Gareth Spensley

@gspensley

Film & TV Colourist - @company_3 London /name/nm2287904/
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Weeks posts
Here’s a montage of my work on The Tunnel Sabotage with director @gb1043 for @kudostv & Sky Atlantic. We shot it on Alexa cameras with Arri / Zeiss Masterprime lenses. We had a wonderful cast and crew on it including the wonderful @c_poesy_ #stephendillane #hannahjohnkamen #clarkepeters Producers: @julian_stevens @vickidelow A-cam op: Joe Russell A-cam focus: @samcamlondon Gaffer: Dave Nye Grip: Tony Fabian Colourist: @gspensley
62 2
4 days ago
In The Dark, a 4 part drama for BBC. I shot Eps 1 & 2 for the wonderful director @gb1043 Gilles Bannier. We used an Alexa sensor paired with Zeiss / Arri Masterprime lenses to capture all the beautiful detail of the locations. We kept the visual style subjective and naturalistic often employing a handheld camera and medium focal lengths (27-40mm) lenses to create a powerful immersive style. Graded beautifully by @gspensley it is still available to watch on BBC iPlayer.
50 1
11 days ago
Shining the spotlight on our 2025 nominees! Colourist: Gareth Spensley at Company 3 Category: Theatrical Feature Project: The Phoenician Scheme @gspensley @company_3 #filmlightcolourawards #filmlightcolourawards2025 #colour #colourgrading #postproduction #color #colorgrading #colourist #colorist
66 1
6 months ago
‘Downton Abbey: The Grand Finale’ 🏰 Color | @gspensley Additional Color | @garethhardingthomas Finishing Editor | @julien.mathus Color Production | @hannahmaeperkins + @leighmyers1291 + @miles_gibbons_ Director | Simon Curtis DP | @bensmitharddop Editor | Adam Recht Production Design | Donal Woods The beloved Crawley family returns to the big screen one last time. As the story moves into the 1930s, Lady Mary confronts a scandal that could upend the family’s legacy while Downton itself faces looming financial uncertainty. With futures on the line and new generations stepping forward, the staff and family must adapt to a changing world. The end of an era begins. #DowntonAbbeyTheGrandFinale is now playing in theaters. 🎞️
0 7
8 months ago
Reunion directed by @lukesnellin graded by @gspensley + @garethhardingthomas @company_3 London,  DP | @olliedowneybsc Production Designer | @antonia.lowe5 Editor | @johnnyjrayner + Emily Morrison  Re-Recording Mixer | @jamie_selway_sound   Finishing Editor | Clyde Kellett  Color and Sound Production  | @peisze_wong + jogirlburt + @alpia._ + @anaquiroga__   @bbcfilms Operator I @hembroughgardendesign Key Grip I @phil_w_grips
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9 months ago
'Reunion' Color | @gspensley + @garethhardingthomas Re-Recording Mixer | @jamie_selway_sound Finishing Editor | Clyde Kellett Color + Sound Production | @peisze_wong + @jogirlburt + @alpia._ + @anaquiroga__ Director | @lukesnellin DP | @olliedowneybsc Editors | @johnnyjrayner + Emily Morrison Production Design | Antonia Lowe An emotional thriller of revenge and redemption following the journey of Daniel Brennan, a deaf man determined to confront the truth behind the events that led him to prison. Written by Sheffield-born deaf writer William Mager, the series is a milestone in inclusive storytelling, with a majority deaf cast and crew and extensive use of British Sign Language (BSL). All episodes of #Reunion are streaming on @bbciplayer . 🔊 Learn more about the sound mix in our lnk.bio
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10 months ago
‘The Phoenician Scheme’ 📝   Color | @gspensley   Additional Color | @garethhardingthomas   Dailies | @douggarsidecolourist   Color Production | @jogirlburt + @hannahmaeperkins + @whittyquip + @alpia._  + @oriellaro Director | Wes Anderson  DP | Bruno Delbonnel  Editor | Barney Pilling ACE  Production Design | Adam Stockhausen Wealthy businessman Zsa-zsa Korda appoints his only daughter, a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins. On his continued collaborations with Wes Anderson, Senior Colorist Gareth Spensley shares, "his style invites precision, but always in service of something playful, emotional, and exacting." Catch #ThePhoenicianScheme in theaters everywhere on June 6th.
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11 months ago
‘Mobland’ 💼   Color | @gspensley    Additional Color | @cfranciscolour + @garethhardingthomas    Finishing Editors | Barney Jordan + @tv_by_tc     Color Production | @jogirlburt + @alpia._ + @carolynne_philpott   Directors | @guyritchie + @antobyrne75 + @daniel_syrkin + Lawrence Gough  DPs | @stephan.pehrsson + @sibell1984 + @katznelson.david + @baz.irvine.dop   Editors | Alex Berner + @josmythfilmmaker + Kate Baird + Stuart Gazzard + Adam Green + James Barham + Carly Brown + Emma McCleave  Production Design | @purcell221     A fractured empire. Two rival crime families. And a power struggle that threatens to burn everything down. 🔥💣 As loyalties crack and old grudges resurface, the fight for control gets bloody fast. Catch the smash-hit series, only on @paramountplus
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11 months ago
@montblanc ‘100 Years of Meisterstück’ Color | @gspensley Additional Color | @garethhardingthomas Color Producer | @jogirlburt Director | Wes Anderson DP | @linussandgren_dp Production Company | @thedirectorsbureau Editor | Barney Pilling To mark a century since our Meisterstück was first introduced in 1924, Montblanc has partnered with American director and screenwriter Wes Anderson to create a campaign that journeys into the Maison’s extraordinary world as seen through the filmmaker’s eyes.
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1 year ago
‘Doctor Who’ Season 1 Color | @gspensley Additional Color | @garethhardingthomas Color Producer | @jogirlburt Directors | @julieannerobinsondirector + @benchessell + @dylanholmeswilliams + @jamiedonoughue DPs | Tobias Datum + @jamiecairneydop + @samcare_dop + @chasbain Editors | Tim Hodges BFE + @chrismroebuck + Ben Drury Production Design | Phil Sims The beloved Doctor is back for an all-new adventure through time and space! Ncuti Gatwa is the Fifteenth Doctor and Millie Gibson stars alongside him as Ruby Sunday, in the latest season of Doctor Who. Stream the first two episodes of #DoctorWho now! Doctor Who is produced by @BadWolf with @BBCStudios for @bbc and Disney Branded Television. Season one is available now on @BBCOne and @BBCiPlayer in the UK and Disney+ in the U.S. and around the world, where available.
1,044 4
1 year ago
‘The Wonderful Story of Henry Sugar and Three More’ Wes Anderson faithfully adapts four Roald Dahl short stories in this anthology, led by the Oscar-winning tale of a gambler who masters an amazing skill. Stream all four short films only on @Netflix . Color | @gspensley Add’l Color | @garethhardingthomas Finishing Editor | Justin Eely Dailies | @doychinmargoevski Color Producers | @jogirlburt + Hannah Perkins Director | Wes Anderson DP | @robertyeomanasc Editors | Barney Pilling + @andreweisblum Production Design | @adamstockhausen #HenrySugar #Netflix #WesAnderson #ColorByCO3 #finishing #dailies #postproduction #shorts #shortstories #film #BenedictCumberbatch
1,126 5
2 years ago
‘One Day’ Supervising Color | @gspensley Additional Color | @garethhardingthomas Finishing Artist | Justin Eely Color Production | @jogirlburt + @alpia._ Directors | @mollymanners + @katehewittme + @johnhardwickfilms + @lukesnellin DPs | @nickcookecine + @titoterrez + @jonasdop + @olliedowneybsc Editors | @m1kej0ne5 + Peggy Koretsky + Frank Frumento + Robin Peters + Julian Ulrichs Production Design | @padski66 Will they or won’t they? 👀 After spending graduation night together, Emma and Dexter go their separate ways — but their lives remain intertwined. Based on David Nicholls’ novel, #OneDay is streaming on @Netflix . #Netflix #episodic #ColorByCO3 #finishing #postproduction #nowstreaming #series #tv #AmbikaMod #LeoWoodall
857 11
2 years ago