Artist of Liminæ 2025
| Cheryl | @qchen377
As a performance maker with four years of stage design training, I am deeply passionate about the visual aspects of performance. In my creative practice, I am now exploring my role as a performance artist, reexamining the relationship between body and space while seeking new inspiration through bodily perception.
#goldsmiths #performancemaking #performanceart #artist #goldsmithsuniversity #art #festivial #graduation #finalplay
Artist of Liminæ 2025
| Yu-Fang Fu (Evelyn) | @__nyl.eve__
Hello, I’m Yu-Fang Fu (Evelyn), an artist from Taiwan.
I graduated from the Department of Drama at the National Taiwan University of Arts, with a background in acting, performing, and directing. My artistic interests focus on site-specific, intimate, and interactive forms of performance and installation. I’m particularly inspired by the work of Bobby Baker.
My practice is rooted in everyday life. I strive to create works that are accessible and relatable, while still inviting contemplation and offering layered insights.
#goldsmiths #goldsmithsuniversity #performance #performanceart #art #artist #graduation #festival #finalplay
Images from Liminae, a festival of new experimental theatre works from graduating students on MA Performance Making.
The performances took place in front of a live audience over three days, with installations open to the public a day prior.
Work pictured:
- A Doll’s Odysseus - Hui Li (Betty), Chen Jin, Shuhan Zhang (Seven)
- KAYA - Ang Xiao Ting
- The Industrial Garden Town - Amy Fincham
- Beings.exe - Moo-Ting Chang, Liang Tu (Ray)
- Last Seen At 00:00AM - Ku Man-Yun, Alistair Beeson, Gene (Cheng-Yu Lee)
- Sismographie du silence - Jorly // Lilac Red, Yu-Fang Fu (Evelyn)
- Where All things Pass Through - Jiaxi Zhang, Zihe Yuan (Hozic), Han Wang, Qianyu Chen (Cheryl)
- This Is Where It Opened - Zihui Jia, Janset Guney, Alice Fan
Sismographie du Silence
This is an installation featuring a 40-minute performance rooted in the philosophical structure of dépassement du sujet—the collapse and transcendence of the subject, inspired by Georges Bataille. Through material resistance, bodily exhaustion, and the collapse of language, it gradually dismantles the boundaries of the self.
The spatial structure resists theatrical representation; it is not a locus of character or narrative, but rather a permeable field where the disintegration of the subject intersects with the spectators’ gaze. In this fluid zone, boundaries between interior and exterior, action and observation, presence and
disappearance become indistinct, allowing the performance to function as an existential threshold.
Artists: @_leslarmesderos@__nyl.eve__
Where All Things Pass Through
Sheer fabric floats over grass, breathing with wind and touch. Visitors step inside this ”empty body,“ feeling how the body’s edges shift and blur as we move through space.
This space is where things inside meets what‘s outside, where our touch and nature’s force reshape our changing edges.
We‘re four creators exploring the presence of our body. We set aside rationality and logic, starting instead with what we feel. For us, the body exists as both an outer sensing surface and an inner vessel of experiences, creating a constant dialogue that shapes our presence and questions our boundaries.
In our piece, “empty” is not absence, but an open space where everything flows through freely. This creates a place where boundaries become permeable and we perceive beyond physical limits.
artists: @hozicaaa@zoe_mucosa@han7wang@qchen377
This is where it opened.
“There is something bad here, growing. Day and night I watch it. Growing. My mother is where it begins.” - Elektra, Sophokles (tr. Anne Carson)
A red cube at the centre. Inside, a child. Outside, a woman trying to clean the stain that will not come out. A wound passed down through generations—unnamed, unchosen, inherited. In a charged, symbolic space, two performers enact a ritual of return and refusal. One enters the red cube, where memory lives. Another peels open the space of the mother: a cube that breathes, ruptures, contains. Together they attempt a cleansing—not to erase, but to expose.
Blending visual performance, poetic text, and feminist ritual, This is where it opened. explores the legacy of maternal pain, the violence beneath love, and the impossible work of healing what was never yours to carry.
artists:
@janset_@alicefan2000@h_ui_2001
#goldsmiths #goldsmithsuniversityoflondon #liveart #performance #performanceart #finalshow #performancemaking #art #liveperformance #festival #degreeshow
Imagine a world where words dissolve, and human connection flows through the language of movement and sound. This narrative traces the evolution of emotional bonds across a lifetime, brought to life by dancers whose motions, captured through sensors, weave intricate soundscapes. Interlaced with lighting, this interplay guides audiences into a exploration of the delicate interplay between sound, emotion, and physicality.
artists:
@rayt3ooo@mooting_roam199
Last seen at 00:00 AM
Our show explores the nature of human behaviour. We shall curate an environment for an audience to become willing test subjects in order to explore the concepts of obedience, defiance and group mentality.
Here, theatrical and psychological influences are combined, with audience participation seen from Companies such as Punch Drunk or Ontroerend Goed, meeting the Milgrim and Stanford Prison psychological experiments. Our company is a fusion of two Taiwanese performers with multi-discipline backgrounds, including drag, stage acting and multi-instrumentals, with the British-based stage writing, directing and acting expertise of the third member.
artists:
@may_lee86123@alistairbeeson@man_yun_ku
LIMINÆ 2025!
📌What’s On
Wed 25 June — Installations only (FREE) | Doors 6 PM
Thu 26 June — Performances from 7 PM | Doors 6 PM
Fri 27 June — Performances from 6:30 PM | Doors 6 PM
Sat 28 June
• Matinee 2:30–5 PM (Doors 2 PM)
• Evening 7–9:30 PM (with interval)
🎟️ Tickets:
• Single Slot: £8 / £5 concession
• Bundle A (Thu + Fri): £12 / £7
• Bundle B (Sat Matinee + Evening): £12 / £7
(Each performance ~40 mins, with 10–15 min interval)
⚠️ Some works include mature content (e.g. nudity, strong language).
Full info in bio
Goldsmiths, University of London
June 25–28
Imagine by @hozicaaa@ferri2580000@h_ui_2001 #goldsmiths #performance #performanceart #art #finalshow #theatre #goldsmithsuniversity #performancemaking #performancemaking2025
KAYA
KAYA is an edible performance lecture tracing Ang’s Southeast Asian roots through taste and time glitches. Join her on an intimate journey of the uncanny - traversing cultural dislocation and sticky histories.
artist: @angxiaoting
each performance can only accommodate 5 audiences - do register after you purchase a ticket. The form link is in the IG bio.
@gsmiths_performancemaking #goldsmiths #performance #performanceart #art #finalshow #theatre #goldsmithsuniversity #performancemaking #performancemaking2025
