An iteration of this work will be up alongside a bunch of other rad artists on Friday, come say hi :-)
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RADAR is pleased to present The Threshold Varies, a group exhibition featuring artists who engage in perception as something that is variable, contingent, and unstable.
Artists include Elizabeth Allen-Cannon, Michael Cuadrado Gonzalez, Ben Gould, Paul Heyer, Katrina Jackson, Will Krauland, Lawrence M., Susan Pasowicz, Forrest Frederick, Noelia Towers, and Lucy Walsh.
Join us for an opening reception on Friday, March 13 from 5:00–8:00pm at @the_arts_of_life@circlecontemporary !
@aallenc@pichael_@benegould@paulhigher247
#katrinajackson
@see4eva
#LawrenceM.
@susan_pasowicz@forrestfrederick@noeliatowers@lucy_kid_danger_walsh_12_
Special thanks to @latitudechi for the printing assistance
RADAR is a curatorial platform supporting artists and their practices in the Midwest, founded by @madelinegallucci . Learn more at radarmidwest.com
Artspace Project Wall, Brandon Forrest Frederick
The Emily & Todd Voth Artspace at the Kansas City Art Institute is pleased to announce a new Artspace Project Wall that draws upon its 25-year history of engagement with important KCAI-affiliated artists and collaborators.
For this project, Chicago-based guest curator Madeline Gallucci (’12 Printmaking) has partnered with artist Brandon Forrest Frederick (’11 Photography) to create a new work for the Artspace’s Project Wall.
In An illusive view in an illuminated field, Frederick builds on his ongoing interest in the natural world, beauty, contemporary states of being, and photography within our physical and digital lives. In Frederick’s image, he combines gestures of landscape and still life, alongside manipulations of collage and sculpture, then packages and compresses them within a single picture plane.
Frederick’s composition suspends time in multiple forms: where the hand has pressed and crumpled, and where gradient and light suggest a continuous space that is, at once, both flattening and infinite.
An illusive view in an illuminated field explores the collapse of distance between image and material, form and concept, where gradients become spaces of transition, play, and pause. The work resists the disembodiment of digital life, offering a tactile and organic counterbalance to our collective consumption of images online.
Images: Brandon Forrest Frederick: An illusive view in an illuminated field; Brandon Forrest Fredrick studio photograph; Madeline Gallucci studio photograph, courtesy of the artists.
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#artspaceprojectwall #artspace @forrestfrederick@madelinegallucci@radar_____@kcartinstitute@kcaicampuslife
Two collages made with @vic_barq from our exhibition Fast Casual!
1. Compress Collaged Archival Pigment Prints 10”x15” Unique 2025
2. Protective Sleeve Cutlery Pouch mounted on Archival Pigment Print 10”x15” Unique 2025
Art documentation over the years for the wonderful @wetplantlet 🌱
Excited to offer my services for art documentation and other photographic needs in Chicago. Reach out if you have a project in mind! 🫰🏻