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Giulia Garbin

@giulia_garbin

Design, art direction and occasionally illustration. Mostly 📚 and other things. Art Director at Mondes by Belmond, previously AD at Luncheon Magazine.
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Cover design of 'Il Passero Buddhista'by Tiziano Fratus. Illustration by @nicomagrin. New book series designed for @ubiliber_libri
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Cover design of 'Il Passero Buddhista' by Tiziano Fratus. Illustration by @nicomagrin . New book series designed for @ubiliber_libri
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3 days ago
Some of my favourite details and spreads from 'Design Stories' by Kit Kemp published this year by Rizzoli New York.@kitkempdesignthread@rizzolibooksPhotography: Simon BrownPublisher: Charles MiersSenior Editor: Giulia Di FilippoDesigned by Studio Giulia Garbin assisted by @errata_noteTitles set in Kalice by @claudetype
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Some of my favourite details and spreads from 'Design Stories' by Kit Kemp published this year by Rizzoli New York. @kitkempdesignthread @rizzolibooks Photography: Simon Brown Publisher: Charles Miers Senior Editor: Giulia Di Filippo Designed by Studio Giulia Garbin assisted by @errata_note Titles set in Kalice by @claudetype
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10 days ago
Studio light @hhth
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Studio light @hhth
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3 months ago
Cover design of 'Zen in the Art of Archery'by Eugen Herrigel. New book series designed for @ubiliber_libri with incredible watercolours by @nicomagrin. Coming out on bookstores this following week
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Cover design of 'Zen in the Art of Archery' by Eugen Herrigel. New book series designed for @ubiliber_libri with incredible watercolours by @nicomagrin . Coming out on bookstores this following week
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3 months ago
November’s C.V Monthly Edit is curated by @giulia_garbin, a London-based art director, graphic designer and illustrator. Landing in your inbox this Sunday
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November’s C.V Monthly Edit is curated by @giulia_garbin , a London-based art director, graphic designer and illustrator. Landing in your inbox this Sunday 💌
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5 months ago
My Life in Colors: By Martin Brudnizki published by Rizzoli New York.For Brudnizki, color is an essential ingredient for storytelling and conjuring atmosphere. Color is a force that brings his spaces to life, defining them, and enhancing the experience within them; it is a character in itself and Brudnizki uses it to blur the lines between eras and styles, to marry heritage with modern luxury.Publisher: Charles MiersSenior Editor: Giulia Di FilippoPhotography Research: Josefine SkomarsProduction Manager: Kaija MarkoeManaging Editor: Lynn ScrabisArt Direction and book design by Studio Giulia Garbin, assisted by Juliet Ramsden and Elena Feduchi Typeface for title designed by Adrien Vasquez / Fonderie Abyme@martinbrudnizki@m_b_d_s_@rizzolibooks
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My Life in Colors: By Martin Brudnizki published by Rizzoli New York. For Brudnizki, color is an essential ingredient for storytelling and conjuring atmosphere. Color is a force that brings his spaces to life, defining them, and enhancing the experience within them; it is a character in itself and Brudnizki uses it to blur the lines between eras and styles, to marry heritage with modern luxury. Publisher: Charles Miers Senior Editor: Giulia Di Filippo Photography Research: Josefine Skomars Production Manager: Kaija Markoe Managing Editor: Lynn Scrabis Art Direction and book design by Studio Giulia Garbin, assisted by Juliet Ramsden and Elena Feduchi Typeface for title designed by Adrien Vasquez / Fonderie Abyme @martinbrudnizki @m_b_d_s_ @rizzolibooks
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5 months ago
Lygia Clark: The I and the You and Sonia Boyce: An Awkward Relation at Whitechapel GalleryThe book features an essay by Lygia Clark scholar and curator Michael Asbury as well as a conversation between Sonia Boyce, Gilane Tawadros and Michael Asbury.@whitechapelgalleryStill life by @hhth
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Lygia Clark: The I and the You and Sonia Boyce: An Awkward Relation at Whitechapel Gallery The book features an essay by Lygia Clark scholar and curator Michael Asbury as well as a conversation between Sonia Boyce, Gilane Tawadros and Michael Asbury. @whitechapelgallery Still life by @hhth
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7 months ago
'Luce Nascosta' by Vanessa R. Sasson. Cover illustration by Berenice Hernández Castro @berenice.h.cAnd a pile of books all from @ubiliber_libriPhotographs by @hhth
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'Luce Nascosta' by Vanessa R. Sasson. Cover illustration by Berenice Hernández Castro @berenice.h.c And a pile of books all from @ubiliber_libri Photographs by @hhth
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7 months ago
Tipi di Torino bookmark, Mole di Torino made with movable movable types by @archiviotipografico back in 2014. The following photographs are from the book launch in 2015 at the @fedrigoni_uk showroom in Farringdon. Black and white analog photographs by @gonacas. Still life by @hhth
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Tipi di Torino bookmark, Mole di Torino made with movable movable types by @archiviotipografico back in 2014. The following photographs are from the book launch in 2015 at the @fedrigoni_uk showroom in Farringdon. Black and white analog photographs by @gonacas . Still life by @hhth
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7 months ago
Third and final post with a few more details about "C-ARTE. I segni della carta Fabriano nelle opere di Dante, Raffaello e Canova” ('C-ARTE. The Signs of Fabriano Paper in the Works of Dante, Raphael, and Canova'), curated by Livia Faggioni.The Foundation continues its editorial work dedicated to Fabriano paper and watermarks with a new publication, four volumes enclosed in a single box set. The project “C-Arte” (Vol. 1) explores the identity of paper through the works of three masters—Dante (Vol. 2), Raphael (Vol. 3), and Canova (Vol. 4), highlighting the use and significance of Fabriano paper in the creative processes of some of the greatest figures in art, literature, and international culture.Graphic design and cover illustrations by Studio Giulia Garbin, assisted by Juliet Ramsden @errata_noteLimited edition of 500 copies.@fondazione_fedrigoni_fabrianoProject printed in Italy by @gruppologo on @fedrigoni.paper still life’s photographs by @hhth
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Third and final post with a few more details about "C-ARTE. I segni della carta Fabriano nelle opere di Dante, Raffaello e Canova” ('C-ARTE. The Signs of Fabriano Paper in the Works of Dante, Raphael, and Canova'), curated by Livia Faggioni. The Foundation continues its editorial work dedicated to Fabriano paper and watermarks with a new publication, four volumes enclosed in a single box set. The project “C-Arte” (Vol. 1) explores the identity of paper through the works of three masters—Dante (Vol. 2), Raphael (Vol. 3), and Canova (Vol. 4), highlighting the use and significance of Fabriano paper in the creative processes of some of the greatest figures in art, literature, and international culture. Graphic design and cover illustrations by Studio Giulia Garbin, assisted by Juliet Ramsden @errata_note Limited edition of 500 copies. @fondazione_fedrigoni_fabriano Project printed in Italy by @gruppologo on @fedrigoni.paper still life’s photographs by @hhth
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8 months ago
More details from the project "C-ARTE. I segni della carta Fabriano nelle opere di Dante, Raffaello e Canova” ('C-ARTE. The Signs of Fabriano Paper in the Works of Dante, Raphael, and Canova'), curated by Livia FaggioniGraphic design and cover illustrations by Studio Giulia Garbin, assisted by Juliet Ramsden @errata_noteLimited edition of 500 copies.@fondazione_fedrigoni_fabrianoProject printed in Italy by @gruppologo on @fedrigoni.paper still life’s photographs by @hhth
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More details from the project "C-ARTE. I segni della carta Fabriano nelle opere di Dante, Raffaello e Canova” ('C-ARTE. The Signs of Fabriano Paper in the Works of Dante, Raphael, and Canova'), curated by Livia Faggioni Graphic design and cover illustrations by Studio Giulia Garbin, assisted by Juliet Ramsden @errata_note Limited edition of 500 copies. @fondazione_fedrigoni_fabriano Project printed in Italy by @gruppologo on @fedrigoni.paper still life’s photographs by @hhth
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8 months ago
Today the Fondazione Fedrigoni Fabriano will present “C-ARTE. I segni della carta Fabriano nelle opere di Dante, Raffaello e Canova” ('C-ARTE. The Signs of Fabriano Paper in the Works of Dante, Raphael, and Canova'), curated by Livia Faggioni.The Foundation continues its editorial work dedicated to Fabriano paper and watermarks with a new publication, four volumes enclosed in a single box set. The project “C-Arte” (Vol. 1) explores the identity of paper through the works of three masters—Dante (Vol. 2), Raphael (Vol. 3), and Canova (Vol. 4), highlighting the use and significance of Fabriano paper in the creative processes of some of the greatest figures in art, literature, and international culture.Graphic design and cover illustrations by Studio Giulia Garbin, assisted by Juliet Ramsden @errata_noteLimited edition of 500 copies.@fondazione_fedrigoni_fabrianoProject printed in Italy by @gruppologo on @fedrigoni.paper still life’s photographs by @hhth
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Today the Fondazione Fedrigoni Fabriano will present “C-ARTE. I segni della carta Fabriano nelle opere di Dante, Raffaello e Canova” ('C-ARTE. The Signs of Fabriano Paper in the Works of Dante, Raphael, and Canova'), curated by Livia Faggioni. The Foundation continues its editorial work dedicated to Fabriano paper and watermarks with a new publication, four volumes enclosed in a single box set. The project “C-Arte” (Vol. 1) explores the identity of paper through the works of three masters—Dante (Vol. 2), Raphael (Vol. 3), and Canova (Vol. 4), highlighting the use and significance of Fabriano paper in the creative processes of some of the greatest figures in art, literature, and international culture. Graphic design and cover illustrations by Studio Giulia Garbin, assisted by Juliet Ramsden @errata_note Limited edition of 500 copies. @fondazione_fedrigoni_fabriano Project printed in Italy by @gruppologo on @fedrigoni.paper still life’s photographs by @hhth
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8 months ago
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