감독｜김선우 코디네이터｜송권숙 · 김다인 · 장하니 컴퍼니매니저｜이시현 투어매니지먼트｜아트컴퍼니 스럽 프로듀서｜김종원(ACC) · 이정은 배우 출연진(KR) 지정남 · 조하석 · 김지연 · 김성환 · 박두수 · 오선아 · 길덕호 · 박미영 · 김상우 · 김유리 · 이길한 배우 출연진(Kyrgyz Republic) Baizakov Maksatbek Mamatkulovich · Narbai Uulu Yimanbai · Duishonalieva Rakhima · Asanakunova Begaıym · Nurbek Esengazy Uulu 연주단 France ｜Remi Klemensiewicz (신디사이저·드럼·기타·코무즈) Korea｜dongyi (콘트라베이스) Kyrgyz Republic｜Zhaiylov Mars (코무즈) · Kenzhegulova Aliia (코무즈) · Nasirova Lira (코무즈) · Turdueva Aitegin (키야크) · Tilekov Aibek (돈부라) photo credit @piano_maan #Kyrgyzstan #吉爾吉斯斯坦 #キルギスタン #키르기스탄 #중앙아시아음악