The concept behind the album is rooted in ancient folklore, referencing the five venomous creatures used in the making of Gu poison. Snake, scorpion, centipede, toad, and salamander. These creatures symbolize a ritual process of internal conflict, energetic forging, and spiritual transformation.
Spanning six tracks, the album traces each stage of the Gu ritual: from the gathering of ingredients, sealing and brewing, to the final act of invocation. In terms of sound design, FTK weaves together traditional Asian instruments .
Including Indonesian gamelan, Taiwanese beiguan gongs, hand cymbals, wooden clappers, suona, and jaw harp ,with driving Techno, Drum & Bass, and Breakbeat, creating a sound that is both mystical and visceral.
Listen to the full release now on Spotify, Apple Music, YouTube Music, KKBOX, and more.
《五毒5ENOM》 今天正式上線於全球串流平台。
專輯概念源自古代傳說中製蠱所用的五種毒物，
象徵內在衝突、能量鍛造與精神轉化的過程。整張專輯共六首曲目，描繪從蒐集材料、封印、製蠱到施術的每一道儀式階段。聲音設計上，FTK 結合了亞洲民俗樂器，如印尼的甘美朗、北管的鑼、鈔、鼓板、嗩吶、口簧琴、等元素，並以重拍 Techno、Drum & Bass、 Breakbeat 等元素融合，形成一種魔幻又刺激的有機聲響。
請於Spotify、Apple Music、YouTube Music、KKBOX 等平台收聽完整曲目。
Credit List
Track：「彩蟲」
Music Produce：FTK & MOXINA
Track：「術」「五毒」「煉」「蛇蠍」「蠱惑」
Music Produce：FTK
Mixing：FTK
Mastering ：FTK、吳承晏 Alex Wu
Sound Engineer：吳承晏 Alex Wu
Percussion：吳冠徵 A Jheng、曹昌玄Agao、Danny Tsai
Percussion Recording Studio：Gen Lab
Lyric Video & Motion Cover Art：kerkeramber
Art Director：COS
3D Artist：NT90
Graphic Designer： perqi
Logotype: perqi
Symbol：BlackZao
Record label：CROS MUSIC
很榮幸有機會將自己的音樂作品，
帶入 臺中國家歌劇院 之中，
參與光之曲幕2026 T.A.P. project
Honored to bring my music into National Taichung Theater for the Light Curtain 2026 T.A.P. Project.
This piece, “Green Resonance: A Future Ecological Symphony,” explores the tension between nature and human development.
I focused on the sense of transformation—starting with soft pads, strings, and field recordings (birds, cicadas), gradually introducing electronic bass, distorted percussions, and industrial textures as human presence emerges.
Transitions use Shepard tones and sub-bass movement to shape a rising/falling spatial illusion.
In the final section, irregular arpeggios and kick patterns create a black hole-like pull at the center of the space.
感謝 @miso7231 的邀請
這次參與製作音樂的作品主題是
《綠境共譜：未來生態交響》在講述
自然與文明發展過程的拉扯。
音樂設計我重點放在過程的流逝感。
從緩和的PAD與弦樂開頭，搭配著早上
去公園錄音取樣的鳥叫聲，
因為影像的主體有一顆很大的樹，
另外再去找了蟬的聲音。
隨著情境的變化，當更多人為的介入時，
加入像是電流感的電子低音設計與不規則的失真
打擊音色，搭配著大型機具的聲音。
轉場運用Shepard tone 與超低音的動態，
配合影像動態創造上升與下降的體感。
最後電子音色不規則的琶音與低音鼓
配合影像動態，使空間本體中央凹陷處
彷彿有個黑洞般的能量將一切都帶走。
這次音樂與音效製作運用了許多開源的軟體，
有興趣的朋友歡迎交流～
《綠境共譜：未來生態交響》
影像設計／張庭萱
技術總監／吳宗杰
聲音設計／FTK
專案經理／魏采頤
展覽資訊
地點｜臺中國家歌劇院2樓大劇院前廳
展期｜2026/2/26(四)－04/26(日)，週一休館
場次｜18:00、19:00，總長約14分鐘
更新一下 發現只剩下4/21-4/23 三天的場次，
我們作品是分配在B組，所以是傍晚6:00開始。
再請參考歌劇院官網時刻🙏🏼
Thank you @bangkokmusiccity we had such a wonderful time during the festival.
Grateful for meeting so many talented artists and nice people, We’re truly grateful to have met so many talented artists and kind people.
Every time we visit, we wish we could stay longer, spend more time with these friends, and get to know this incredibly charming city more deeply.
Thank you again to BMC for the invitation. We’re looking forward to being part of it again next year.✨🇹🇭
@bangkokmusiccity 泰讚！
再次感謝BMC邀請，與同行的夥伴。
感恩一切的際遇，遇到很多很棒的音樂人、也認識了許多新朋友。每次都想再多待一陣子，更深入的探索這美妙的城市～
期待下次見🫶🏼
It’s an honor to have “Arcane” from my 5ENOM album selected for Mixmag Asia’s Best Music of 2025.
This playlist is curated along a party-night timeline, and my track landed under “2AM: The Dark Room.”
Big thanks to the @mixmagasia editors for the beautiful words, and I’m truly happy to be featured alongside so many incredible producers. 🖤🔥
很榮幸五毒專輯裡的術（Arcane)
入選Mixmag Asia’s best music of 2025 ,
這張歌單用派對氛圍的時間軸來設計順序，
而我的音樂被放在 2AM: The Dark Room
的標題下。
謝謝Mixmag Asia 編輯的文字，
很開心可以跟很棒的音樂製作人們一起入榜。
Super excited to announce that we’re heading to Bangkok to perform at @bangkokmusiccity 🇹🇭✨ Catch us at the event on January 24–25 🔥
Timetable coming soon.👀
很開心宣布我們即將與台灣優秀的音樂團隊一起，前往 @bangkokmusiccity 演出！
這是一場多個舞台的城市音樂節，活動時間是1/24-1/25 👀如果你也在曼谷那就一起來玩吧，
演出時間表即將公佈～
偷聽了一點北美館幫一群國小學生導覽的內容
「這件作品是，透過這座音響是象徵牙買加音樂文化裡，勞動階級透過身邊能夠取得的資源組裝起自製的音響系統。當時的人們於勞動之後的晚上，透過音樂抒發心中的苦悶與壓力，進而創造出了雷鬼音樂。」
補充說明：作者選用了高壓下生成的大理石作為材料，象徵音樂如何從掙扎與困境中淬鍊成形。
圖1-5 北美館 台北雙年展
圖6 台北當代 宇宙寫生
圖7 Here Taipei
I overheard a tour guide at TFAM telling kids:
“This sound system represents how Jamaica’s working class built DIY rigs from whatever they had, using music at night to release the pressure of daily labor — eventually giving birth to reggae.”
The artwork uses marble formed under extreme pressure, symbolizing how music is forged through struggle.
Pics 1–5: TFAM : Taipei Biennial
Pic 6: MOCA Taipei : Cosmic Sketches
Pic 7: Here Taipei
爆炸11月，謝謝各位的愛
November was a nonstop grind ！
Massive shoutout to @kerkeramber and
the whole team for making it all happen.
⚜️Up next ⚜️
11/29 @here_taipei ROOM：HERE Vo.3
12/13 @club.endless 耳內大會
12/31 TBA
__________>
PHOTO_1 by @58kg.chuanshun
Outfit @pces_studio
