GRAFIXX festival & more

@grafixxfest

โœ๏ธ De Seizoenen โ€ข 2026 ๐Ÿ“š Open call zine fest 2026 โ€ข 31/7 ๐Ÿ”— ๐ŸŽฅ Open call screenings 2026 โ€ข 31/7 ๐Ÿ”— ๐Ÿ–ผ๏ธ Grafixx Festival โ€ข 20-21-22/11 โ€ข @destudio
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For Grafixx House Call, artist-teacher-curator Ephameron travels the world to visit some of her favourite creative friends. In Taipei, she speaks with Chihoi. Since releasing his first comics in the 1990s, he has developed a poetic and introspective visual language, publishing internationally translated books and exhibiting drawings and paintings around the world.
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2 months ago
๐—ข๐—ฝ๐—ฒ๐—ป ๐—ฐ๐—ฎ๐—น๐—น ๐—ณ๐—ผ๐—ฟ ๐—ฎ๐—ป๐—ถ๐—บ๐—ฎ๐˜๐—ฒ๐—ฑ ๐˜€๐—ต๐—ผ๐—ฟ๐˜๐˜€ ๐ŸŽฅ Grafixx organises a new open call for artists, and collectives worldwide, asking them to submit their short films to the screening program of the fourteenth edition of Grafixx festival (November 20-21-22 2026). Participation is free. ๐ŸŽฅ Do you think your short films would be a good fit for our festival? ๐—ฆ๐˜‚๐—ฏ๐—บ๐—ถ๐˜ ๐˜†๐—ผ๐˜‚๐—ฟ ๐—ฎ๐—ฝ๐—ฝ๐—น๐—ถ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฏ๐—ฒ๐—ณ๐—ผ๐—ฟ๐—ฒ ๐—๐˜‚๐—น๐˜† 31st, ๐Ÿฎ๐Ÿฏ:๐Ÿฑ๐Ÿต ๐—–๐—˜๐—ง. ๐ŸŽฅ ๐—”๐—ฝ๐—ฝ๐—น๐˜† ๐˜ƒ๐—ถ๐—ฎ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ! ๐ŸŽฅ ๐— ๐—ผ๐—ฟ๐—ฒ ๐—ถ๐—ป๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐˜๐—ถ๐—ผ๐—ป: www.grafixx.be โœ๏ธ @marthaversch #opencall #screenings #grafixx #animation #shortfilms
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2 days ago
๐—ข๐—ฝ๐—ฒ๐—ป ๐—ฐ๐—ฎ๐—น๐—น ๐—ณ๐—ผ๐—ฟ ๐—š๐—ฟ๐—ฎ๐—ณ๐—ถ๐˜…๐˜… ๐˜‡๐—ถ๐—ป๐—ฒ ๐—ณ๐—ฒ๐˜€๐˜ ๐Ÿ“š Grafixx organises a new open call for artists, collectives and publishers worldwide, asking them to send in their publications for sale at the zine fest of the fourteenth edition of Grafixx festival (November 20-21-22 2026). Participation is free, and all proceeds go to participants. ๐Ÿ“š Do you think your publications are a good fit for our festival? ๐—ฆ๐˜‚๐—ฏ๐—บ๐—ถ๐˜ ๐˜†๐—ผ๐˜‚๐—ฟ ๐—ฎ๐—ฝ๐—ฝ๐—น๐—ถ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฏ๐—ฒ๐—ณ๐—ผ๐—ฟ๐—ฒ ๐—๐˜‚๐—น๐˜† 31st, ๐Ÿฎ๐Ÿฏ:๐Ÿฑ๐Ÿต ๐—–๐—˜๐—ง. ๐Ÿ“š ๐—”๐—ฝ๐—ฝ๐—น๐˜† ๐˜ƒ๐—ถ๐—ฎ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ! ๐Ÿ“š ๐— ๐—ผ๐—ฟ๐—ฒ ๐—ถ๐—ป๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐˜๐—ถ๐—ผ๐—ป: www.grafixx.be โœ๏ธ @marthaversch #opencall #zinefest #grafixx #zines #graphicnovel
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2 days ago
Vanuit de winter varen we met ๐——๐—ฒ ๐—ฆ๐—ฒ๐—ถ๐˜‡๐—ผ๐—ฒ๐—ป๐—ฒ๐—ป verder de lente in. Over april schreef @esternaomiperquin ๐˜‰๐˜ณ๐˜ช๐˜ฆ๐˜ง๐˜ซ๐˜ฆ ๐˜ฃ๐˜ช๐˜ซ ๐˜ท๐˜ฆ๐˜ณ๐˜ต๐˜ณ๐˜ฆ๐˜ฌ. Lees mee, ontdek de muziek van @mariefrancoispiano en luister naar de ingesproken versie van @koendebouw via de link in bio. ๐Ÿชป๐Ÿž๐ŸŒณ De Seizoenen 2.0 blaast Tchaikovskyโ€™s jaarcyclus nieuw leven in: elke maand een muzikale interpretatie, een vers gedicht en een illustratie. Volg het project online en in print - maand na maand. ๐˜Œ๐˜ฆ๐˜ฏ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต ๐˜ท๐˜ข๐˜ฏ ๐˜”๐˜ข๐˜ณ๐˜ช๐˜ฆ ๐˜๐˜ณ๐˜ข๐˜ฏ๐˜คฬง๐˜ฐ๐˜ช๐˜ด ๐˜ช๐˜ฏ ๐˜ด๐˜ข๐˜ฎ๐˜ฆ๐˜ฏ๐˜ธ๐˜ฆ๐˜ณ๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜ฆ๐˜ต ๐˜๐˜–๐˜•๐˜’ & ๐˜ก๐˜ฐ๐˜ฏ๐˜ฆ๐˜ฏ, ๐˜ฆ๐˜ฏ ๐˜ฎ๐˜ฆ๐˜ฅ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜จ๐˜ฆ๐˜ญ๐˜ช๐˜ซ๐˜ฌ ๐˜จ๐˜ฆ๐˜ฎ๐˜ข๐˜ข๐˜ฌ๐˜ต ๐˜ฅ๐˜ฐ๐˜ฐ๐˜ณ ๐˜”๐˜ฆ๐˜ณ๐˜ค๐˜ช๐˜ฆ๐˜ณ ๐˜๐˜ข๐˜ฏ ๐˜“๐˜ข๐˜ฏ๐˜ด๐˜ค๐˜ฉ๐˜ฐ๐˜ต. Illustratie door @juliane_noll
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27 days ago
Grafixx is proudly showcasing Belgium based artists at the 53rd edition of @bonjourbushu art fair in Nanjing, China: @marthaversch @sam__vanbelle @worldwidevercnocke ๐— ๐—”๐—ฅ๐—ง๐—›๐—” ๐—ฉ๐—˜๐—ฅ๐—ฆ๐—–๐—›๐—”๐—™๐—™๐—˜๐—Ÿ (BE) Martha Verschaffel transforms dreams, nightmares, and obsessions into dark, enigmatic pencil drawings. Her practice is characterised by delicate shading and quietly disturbing imagery. Preferring suggestion over explanation, her images create an unsettling and elusive narrative space that explores open-ended visual storytelling. She publishes zines and graphic novels like ๐‘ณ๐’Š๐’๐’š (2015) and ๐‘ท๐’‚๐’”๐’”๐’‚๐’ˆ๐’†๐’” (2021). ๐—ฆ๐—”๐—  ๐—ฉ๐—”๐—ก๐—•๐—˜๐—Ÿ๐—Ÿ๐—˜ (BE) Sam Vanbelle is an editorial illustrator with a heart for social design, known for translating complex ideas into clear, witty visuals for clients near and far. Diversity is a constant: Vanbelleโ€™s work depicts a broad spectrum of people, including strong non gendered figures, members of the LGBTQIA+ community, and people with disabilities, using bold colour to bring broad visual appeal to their works. ๐—ช๐—œ๐——๐—˜ ๐—ฉ๐—˜๐—ฅ๐—–๐—ก๐—ข๐—–๐—ž๐—˜ (BE) Wide Vercnocke describes himself as a writer and illustrator of tear-jerkers. His work blends poetic abstraction with physical intensity. Vercnockeโ€™s stories, or graphic poems, merge language and image into emotionally resonant narratives that are in constant transformation. He has published several graphic novels, including ๐‘ซ๐’“๐’Š๐’†๐’Ž๐’‚๐’ (2020) which recounts his familyโ€™s story during and after the second World War.
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1 month ago
Grafixx is proudly showcasing Belgium based artists at the 53rd edition of @bonjourbushu art fair in Nanjing, China: @juliane_noll @korneel.detailleur @lukasverstraete ๐—๐—จ๐—Ÿ๐—œ๐—”๐—ก๐—˜ ๐—ก๐—ข๐—Ÿ๐—Ÿ (DE) Juliane Nollโ€™s multidisciplinary practice moves effortlessly between painting, sculpture, and printmaking. Through the lens of the female / other, she explores her own relationship with ecology, literature, and myths built around the places she inhabits. Her work depicts vulnerable moments where body language takes centre stage and characters balance between desire, tension, or inner reflection. ๐—ž๐—ข๐—ฅ๐—ก๐—˜๐—˜๐—Ÿ ๐——๐—˜๐—ง๐—”๐—œ๐—Ÿ๐—Ÿ๐—˜๐—จ๐—ฅ (BE) Combining finely drawn lines with bold yet often unusual colour choices, Korneel Detailleur creates atmospheric images with poetic, slightly surreal scenes that leave space for interpretation. Detailleurโ€™s quietly mysterious output ranges from childrenโ€™s books to editorial illustration, often transforming familiar moments into subtly strange narratives. He continues to live and work by the sea. ๐—Ÿ๐—จ๐—ž๐—”๐—ฆ ๐—ฉ๐—˜๐—ฅ๐—ฆ๐—ง๐—ฅ๐—”๐—˜๐—ง๐—˜ (BE) Lukas Verstraete is known for his raw, unsettling, and darkly humorous visual universe, which features a cast of flawed characters. In his drawings he expresses his doubts about human nature, and attempts to explore the purpose of existence. Verstraete illustrates for HUMO and The New York Times, among others. In 2017, he published his graphic novel ๐‘ฌ๐’†๐’ ๐’ƒ๐’๐’†๐’Œ ๐’˜๐’‚๐’‚๐’“๐’Ž๐’†๐’† ๐’‹๐’† ๐’—๐’“๐’Š๐’†๐’๐’…๐’†๐’ ๐’Ž๐’‚๐’‚๐’Œ๐’•, which was later translated into French and English.
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Grafixx is proudly showcasing Belgium based artists at the 53rd edition of @bonjourbushu art fair in Nanjing, China: @charlotte.dumortier @chiara_lammens @erikacotteleer @gabrimolist ๐—–๐—›๐—”๐—ฅ๐—Ÿ๐—ข๐—ง๐—ง๐—˜ ๐——๐—จ๐— ๐—ข๐—ฅ๐—ง๐—œ๐—˜๐—ฅ (BE) Populated by energetic characters and bold shapes, Charlotte Dumortierโ€™s playful drawings bring a sense of humour and spontaneity to each project. Working across media, she often explores themes of food, nature, and the body. Her colourful illustrations have been commissioned by Apple, The New Yorker, The New York Times, Suฬˆddeutsche Zeitung, and more. Dumortier likes to experiment with printmaking, risography, and has a love for collaborative projects. ๐—–๐—›๐—œ๐—”๐—ฅ๐—” ๐—Ÿ๐—”๐— ๐— ๐—˜๐—ก๐—ฆ (BE) The paintings, drawings, and sculptural works made by Chiara Lammens explore the porous boundary between the natural and imagined world. Her meticulously rendered scenes often depict landscapes in vivid colour combinations, evoking a parallel environment that feels both ancient and strangely contemporary. She draws inspiration from comics, prehistoric imagery, and genre painting, weaving them into a personal and mythic visual language. ๐—˜๐—ฅ๐—œ๐—ž๐—” ๐—–๐—ข๐—ง๐—ง๐—˜๐—Ÿ๐—˜๐—˜๐—ฅ (BE) Active since the late 1990s, Erika Cotteleerโ€™s practice spans books, educational projects, and a growing body of autonomous drawing and painting. Her recent work is noted for raw, confrontational images in which women unapologetically claim space. Cotteleer is focused on powerful mixed-media portraits of overlooked heroines, always with a direct mark-making energy and an eye for the untold. ๐—š๐—”๐—•๐—ฅ๐—œ ๐— ๐—ข๐—Ÿ๐—œ๐—ฆ๐—ง (ES) Gabri Molist is an artist exploring the boundaries of narrative through experimental drawing, performance, publication, and curation. In his work the traditional relationship between character, story, and layout is deliberately destabilised. He is a founding member of @vroom.space , an art space dedicated to contemporary comics and art. His publications include ๐‘จ๐’”๐’๐’๐’‚๐’๐’„๐’Š๐’‚, ๐‘ซ๐’๐’“๐’Ž๐’Š๐’“ ๐’†๐’” ๐’Ž๐’๐’“๐’Š๐’“, and ๐‘ณ๐’‚ ๐’‘๐’–๐’๐’•๐’‚ ๐’…๐’† ๐’๐’‚ ๐’๐’†๐’๐’ˆ๐’–๐’‚.
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โœจ Opening of NIE & 53rd Bonjour Art Festival Today marks the opening of the NIE โ€“ Nanjing International Illustration Exhibition together with the 53rd Bonjour Art Festival @bonjourbushu . We are very happy to participate as a partner institution and to invite Belgian illustrator Eva Cardon @ephameron โ€” artist, professor, and curator โ€” and Yingda Dong @yingda_dong , artist and educator, to Nanjing. We are also proud to bring works by artists from the renowned Belgian art festival Grafixx @grafixxfest and LUCA School of Arts @luca.schoolofarts to Chinese audiences, creating a vibrant platform for international illustration dialogue. Today, both speakers gave professional on-site talks and engaged in meaningful exchanges with Chinese illustrators, art lovers, editors, and industry professionals. Together, we explored the future possibilities of international illustration exchange. Through exhibitions, talks, and cross-cultural encounters, we continue to build bridges between Europe and China โ€” expanding illustration as a truly global visual language. #NIE2026 #BonjourArtFestival #Phillus #Illustration #Grafixx LUCA BelgianIllustration InternationalExchange VisualCulture
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Grafixx is proudly showcasing Belgium based artists at the 53rd edition of @bonjourbushu art fair in Nanjing, China: @brechtvandenbroucke @celinehudreaux @ephameron @janvanderveken_fabricagrafica ๐—•๐—ฅ๐—˜๐—–๐—›๐—ง ๐—ฉ๐—”๐—ก๐——๐—˜๐—ก๐—•๐—ฅ๐—ข๐—จ๐—–๐—ž๐—˜ (BE) The vivid, satirical worlds that Brecht Vandenbroucke creates, blend pop-cultural imagery with sharp social critique. His work draws on Disney cartoons and surrealism, resulting in dense scenes packed with humour and bright colours. Vandenbroucke examines themes such as social inequality, digital culture, consumerism, and the absurdity of modern life. His illustrations have appeared in The New York Times, Wired, and Variety, and in his comic books ๐™’๐™๐™ž๐™ฉ๐™š ๐˜พ๐™ช๐™—๐™š (2013) and ๐™Ž๐™๐™–๐™™๐™ฎ (2021). ๐—–ร‰๐—Ÿ๐—œ๐—ก๐—˜ ๐—›๐—จ๐——๐—ฅร‰๐—”๐—จ๐—ซ (FR) Visual artist and printmaker Cรฉline Hudrรฉaux is a printmaker, favouring the materiality of traditional print techniques as a counterweight to the digital image. Her imagery draws on primitive and folk art along with dreamlike motifs, often circling the tension between human and nature, and the thresholds between life and death. Hudrรฉaux has published two graphic novels, ๐™„๐™ฉโ€™๐™จ ๐™‰๐™ค๐™ฉ ๐™–๐™ฃ ๐™Š๐™˜๐™š๐™–๐™ฃ (2013) and ๐™ˆ๐™–๐™š๐™ก๐™จ๐™ฉ๐™ง๐™ค๐™ข (2019), and is currently working on her new book ๐™•๐™ž๐™ฃ๐™˜. ๐—˜๐—ฃ๐—›๐—”๐— ๐—˜๐—ฅ๐—ข๐—ก (BE) Ephameron explores the fragile, intimate moments that shape human life, capturing themes of memory, loss, care and transition. The acclaimed graphic novel translated as ๐™๐™จ ๐™๐™ฌ๐™ค ๐™๐™ค๐™œ๐™š๐™ฉ๐™๐™š๐™ง (2019) recounts her fatherโ€™s struggle with dementia. Other publications, such as ๐™ง๐™š/๐™˜๐™ค๐™ก๐™ก๐™š๐™˜๐™ฉ๐™ž๐™ค๐™ฃ (2017) and ๐™‰๐™ค๐™ค๐™ž๐™ฉ ๐™ˆ๐™š๐™š๐™ง ๐˜ผ๐™ก๐™ก๐™š๐™š๐™ฃ (2021), examine motherhood and the passage of time. She has worked for numerous international clients, including The New York Times, Nike, Kartell, and The School of Life. ๐—๐—”๐—ก ๐—ฉ๐—”๐—ก ๐——๐—˜๐—ฅ ๐—ฉ๐—˜๐—ž๐—˜๐—ก (BE) create retrofuturistic designs for posters, book covers, and editorial commissions. He founded ๐™๐™–๐™—๐™ง๐™ž๐™˜๐™– ๐™‚๐™ง๐™–๐™›๐™ž๐™˜๐™– in 1999 and has worked internationally while maintaining a distinctly personal visual universe. Van Der Vekenโ€™s illustrations have appeared in leading magazines, including two covers for The New Yorker.
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1 month ago
For the 53rd edition of the @bonjourbushu art fair, Grafixx brings a vibrant spectrum of contemporary illustration to Nanjing, China. This delegation of artists shares a curiosity for drawing, comics and narrative. Their works offer distinct ways of looking at the everyday, from sensitive drawing and experimental printmaking to figurative painting. Side by side, these works highlight what illustration can be today in Belgium, with @brechtvandenbroucke @celinehudreaux @charlotte.dumortier @chiara_lammens @ephameron @erikacotteleer @gabrimolist @janvanderveken_fabricagrafica @juliane_noll @korneel.detailleur @lukasverstraete @marthaversch @sam__vanbelle & @worldwidevercnocke ________________________________________ Grafixx brengt deze lente een keur aan illustrators naar Nanjing (China) voor de 53e editie van de kunstbeurs Bonjour / Bushu. De geselecteerde makers delen een honger naar tekenen, strips en narrativiteit. Hun werk biedt uiteenlopende manieren om naar het alledaagse te kijken, van gevoelige tekeningen en experimenteel drukwerk tot figuratieve schilderkunst. Deze selectie toont waar illustratie vandaag voor kan staan in Belgiรซ, met ๐—•๐—ฟ๐—ฒ๐—ฐ๐—ต๐˜ ๐—ฉ๐—ฎ๐—ป๐—ฑ๐—ฒ๐—ป๐—ฏ๐—ฟ๐—ผ๐˜‚๐—ฐ๐—ธ๐—ฒ, ๐—–รฉ๐—น๐—ถ๐—ป๐—ฒ ๐—›๐˜‚๐—ฑ๐—ฟรฉ๐—ฎ๐˜‚๐˜…, ๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ผ๐˜๐˜๐—ฒ ๐——๐˜‚๐—บ๐—ผ๐—ฟ๐˜๐—ถ๐—ฒ๐—ฟ, ๐—–๐—ต๐—ถ๐—ฎ๐—ฟ๐—ฎ ๐—Ÿ๐—ฎ๐—บ๐—บ๐—ฒ๐—ป๐˜€, ๐—˜๐—ฝ๐—ต๐—ฎ๐—บ๐—ฒ๐—ฟ๐—ผ๐—ป, ๐—˜๐—ฟ๐—ถ๐—ธ๐—ฎ ๐—–๐—ผ๐˜๐˜๐—ฒ๐—น๐—ฒ๐—ฒ๐—ฟ, ๐—š๐—ฎ๐—ฏ๐—ฟ๐—ถ ๐— ๐—ผ๐—น๐—ถ๐˜€๐˜, ๐—๐—ฎ๐—ป ๐—ฉ๐—ฎ๐—ป ๐——๐—ฒ๐—ฟ ๐—ฉ๐—ฒ๐—ธ๐—ฒ๐—ป, ๐—๐˜‚๐—น๐—ถ๐—ฎ๐—ป๐—ฒ ๐—ก๐—ผ๐—น๐—น, ๐—ž๐—ผ๐—ฟ๐—ป๐—ฒ๐—ฒ๐—น ๐——๐—ฒ๐˜๐—ฎ๐—ถ๐—น๐—น๐—ฒ๐˜‚๐—ฟ, ๐—Ÿ๐˜‚๐—ธ๐—ฎ๐˜€ ๐—ฉ๐—ฒ๐—ฟ๐˜€๐˜๐—ฟ๐—ฎ๐—ฒ๐˜๐—ฒ, ๐— ๐—ฎ๐—ฟ๐˜๐—ต๐—ฎ ๐—ฉ๐—ฒ๐—ฟ๐˜€๐—ฐ๐—ต๐—ฎ๐—ณ๐—ณ๐—ฒ๐—น, ๐—ฆ๐—ฎ๐—บ ๐—ฉ๐—ฎ๐—ป๐—ฏ๐—ฒ๐—น๐—น๐—ฒ, ๐—ฒ๐—ป ๐—ช๐—ถ๐—ฑ๐—ฒ ๐—ฉ๐—ฒ๐—ฟ๐—ฐ๐—ป๐—ผ๐—ฐ๐—ธ๐—ฒ #illustration #drawing #contemporaryart #bonjourbushu #nanjing
59 4
1 month ago
Inย ๐——๐—ฒ ๐—ฆ๐—ฒ๐—ถ๐˜‡๐—ผ๐—ฒ๐—ป๐—ฒ๐—ป vind je op de rand tussen winter en lente: maart - @maxtemmerman schreef erย ๐˜š๐˜ต๐˜ช๐˜ญ๐˜ญ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ over. Lees mee, ontdek de muziek van @mariefrancoispiano en luister naar de ingesproken versie vanย @koendebouw ย via de link in bio. ๐ŸŒท๐ŸŒฑโ˜€๏ธ De Seizoenen 2.0 blaast Tchaikovskyโ€™s jaarcyclus nieuw leven in: elke maand een muzikale interpretatie, een vers gedicht en een illustratie. Volg het project online en in print - maand na maand. ๐˜Œ๐˜ฆ๐˜ฏ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต ๐˜ท๐˜ข๐˜ฏ ๐˜”๐˜ข๐˜ณ๐˜ช๐˜ฆ ๐˜๐˜ณ๐˜ข๐˜ฏ๐˜คฬง๐˜ฐ๐˜ช๐˜ด ๐˜ช๐˜ฏ ๐˜ด๐˜ข๐˜ฎ๐˜ฆ๐˜ฏ๐˜ธ๐˜ฆ๐˜ณ๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜ฆ๐˜ต ๐˜๐˜–๐˜•๐˜’ & ๐˜ก๐˜ฐ๐˜ฏ๐˜ฆ๐˜ฏ, ๐˜ฆ๐˜ฏ ๐˜ฎ๐˜ฆ๐˜ฅ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜จ๐˜ฆ๐˜ญ๐˜ช๐˜ซ๐˜ฌ ๐˜จ๐˜ฆ๐˜ฎ๐˜ข๐˜ข๐˜ฌ๐˜ต ๐˜ฅ๐˜ฐ๐˜ฐ๐˜ณ ๐˜”๐˜ฆ๐˜ณ๐˜ค๐˜ช๐˜ฆ๐˜ณ ๐˜๐˜ข๐˜ฏ ๐˜“๐˜ข๐˜ฏ๐˜ด๐˜ค๐˜ฉ๐˜ฐ๐˜ต. Illustratie doorย @juliane_noll
95 0
2 months ago
๐——๐—ผ๐—ผ๐—ฟ ๐—ผ๐—ป๐˜ƒ๐—ผ๐—ผ๐—ฟ๐˜‡๐—ถ๐—ฒ๐—ป๐—ฒ ๐—ผ๐—บ๐˜€๐˜๐—ฎ๐—ป๐—ฑ๐—ถ๐—ด๐—ต๐—ฒ๐—ฑ๐—ฒ๐—ป ๐—ธ๐—ฎ๐—ป ๐—ฑ๐—ฒ๐˜‡๐—ฒ ๐—ฒ๐—ฑ๐—ถ๐˜๐—ถ๐—ฒ ๐˜ƒ๐—ฎ๐—ป ๐—˜๐—ซ๐—ง๐——. ๐—ต๐—ฒ๐—น๐—ฎ๐—ฎ๐˜€ ๐—ป๐—ถ๐—ฒ๐˜ ๐—ฑ๐—ผ๐—ผ๐—ฟ๐—ด๐—ฎ๐—ฎ๐—ป ! Ticketkopers worden persoonlijk gecontacteerd. ๐—š๐—ฟ๐—ฎ๐—ณ๐—ถ๐˜…๐˜… ๐—˜๐—ซ๐—ง๐——. #๐Ÿต ๐—บ๐—ฒ๐˜ ๐—ฃ๐—ถ๐—ฒ๐˜๐—ฒ๐—ฟ ๐——๐—ฒ ๐—ฃ๐—ผ๐—ผ๐—ฟ๐˜๐—ฒ๐—ฟ๐—ฒ! โœ๏ธ ๐—๐—ฎ๐—ป ๐—ฉ๐—ฎ๐—ป ๐——๐—ฒ๐—ฟ ๐—ฉ๐—ฒ๐—ธ๐—ฒ๐—ป, ๐—๐˜‚๐—น๐—ถ๐—ฎ๐—ป๐—ฒ ๐—ก๐—ผ๐—น๐—น & ๐—ฃ๐—ถ๐—ฒ๐˜๐—ฒ๐—ฟ ๐——๐—ฒ ๐—ฃ๐—ผ๐—ผ๐—ฟ๐˜๐—ฒ๐—ฟ๐—ฒ maken elk op hun eigen manier gebruik van digitale programmaโ€™s om illustraties te maken of af te werken. Hoe zetten zij de beschikbare tools in? Maakt Photoshop het leven gemakkelijker, of net sterieler? Welke best practices hanteren deze drie tekenaars, welke trends omarmen ze of proberen ze net te omzeilen? ย  โœ๏ธ De stripreeks ๐˜ฝ๐™ค๐™š๐™ง๐™ ๐™š lijkt op het eerste zicht kinderlijk eenvoudig, maar de minimalistische tekeningen van @pieter.depoortere werken op een genadeloos scherp niveau. Toch worden de verhalen nooit kwaadwillig: in het universum van De Poortere wordt menselijke dwaasheid met zachte ironie ontleed. โœ๏ธ ๐—บ๐—ฎ๐—ฎ๐—ป๐—ฑ๐—ฎ๐—ด ๐Ÿฎ๐Ÿฏ ๐—บ๐—ฎ๐—ฎ๐—ฟ๐˜ ๐—ผ๐—บ ๐Ÿฎ๐Ÿฌ:๐Ÿฌ๐Ÿฌ ๐—ถ๐—ป ๐——๐—ฒ ๐—ฆ๐˜๐˜‚๐—ฑ๐—ถ๐—ผ (๐—”๐—ป๐˜๐˜„๐—ฒ๐—ฟ๐—ฝ๐—ฒ๐—ป) โœ๏ธ ๐—œ๐—ป๐—ณ๐—ผ & ๐˜๐—ถ๐—ฐ๐—ธ๐—ฒ๐˜๐˜€: grafixx.be of studio.com โœ๏ธ Pieter De Poortere
146 1
2 months ago