gorse 12: language.
Featuring:
Clare Archibald
Jen Calleja
James Elkins
Martin Jackson
Marcel Krueger
Christopher Madden
Ray Malone
Sujatha Menon
Ghazal Mosadeq
Silvina Ocampo, tr. Caitlin Newby
Edy Poppy and Dimitra Xidous
Juan Rulfo, tr. Stephen Beechinor
Florence Sunnen
David Toms
Erica Van Horn
Jérémie C. Wenger
Alejandro Zambra and Rahul Bery
gorse 13: taboo.
Featuring:
Gavin James Bower
Elizabeth Brennan
Andrea Caro
Aoife Casby
Michael Chang
David Collard
Emily Cooper
Isabel Dwyer
Arnold Thomas Fanning
Viviana Fiorentino
Will Fleming
Özgecan Kesici-Ayoubi
Caroline Mac Cathmhaoil
Jessica McKinney
Alan McMonagle
Rafael Mendes
Lianne O’Hara
Padraig Regan
gorses 12 + 13 are now available in @noalibisbookstore . I [Susan Tomaselli] was one of David's first customers when he opened the doors back in 1997, so it's a privilege to be stocked there.
"[Lisa McInerney] also mentioned more positive factors: ‘Ireland has a supportive literary community with lots of journals and events, which makes writers feel it’s possible to succeed.’
McInerney’s point about the journals is important. Last year, she became the editor of The Stinging Fly, the influential Dublin-based magazine, which first published Rooney, Colin Barrett, Wendy Erskine, Sara Baume and many more who have gone on to write acclaimed books. Other literary magazines, such as Gorse and Banshee Lit, have become part of the Irish writing ecosystem, and many of them receive funding from the Irish Arts Council."
Thanks for the mention in 'How the Booker Prize has reflected the new golden age of Irish fiction' Max Lui (2023):
/the-booker-library/features/how-the-booker-prize-has-reflected-the-new-golden-age-of-irish-fiction
#happystpatricksday☘️
Christodoulos Makris, our brilliant poetry editor, is leading an 8-week online course: 'writing as a reader / reading as a writer.' Beginning on Thursday 5 March 2026, it will run weekly between 6.30pm - 8.30pm Dublin time.
Course Summary
As poets and writers we are first and foremost readers mediating external material, text and otherwise, in the process of making new work. And as readers operating in the digital age we are increasingly aware of the creative potential of reading and repurposing. In ‘writing as a reader / reading as a writer’ participants will exercise their capacity to read creatively, critically and intuitively, and to employ source material directly towards literary composition. This is a generative course incorporating regular writing tasks underpinned by carefully selected and targeted contemporary and historical examples, as well as informal and unhierarchical group discussion and exchange.
Course Outline:
Week 1: Introductions / Writing the Everyday
Week 2: Sampling, Remixing, and other appropriative techniques
Week 3: Documentary Poetics
Week 4: Translation and Re-writing
Week 5: Intersemiotic (cross-media) translation / audiovisual content
Week 6: Constraints / Transcription / post-Artificial Intelligence
Week 7: Digital poetics / DIY publishing and publishing beyond the page
Week 8: Collaboration
Course Outcomes:
‘writing as a reader / reading as a writer’ is designed to stimulate participants’ engagement with reading as a creative act, and the expanded possibilities of contemporary writing practice. It is designed to operate cumulatively to deepen their understanding of the creative potential of pre-existing material, to provoke experimentation and collaboration, and to grant permissions through example and dialogue.
Details on the @irishwriterscentre website.