GRIMM

'Arrow to arrow' is part of Francesca Mollett’s new exhibition ‘Buried shadow’, now on view at the New York gallery. A narrative behind subject matter provides a means for thinking about time. 'Arrow to arrow' depicts a shadow across the stairs of a bridge in Burgess Park in South London. The park was created in the aftermath of the Blitz, and the once well-used canal beneath the bridge was later buried. The transatlantic poet H.D. would speak of a rip in time that happened in the Blitz in London, between ancient time and local time. In ‘The walls do not fall’, she speaks of the frameless doorways that become like shrines and passages, and a burnt apple tree flowering. This bridge is like a mark of that tearing, existing outside of the context that created it, but it is also a painting about the force of a colour and how it can be misremembered. ‘Buried shadow’ is on view until June 18, 2026, at GRIMM, New York, NY (US). Images: Francesca Mollett 'Arrow to arrow' 2026 Oil on linen, diptych 250 x 360 cm | 98 3/8 x 141 3/4 in Installation view by GC Photography #francescamollett #soloexhibition #newyork #grimm #grimmgallery

We are delighted to present Francesca Mollett’s new solo exhibition ‘Buried shadow’, opening at the New York gallery today! Join us and the artist for the opening reception from 6 to 8 pm, coinciding with Tribeca Gallery Night. The exhibition is on view until June 18, 2026, at GRIMM, New York, NY (US). Installation view by GC Photography #francescamollett #tribeca #grimm #grimmgallery

Francesca Mollett’s new exhibition ‘Buried shadow’ opens at the New York gallery tomorrow, May 15. Join us and the artist for the opening reception from 6 to 8 pm! Mollett’s paintings pulsate with life and energy, representing the seen effect of a phenomenon through both its physical form and the intensity of feeling experienced towards it. Marks on the canvas can be both delicate and seemingly hesitant, or direct and certain, seeking an exactness of expression in the fluctuation between moods that happen all at once, or brighten and dull momentarily, like weather. The quickness of transitions between impulse and consideration locate the paintings in a kind of prickly time; an awareness of times past within the painting, and the difficulty of marking, or coming into, the present. The exhibition will be on view from May 15 through June 18, 2026, at GRIMM, New York, NY (US). Image: Francesca Mollett ‘Passage' 2025-2026 Oil on linen 240 x 180.3 cm I 94 1/2 x 71 in #francescamollett #soloexhibition #newyork #tribecagallerynight #grimmgallery

'What’s on display beyond each ominous gate is what makes Harrison’s work really intriguing. From marble statues to crashed cars, each object has been painstakingly positioned within this industrial frame. Describing these jarring openings, Harrison sees them as an attempt to create tension. A balance of light and dark, open and closed, metal and fabric. Just one note away from harmony, he tells me, like that discordant, jazzy note that doesn’t quite fit.' - Pete Mercer for Corridor8, 2025 Image: Tommy Harrison 'Display II’ 2025 Oil on linen 200 x 270 cm | 78 3/4 x 106 1/4 in #tommyharrison #grimm #grimmgallery

Highlight: ‘materials worlds’ a recent retrospective of Michael Raedecker’s work at the Kunstmuseum in The Hague (NL) in 2024. Wishing Michael Raedecker a very happy birthday! “All the paintings in this exhibition are about our presence and our visual absence in relation to our surroundings, both indoors and outdoors”, Raedecker explains. “The landscape, the suburban environment where nature meets homes built by humans. The paintings show where we live, the outside of the interior and also the variety of things we collect to make the environment we live in personal and domestic. I observe, translate and prompt people to think about ‘where’ we exist.” Images: Installation views of ‘material worlds’, @kunstmuseum.nl , The Hague (NL), 2024 Michael Raedecker ‘target' 2016 Acrylic and thread on canvas 180 x 120 cm | 70 7/8 x 47 1/4 in Michael Raedecker ‘kismet’ 1999 Acrylic and thread on canvas 217 x 270 x 11 cm | 85 3/8 x 106 1/4 x 4 3/8 in Collection of @vanabbemuseum Michael Raedecker ‘overnight' 1998 Oil, acrylic, veneer, wool and thread on canvas 187.9 x 147.5 x 7.5 cm | 74 x 58 1/8 x 3 in Collection of @tate #michealraedecker #kunstmuseumthehague #grimm #grimmgallery

Francesca Mollett’s upcoming solo exhibition ‘Buried shadow’ opens at the New York gallery this Friday, May 15. Join us and the artist for the opening reception from 6 to 8 pm, coinciding with Tribeca Gallery Night. The exhibition will be on view from May 15 through June 18, 2026, at GRIMM, New York, NY (US). Images: Francesca Mollet, 2023, by Hannah Burton [@___hannahburton ] Exterior of GRIMM, New York, NY (US) #francescamollett #soloexhibition #tribecagallerynight #grimmgallery

Angela Heisch builds her compositions through repeated motifs, curving forms, and delicate gestural lines. Drawing on organic structures, natural patterns, and cosmic phenomena, her surfaces pulse with energy and quiet tension. Many works appear lit from within, their glow refracting and spilling across layered planes and ambiguous landscapes to create a sense of movement and unfolding narrative. Light is captured, dispersed, and reframed by surrounding structures, producing moments of balance between pressure and release. Image: Angela Heisch '1, 2, 3' 2025 Oil on linen over panel 38.1 x 25.4 cm | 15 x 10 in ‘1, 2, 3’ is part of Angela Heisch's current exhibition ‘Gleaming Containment’ at Yi Space in Hangzhou (CN), on view until June 22, 2026. Courtesy @grimmgallery #angelaheisch #grimm #grimmgallery

Working from a vast archive of negatives, Dirk Braeckman’s images often feature dissonant landscapes, architectural motifs and obscured subjects clipped from their original settings. In 'L.J.-L.S.-22', a female sitter is shown looking away from the camera. Looking at the back of her soft veil of hair and the angle of her shoulder, they differ from the conventional portrait format, in which the sitter faces the lens and establishes a direct connection with the viewer. By having the sitter turn her face or body away, Braeckman moves away from a traditional portrait and instead opens the image to a more ambiguous, vernacular interpretation. 'Although' Braeckman’s first solo exhibition in the United Kingdom is currently on view at GRIMM, London (UK). Image: Dirk Braeckman 'L.J.-L.S.-22' 2022 Ultrachrome inkjet print mounted on aluminium support in stainless steel frame 60 x 40 cm | 23 5/8 x 15 3/4 in #dirkbraeckman #soloexhibition #london #grimm #grimmgallery

Matthias Weischer’s enigmatic interiors suggest a fleeting human presence. Each room captures a moment suspended in time; the sparse furniture and signs of disrepair evoke a sense of vacuity and abandonment. Perspective is manipulated by objects within a scene, with divergent horizon lines and vanishing points. This adds to a sense of the uncanny, heightened by the recurring presence of paintings within the depicted spaces, resulting in a disorienting layering of dimensions. Images: Matthias Weischer 'Wandschirm 2' 2025 Oil on wood 40 x 60 cm | 15 3/4 x 23 5/8 in Matthias Weischer 'Wandschirm 1' 2025 Oil on wood 40 x 60 cm | 15 3/4 x 23 5/8 in #matthiasweischer #grimm #grimmgallery

‘Close Quarters’, Anna Ruth’s exhibition at the Amsterdam gallery, is on view until May 23, 2027. A mirror sculpture assembled from a traditional horse collar—known in Czech as a chomout—takes the form of a dressing table. Sourced from farmers in the Czech Republic, the object reflects Ruth’s personal and cultural connection to the landscape; it also operates as a symbolic gesture referencing folk wedding rituals. In Czech wedding celebrations, a horse collar is often humorously placed around the groom’s neck after the ceremony, signifying that he is now “harnessed” to marriage and the responsibilities of shared life. The repurposing of the chomout, a familiar agricultural object, into a vanity object such as a mirror brings together ideas of labour, partnership, and devotion; fusing domestic ritual with rural craft. Image: Anna Ruth 'Vanity' 2026 Mixed media 185 x 130 x 90 cm | 72 7/8 x 51 1/8 x 35 3/8 in #annaruth #soloexhibition #amsterdam #grimm #grimmgallery

We’re pleased to announce ‘Funky Dimes’, an upcoming solo exhibition by Daniel Richter, on view at the Amsterdam gallery from May 29 through July 11, 2026. Image: Daniel Richter ‘Pandorian paintings rev.’ 2026 Oil on canvas 100 x 140 cm | 39 3/8 x 55 1/8 in #danielrichter #soloexhibition #amsterdam #grimm #grimmgallery

Rosalind Nashashibi’s exhibition ’Stones’ is currently on view until May 18, 2026, at KM21 in The Hague (NL). “As Nashashibi notes, the gesture contains multiple possibilities. A stone may be thrown in resistance, but it may also simply be held. Some of the stones even resemble hearts. The image gathers the tensions at the core of the exhibition: the force of resistance, the act of holding one’s own heart, and the carrying of history, as if what remains, its fragments and residues, could be gathered and held within a single stone.” - @elaatakan for @metropolism_mag , 2026 Image: Rosalind Nashashibi ‘The Living Thread’ 2025 Oil on linen 85 x 110 cm | 33 1/2 x 43 1/4 in #rosalindnashashibi #kunstmuseumthehague #metropolism #grimm #grimmgallery