Save the date to join us for ‘Listening by Moonrise’ in conjunction with ‘Songs of Emerging Endangerment’ a Clockshop public art commission and sound installation by TJ Shin. The program will feature performances by artist Ivana Dama @ivana.dama and transmedia project Ears to the Ground, @groundtotheears reflecting on the possibilities and implications of scientific instrumentation and field recording.
RSVP at Clockshop.org/events or at the link in our bio.
‘Reading & Listening by Moonrise’ is a seasonal series held on the eve of the full moon (or as close to it as possible) featuring performances and immersive sound experiences with multidisciplinary sound and performance artists, writers, and poets. This program offers listeners moments of reflection, connection, and joy within a community-centered green space. Starting at the Bowtie Project on the LA River in 2015, these programs are held in various locations, including LA State Historic Park and Clockshop.
#ClockshopLA #ListeningbyMoonrise
Ears to the ground special vinyl set out now on @dublab feat some of these incredible records from all over the world. Also feat the music of @microwave.blues@ayushsayalkar@nayidillise@nwando_ebizie and many more, plus a snippet of me playing the medium 🌀
Archive is up for anyone that wants to tune in 🐚
while diving deep into the connections between farmers, native ecologies, and the soundscapes of endemic habitats, we stumbled upon Sanaya and Krishna’s project, Ears to the Ground. this duo is exploring exactly what we’ve been intrigued by, and it’s incredible to see this exploration come to life. 🦜
Ears to the Ground is a trans media project founded by Krishna Jhaveri and Sanaya Ardeshir that investigates listening practice through sound-forward spaces, experiences, installations,
performances and community gatherings.
we so xcited to have them in the fold 🤲🏽
Special session at @dublab this week exploring strange and beautiful sounds from all over the 🌍 including some incredible cross cultural collaborations! Using the @animalfactoryamps godeater in parallel to add harmonics, movement and sometimes just all out distortion in this mix. Tune in via the link in bio 👂🏽
aural pleasure is right around the corner !!
not only will we expand our sensory exploration at this dinner service, but we’re also welcoming a creative duo that inspires us deeply ~
smell, one of our earliest-evolved senses, bypasses the thalamus, the brain’s relay station and travels directly to the amygdala and hippocampus. this connection links scent to memory and emotion in a way no other sense can. since flavor is largely driven by scent, we wonder: what can we evoke by sharing a carefully curated meal?
@citizenkna and @sandunesmusic of @groundtotheears will be joining us in complementing, and subverting, our expectations of sound and sustenance.
bar menu will be infused with local @tomorrow.la libations
more to come :)
💌rsvp thru guestboard link in bio💌
Ears to the Ground featured on @dublab end of the year guest highlights. In great company here - tune in at 8am PT/9.30pm IST for a dreamy morning/late night 🌀🧠⚡️
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You can also listen to all our dublab mixes exploring field recordings, sound art, electronic music archives and current practitioners carrying on the spirit of experimentalism via the link in our bio. Happy listening!
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📷 @nachiket_parchure
The Medium. Serendipity Arts Festival 2024. Interactive object & site specific sound installation. Curated by @veequine and built in collaboration with @dspax .
Poem translated to Braille by Sachin Chikne (Victoria Memorial School for the Blind, Tardeo, Mumbai)
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Grateful for all the hands that have come to play and experience it this week 🙏🏽 Tombstone text below 🔽
A flood of grief flows downstream
stillness reflects back
a sunbeam
time here is brief
echoes of a voice
it’s grit and timbre
sprouting clouds
a falling leaf glows amber
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Touch is the very last sensation to ‘go’. As we near the end of our lives, our sensory apparatus starts to wither, we lose our memories, our sight and sense of hearing deteriorates and often connection to family as the knowledge of our very identity gets lost. But often touch stays intact - the last frontier of sensory decay and decomposition. For those of us left behind with family (real or chosen) that have transitioned to their non-physical states, we yearn for the tricks our minds tend to play to be able to hear their voices, or catch glimpses of them as we contend with the absence of their touch.
Inspired by the Ouija Board, the Medium invites visitors to explore the interpolation of sound and touch. Through experiments in psychoacoustics, noise, and intentional listening, we’re seeking to unlock new pathways to personal and collective connection with ancestral lineage, emotional inheritance and belonging.
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2nd last slide for the tartini tones 🫠🫠🫠
Join us at the Old GMC for an immersive exploration of touch, sound, and memory! Curated by Veerangana Solanki, this groundbreaking exhibition blurs the lines between senses, inviting you into a world where art becomes a living, breathing experience.
Dive into a realm where every touch, sound, and memory creates a unique sensory landscape. Discover how art can be felt, heard, and experienced beyond traditional boundaries. Meet our incredible artists: Alan Rego, Devika Sundar x Nikhil Narendran, Moushumi Bhowmik, Nishant Shukla, Dennis Peter/ Non-Linear, Noni Mouse, Paul Purgas, Philippe Calia, Raqs Media Collective, Reetu Sattar, Ears to the Ground (Krishna Jhaveri X Sanaya Ardeshir), Sarah Bahr, Surabhi Saraf, Tarun Balani, and Vishwa Shroff!
Venue: First Floor, The Old GMC Building, The Old GMC Complex
Date: 15–22 December
Time: 10:00–19:00
🕒 Don’t miss this extraordinary visual arts and performance event!
#AHapticScore #VisualArts #SensoryExperience #ArtExhibition #Performance #Panjim
