New #studio is here! Upgraded from Lichtenberg to Treptow ✨
Extremely happy with the treatment and sound so far, flat to -6 at 26hz 🫨. Yummy hardware goodies coming later this year…
Open for #mastering work as before, if you are in Berlin I am also open to attended sessions (Celebratory Beer at BerlinBerg Brewery always included)
Thank you to @judevadee for capturing these beautiful pics in both Analog and Digital 📸
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#musicstudio #masteringstudio #musicproduction #listeningroom #postproduction #proaudio
Émergences, Aperture, Collisions, Sciogliersi, Structures aériennes, Forzare il Sublime, Inévitable autre.
Seven textures: from a menu you half-understand at a restaurant you can’t quite place.
Illustration by Roshanak Amini.
Out now on Care Of
Ancient suns, all-seeing eyes, sacred towers. The same symbols keep surfacing as surveillance networks, atomic insignia, UFO sightings, algorithmic feeds. ‘A Thousand Suns’ traces these recurrences through personal memory, myth, and the endless scroll. Fragments of social media cut in and redirect: seductive, overwhelming, sometimes funny. A heatwave summer, strange lights hanging still above a NATO airbase. Declassified CIA documents about astral travel resurfacing as 60-second reels. Spoken word unfolding over a slow-burning, atmospheric soundscape.
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released April 26, 2026
Originally created for the exhibition “Karin Ferrari: Paranjolly Symphony” (Rigo Gallery / Museo Lapidarium, Novigrad, Croatia, October 2025).
Text & vocals: Karin Ferrari
Music: Juniper Foam
Mastering: Felipe Vareschi
Cover photo: Karin Ferrari, featuring “A Sun Is A Very Close Star” by Karin Ferrari (2014) and “a circle more than” by Kamen Stoyanov (2014), curated by Ursula Maria Probst at Fluc, Vienna.
Care Of s 45 · 19 min · 2026
@trashmysticism@juniperfoam@careof.co@frmvar
In 2024, we released re:natura #04 – Æther. Ten artists presented their takes on the air as both part of the biosphere and as a physical medium.
Diren Demir – Kulning | @diren.art
Laure Boer – Connecting Winter and Spring | @laureboer
Joseph Baader – Encounters On Shortwave | @joseph.baader
Nick Kuepfer – Bats at Dawn | @nickkuepfer
Intuitive Dialogues – EROOO0oo00(O)oO.0o0.oo..sion
S. Costa – Panoramic | @sebastiancosta
Matthew Flores – The Only Player in Major League Baseball History Named Cloud … | @matt_flores
Aidan Baker – Remember to Breathe | @aidanbakermusic
sofi – Powerlines | @sofizaiceva
Omis Elegia – Last Letter from the Celestial Nomad | @omi5.jpg
We’re looking forward to release our fifth compilation, re:natura #05 – Crescere on October 25th!
We had two amazing concerts at Experimontag featuring Intuitive Dialogues an Natalia Molina Bohórquez!
@frmvar and @ginalololo finally got to present an extended and visceral version of their composition for re:natura #04 – Æther while @whoissittinginmyflute performed a set with flute feedbacks.
We‘re looking forward to our October edition (27.10.) with @__idra__ and @david_esser_sound_
Photography by @jannislewolff
#experimontag #live #experimentalmusics
TONIGHT - 15.09.25 - eXperimontag
Intuitive Dialogues + Natalia Molina Bohórquez + Sasha Kills (DJ-Set)
Doors 19:00 / Start 21:00 / Donation
This Experimontag is presented with re:natura.
@label.re.natura
Intuitive Dialogues
@frmvar@ginalololo
Experimental – Felipe: Italy/Berlin | Gina: Taiwan/Berlin
Intuitive Dialogues is a creative collaboration between Gina Lo and Felipe Vareschi.
The project explores the relationship between electronic instruments and organic materials through improvisational performance.
The duo creates feedback loops between each other, their instruments, and their surroundings to create a continuously morphing and responsive sonic landscape that engages intuitively with audiences.
Natalia Molina Bohórquez:
@whoissittinginmyflute
I’m sitting in a flute
Experimental Ambient – Bogotá / Düsseldorf
Natalia Molina Bohórquez completed her studies as a flutist in 2017.
“I’m Sitting in a Flute” is a project by Colombian artist Natalia Molina Bohórquez, inspired by Alvin Lucier’s piece I’m Sitting in a Room.
Drawing from her interest in free improvisation, contemporary music, and extended techniques, she conceives the flute as a sound space.
In her method, voice recordings are played inside the flute through small speakers, generating resonances and feedback captured by a microphone.
By playing the keys and electronically processing the sound with loops, resonators, delays, and phase shifts, she transforms the flute into a unique acoustic and performative device.
Sasha Kills (DJ-Set)
@sashakillsyou
EXPERIMENTAL DARK EDM/HYPERPOP
🎙️Construction debris #asmr moment for you 👂
👷🏻♂️Tested out a new pair of @contactmics on this jummy pile of cinder that was so generously placed in the courtyard of my studio complex 🏭
Musique Concréte? 🧱
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#noise #noisemusic #fieldrecording #experimentalmusic
🎛️ Little throwback to our performance at @hosekcontemporary this march. Two moms wiggling in a cold ship 🥶
Thank you Peter Wehkamp for the lovely photos ✨
Forgot to post this when it happened! a little throwback to our release event for “Reordering Light Industries” ⚙️
We had a lovely evening filled with music from our talented friends @ginalololo@_lo_and_behold_@katharina_bevand and @therealbuzzboris 🌆
You can stream the album on all platforms or pick yourself a record from our Bandcamp 💿
