HEAD – Visual Knowledge

@head_visualknowledge

Master Visual Knowledge 👁️MAVK👁️ A core of Design in Context & Image Theory, expanded through graphic design specialisations. @headgeneve
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Meet @romankarrer , graphic designer, researcher, and occasional editor and publisher. His practice focuses on the development of visual systems and vocabularies, taking forms such as publications, visual identities, websites, maps, and visual research across cultural, architectural, artistic, and pedagogical contexts. He understands graphic design and the closely related practices of publishing and structuring as an epistemic field, and explores how visual systems, infrastructures, tools, and forms of individual and collective agency shape the production and circulation of knowledge. Cartographies in Practice – Mapping as Situated Discourse Co-taught with geographer Pieroni Raphaël, the seminar examines the diversity of maps and their uses across historical and contemporary contexts. It fosters a critical understanding of mapping practices and their regimes of representation, with an emphasis on the analysis and construction of spatio-temporal narratives. Through research-led collective making, students explore map production as an operative method that oscillates between analysis, translation, and critical knowledge production. Schematic, diagrammatic, and infographic approaches are used as tools for constructing situated arguments. This semester, in collaboration with @Amnesty_Suisse and their ongoing global campaign #ProtectTheProtest, students work with datasets of different protests in Switzerland to develop critical visual research. The course is further informed by contributions from guests such as Michaela Mumenthaler (investigative journalist at RTS), Lukas Hamilcaro (architect–illustrator), and other practitioners from related fields. 1: Contre-Courant with and for ALICE Y1, 2020/21. 2: Leaflet for EPFL Architecture PDM 2024, w/ Sandi Gazic. 3: Just City for Urbane Praxis e.V., Berlin 2024. 4+6: The (Real) Book, with and for ALICE Y1, 2019/20. 5: Editorial design for Prix Meret Oppenheim 2025. 7: Monthly program for Floating University Berlin, 2023.
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2 days ago
Corpus Collecting, ordering, re-presenting. A week dedicated to making, not researching. During the workshop led by @maximewoeffray @forma.editions students worked with archives as raw material, books, catalogues, and fragments from the @room_and_book collection. Working in pairs, they chose a simple theme and pushed it as far as possible through selection, editing, and composition. Making decisions, letting things go. Shaping a corpus without words only through images, rhythm, and layout. The outcome: a black & white risograph publication, each pair developing three spreads. A collective process with daily feedback, guided by one key constraint: make ideas visible.
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5 days ago
Corpus Collecting, ordering, re-presenting. A week dedicated to making, not researching. During the workshop led by @maximewoeffray @forma.editions students worked with archives as raw material, books, catalogues, and fragments from the @room_and_book collection. Working in pairs, they chose a simple theme and pushed it as far as possible through selection, editing, and composition. Making decisions, letting things go. Shaping a corpus without words only through images, rhythm, and layout. The outcome: a black & white risograph publication, each pair developing three spreads. A collective process with daily feedback, guided by one key constraint: make ideas visible.
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18 days ago
SAVE THE DATE! Wed, April 15 1-2 PM Building H-1.20 TALKS Visual Knowledge × @maximewoeffray @forma.editions We are excited to introduce Maxime Woeffray, a Swiss-born designer and publisher based in London, who will share insights from his independent design practice, focused on image and typography, with a careful consideration of materiality and form. Working across print and digital media, Maxime collaborates internationally with artists, brands, and cultural institutions on projects ranging from brand identities to book design and art direction for still and moving image. In addition to his design practice, he founded Forma Editions, a publishing house dedicated to artists’ debut books and long-term collaborations. The imprint produces small-run art books and limited editions with a queer focus, developed closely with artists and photographers exploring sexuality, gender, and the male form. Forma Editions reflects Maxime’s ongoing engagement with print culture and the book as both an activist and aesthetic object. @headgeneve
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1 month ago
A student journey Meet Auriane Locatelli @aurianeloca Auriane Locatelli’s practice focuses on developing modular systems and generative tools that make design more accessible and autonomous. Working across web, installation, posters, and editorial formats, she combines analog, digital, and generative approaches. With a background in Visual Communication at HGK Basel, she explored UX/UI, data visualization, digital identity, spatial design, and generative tools. Motivated by questions around the social and ethical impact of images in contemporary information flows, she joined the Master Visual Knowledge to develop visual languages that clarify, support, and make complex information more accessible and inclusive. Admissions are open: more infos in bio.   #HEADGeneve #MasterVisualKnowledge #VisualKnowledge #DesignEducation #CreativeStudies   @headgeneve
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2 months ago
POSTER TEMPOREL led by @johanneroten In this project, students created a timeline poster in the form of a calendar for the year 2026. The work was based on the choice of an evolving theme, allowing for the development of a narrative and transformations over time. The project required the implementation of several levels of information, involving clear and legible prioritisation. The students also developed a system of illustrations and graphic symbols, designed as a coherent visual language to accompany the reading of the calendar and structure its content. • Information hierarchy • Graphic system • Visual language • Illustrations • Iconography @headgeneve
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2 months ago
Lecturer! Meet Raphaël Pieroni, geographer and researcher. His work focuses on the intersections of cartography, power, gender, and visual culture, exploring how maps shape and reflect social practices and geographical imaginaries. Visualizing Territories This course introduces students to the diversity of maps and their uses, past and present. They develop a critical reading of maps, question what is shown or hidden, and experiment with alternative forms of mapping through hands-on workshops, using open-source tools to create maps as both analytical and creative tools. @headgeneve
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3 months ago
Apply Now!!! Save the Dates! 📌 Applications: Nov. 17, 2025 – Mar. 23, 2026, 5:00 p.m. Online Portfolio Review: Monday, Feb. 23 and Tuesday, Feb. 24 Register Online All information and registration details are available on our website. @headgeneve
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3 months ago
As part of the exhibition im/permanente at the International Red Cross and Red Crescent Museum, the Master Visual Knowledge program was commissioned to design the Wall of the Movement, the introductory installation of the exhibition journey. Through the course Design in Context, the program’s different approaches are applied to a real-world project, aiming to translate the complexity of the International Movement: its components, its interconnections, and its role within Geneva’s humanitarian ecosystem. The result: proposals for an analog and digital wall, immersive and educational, laying the institutional foundations of the exhibition. @headgeneve
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3 months ago
As part of the exhibition im/permanente at the International Red Cross and Red Crescent Museum, the Master Visual Knowledge program was commissioned to design the Wall of the Movement, the introductory installation of the exhibition journey. Through the course Design in Context, the program’s different approaches are applied to a real-world project, aiming to translate the complexity of the International Movement: its components, its interconnections, and its role within Geneva’s humanitarian ecosystem. The result: proposals for an analog and digital wall, immersive and educational, laying the institutional foundations of the exhibition. @headgeneve
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3 months ago
A student journey Meet Leoni Limbach @leoni_limbach Rooted in drawing and image-making, Leoni Limbach’s practice combines visual design, research, and critical thinking. 
With a background in Art History, Contemporary Philosophy, and Visual Communication at ECAL, she developed an interdisciplinary approach to graphic design. She later worked for two years at Metaloop, designing visual identities for diverse clients. 
Motivated by sustainability and the visual narratives shaping our relationship with the environment, she joined the Master Visual Knowledge to explore content-driven design and new forms of visual storytelling. Admissions are open: more infos in bio.   #HEADGeneve #MasterVisualKnowledge #VisualKnowledge #DesignEducation #CreativeStudies  #DesignSchool #StudentLife #StudioCulture #CreativeCommunity #AdmissionsOpen @headgeneve
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3 months ago
Lecturer! Meet @udvaritibor , a creative technologist. His practice focuses on the development of interactive applications created in close collaboration with designers and artists, combining technical expertise with an interdisciplinary and research-driven approach. He is active in the field of web-based projects and experimental digital tools, often working at the intersection of technology, design, and visual culture. Data Playground This course introduces students to the fundamentals of the web and data visualization. Through hands-on projects, students learn how to structure web pages, integrate multimedia content, and transform data into interactive visualizations. The course emphasizes experimentation and creativity, enabling students to tell stories using both the web and data. @headgeneve
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4 months ago