We are delighted to announce the selected artist for our recent open call is Tringa Gashi
@tringity
Tringa Gashi (b. 1996) is based in Copenhagen/Malmö and educated at the Royal Danish Academy of Fine Arts (2024) and Malmö Art Academy (2021). As a Swedish-Kosovar Albanian artist, she works from a cross-cultural perspective, exploring how intimate experiences are intertwined with economic and historical systems.
In her work, a recurring interest lies in the circulation of images in public and commercial spaces. Through photography, film, and installation, she examines how images are shaped by—and simultaneously reproduce—economic structures, desire, and cultural imaginaries.
Tringa’s work will be presented in our upcoming window exhibition during the summer (more info to come).
We would also like to give a huge thanks to everyone who applied. This year we received a total of 119 proposals from all over the world and the high quality and diversity of submissions made the selection process incredibly difficult!
Be sure to join us next Friday for the opening of 𝘎𝘦𝘰𝘮𝘦𝘵𝘳𝘺 𝘰𝘧 𝘛𝘪𝘮𝘦 𝘢𝘯𝘥 𝘊𝘰𝘭𝘰𝘶𝘳, a solo exhibition by @eva_terez
Eva-Teréz Gölin has, for the past decade, been questioning the boundaries of the photographic medium through digital processes and online imagery. In the exhibition 𝘎𝘦𝘰𝘮𝘦𝘵𝘳𝘺 𝘰𝘧 𝘛𝘪𝘮𝘦 𝘢𝘯𝘥 𝘊𝘰𝘭𝘰𝘶𝘳, she presents two series of works, one of which is based solely on the colours of the motifs, omitting variations in light that have been the common denominator of photographic images since the birth of the medium. The other series consists of portraits rendered in pigment ink on light-sensitive silver gelatine paper in an unfixed state. The paper – and thus the image – can therefore be seen as being in constant transformation, already containing a possible future.
DEAD FATHERS
Katarina Elvèn & Beata Fransson
13.03—26.04
In Dead Fathers Katarina Elvén and Beata Fransson present works developed in dialogue as a joint
attempt to reformulate the vocabulary, systems, and logic of photographic technique. The artists’
reflections on the materiality of the image and the apparatus are rooted in a critique of how the frame
has become the natural way for humans to present the world through.
The exhibition includes the site of Lacock Abbey and several images of The Latticed Window, the
primal scene of reproducible photography and a frequently cited starting point in the narrative of the medium’s history. It was at this site that what came to be known as “the world’s first negative” was
produced, giving rise to the negative/positive dichotomy and to the new possibilities offered by the
photographic image through its capacity to be enlarged or reduced, infinitely copied and reproduced.
We’ve become aware that two different deadlines have been circulating for our open call – apologies for any confusion this may have caused.
Just to clarify, the deadline is April 22. We look forward to your submissions!
𝘍𝘳𝘢𝘮𝘦 𝘞𝘰𝘳𝘬𝘪𝘯𝘨 by Beata Fransson and 𝘞𝘩𝘦𝘳𝘦 𝘵𝘩𝘦 𝘙𝘪𝘷𝘦𝘳 𝘔𝘦𝘦𝘵𝘴 𝘵𝘩𝘦 𝘚𝘦𝘢 by Katarina Elvén, part of their current exhibition 𝘋𝘦𝘢𝘥 𝘍𝘢𝘵𝘩𝘦𝘳𝘴 on at the gallery until 26th April.
Breadfield is in the house…woop woop!
We are delighted to now have all of @breadfield press’s books at the gallery for sale. Come by and have a peruse!
Next show coming up! Join us next Friday (the 13th!) between 17.00-20.00for the opening of 𝘋𝘦𝘢𝘥 𝘍𝘢𝘵𝘩𝘦𝘳𝘴, an exhibition by Katarina Elvén and Beata Fransson.
The show is then on until 26th April.
Galleri Format invites artists working in the broad field of photography to apply to the open call for the 6th edition of our Window Exhibition. The exhibition will take place between 12th June – 9th August 2026. Application deadline is 12th April!
For more information see link in bio
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Galleri Format bjuder in till ett Open Call, riktat till yrkesverksamma konstnärer och fotografer, för den 6:e upplagan av Galleri Formats Fönsterutställning. Utställningen sker under perioden 12 juni – 9 augusti 2026. Sista ansökningsdagen är 12 april!
För mer info se länk i bio
It’s the final week of Mariella Otto’s exhibition 𝘚𝘦𝘯𝘵𝘪𝘦𝘯𝘵 𝘋𝘦𝘤𝘰𝘺. Make sure to catch the show before it ends on Sunday. In the meantime we’re open today and tomorrow 14.00–18.00, Friday, Saturday and Sunday 12.00–16.00
A few views of our current show 𝘚𝘦𝘯𝘵𝘪𝘦𝘯𝘵 𝘋𝘦𝘤𝘰𝘺 by @mariella__otto
The exhibition is on until 1st March.
‘This exhibition is the result of a one-year iterative process that has moved between filmed and generated material, the photograph and its mutant—exchanging the shade of blackberry bushes and the light of the monitor. I’ve been coating and clearings screens, writing, assembling, staging [prompting]. Embedded in the outputs are crossings of the domesticated and wild, of control and chance.’
In conjunction with our current exhibition, 𝘚𝘦𝘯𝘵𝘪𝘦𝘯𝘵 𝘋𝘦𝘤𝘰𝘺 by Mariella Otto, we will be hosting a screening of 𝘈 𝘊𝘰𝘮𝘮𝘶𝘯𝘪𝘤𝘢𝘵𝘪𝘰𝘯𝘴 𝘗𝘳𝘪𝘮𝘦𝘳 (1953) by Ray and Charles Eames next Wednesday 4th February. The screening will begin at 18.00 and be followed by an artist talk with Mariella Otto and Gabriele de Seta.
![A few views of our current show by @mariella__ottoThe exhibition is on until 1st March.‘This exhibition is the result of a one-year iterative process that has moved between filmed and generated material, the photograph and its mutant—exchanging the shade of blackberry bushes and the light of the monitor. I’ve been coating and clearings screens, writing, assembling, staging [prompting]. Embedded in the outputs are crossings of the domesticated and wild, of control and chance.’](https://sp1.picnob.com/p/pt_6766481933194767683013_0_b4ab937f4d594284bf4ee0cbc59c0dfb.jpg?o=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&h=f8ab2a9d3380a5d65571ec0f730530b2)
