My new collection of paintings, Warm Winter, is here 🤍
Inspired by a winter that felt like it never fully arrived. Days that held crisp mornings and sun drenched afternoons that felt like full-fledged spring.
I worked through each piece slowly, one at a time, letting pigment and water move across raw surface. Watching it settle, resist, absorb, flow.
Over time, the process began to mirror the season itself, asking me to release expectation and simply stay present with whatever came.
Because the process never perfect.
Colors dry differently than you expect. Canvas isn’t woven evenly. Paint moves in ways you didn’t plan for. Marks appear that don’t always feel right.
And instead of correcting it, I’ve learned to follow it. To stay open to change, because it’s the only constant. Much like a winter that never arrived as expected.
The paintings carry this rhythm.
An imperfection. A humanness. Movement. Impulse.
They hold memory and energy beneath the surface.
Read the full write up on the collection on my blog—Studio Interlude—and explore the work on my site 🤍
Ember of Eventide
A study of the elements: fire in the warmth of sienna, water in the slow flow of pigment, and earth in the quiet grounding of the walnut frame. Painted on a finely woven, semi-sheer ground that allows light to move through the surface, softening each layer into quiet translucence.
40 X 40 IN
A year in this house and the studio I always dreamed of is finally becoming real.
Framing. Electrical. Skylights. A door made of glass for alllll the natural light. It’s happening.
The full story went out to my newsletter subscribers this morning. Not on the list yet? Link in bio. 🤍
‘Sundrenched’
2026
Framed in solid walnut
Named for where it was made: outside in the grass, the sun warming each layer so quickly it left beautiful watermarks in the cotton. 🤍
