finally catching my breath from the last few weeks and reflecting on this year’s repair electronics faire. this year felt chill and relaxed enough that i actually got to be a fair attendee for a bit and wwwoooowwww was it incredible :’)
these images are a very small glimpse into the community that came together for the two day faire. thank you so much to everyone who came and shared their work, taught workshops, gave talks, presented art, and played music. and thank you to everyone who took a chance and attended this wacky event. it was so deeply affirming to be around people thinking and working through topics i often explore in solitude. i felt incredibly held and supported by the expertise and generosity of all who participated this year.
may we all continue to feed our reparative impulses to assemble and confer plenitude. <3
Explore these incredible items available for auction! All of these donors have stepped up and donated their goods, services and art to support Community Solidarity Project, and we are so grateful ✨🫶
Visit ➡️ bit.ly/solidarityprojectsauction2026
🔹 New items added all the time!
🔹 Winners announced at the event on Saturday!
🔹 You do not have to be present to win!
#NonprofitAuction #Community #Solidarity #BerniesCoffeeShop
I MADE THIS IN TIKTOK AND THEY CENSORED THE PART WHERE I SAY TO SUPPORT ARTISTS AND NOT JEFFREY BEZOS!!!! EVEN MORE REASON TO COME TO SNAIL FARM’S HOLIDAY MARKET THIS SUNDAY!!!!! NO MORE MONEY TO BEZOS!!!!!!!!!!
We are so excited to introduce Mica Scallion-Ford ( @flwr.patch ), who is exhibiting in our Modern Pleasure show curated by Jaelynn Walls. You can see the show at the closing this Saturday 6-8p or F 12-6p by appointment by calling 341-205-1331 or emailing [email protected] .
BIO
Textile, electronic media and 2D-visual artist Mica Scallion-Ford explores their art/work nexus in Los Angeles, California. They log most hours experimenting with form and material at their loom in Lincoln Heights, weaving second-hand threads into use-as-art objects. Additionally they explore sewing, internet gleens, video & sound, and a host of other media in their artistic practice which spills in and out of their profession as a high-level fine art A/V technician and all around handy-them.
PIECE
6th Home
2025
yarn from an estate sale in Pomona, yarn from a thrift store in Pico Union, fabric from an estate sale in Glendale, fabric and grommets from a thrift store in Pasadena, wood from a thrift store in Altadena
#120710 #gilmandistrict #bayareagalleries #bayareaart #textileart
net: quad
Mica Scallion-Ford @flwr.patch
4’ x 5’ tapestry, mini CRT stack Ethernet harvested from MOCA LA e-waste, borrowed and purchased boxes of technology, original synced video.
Dimensions variable. 2025
Not (fer) Nothing. 🌸
On view at Persons Unknown through this Sunday 11/16, make an appt to view this week or come celebrate at the closing reception with us Sunday 11/16 from 1-5pm!
Not (fer) Nothin: Ashton S. Phillips, Jenny Rask, Heidi Ross, Mica Scallion-Ford
@ashtonsphillips@jjennyraskk@halloumi_heidi@flwr.patch
“My mother—and maybe someone you know, too—uses dryer lint skimmed from the trap to make firestarters,
homely little capsules imbued with a mythological task. Lint is not quite nothing; it still might be retrieved for
further purpose before oblivion and rebirth. Not (fer) Nothin offers works from artists who each in their way
employ a salvage mentality, gleaning materials slated for decay and refashioning them into missives on
metabolic processes and the possibilities of regeneration.”
—Rachel Elizabeth Jones @ratbabyjones
📷: @robben_munoz ✨
Mapper 1
Jenny Rask @jjennyraskk
Printed photo on cotton, paper, eggshell, pasta, yarn waste, glue, cardboard, fiber waste. 2023
24” x 16” x 5”
Not (fer) Nothing. 🌸
On view at Persons Unknown through this Sunday 11/16, make an appt to view this week or come celebrate at the closing reception with us Sunday 11/16 from 1-5pm!
Not (fer) Nothin: Ashton S. Phillips, Jenny Rask, Heidi Ross, Mica Scallion-Ford
@ashtonsphillips@jjennyraskk@halloumi_heidi@flwr.patch
“My mother—and maybe someone you know, too—uses dryer lint skimmed from the trap to make firestarters,
homely little capsules imbued with a mythological task. Lint is not quite nothing; it still might be retrieved for
further purpose before oblivion and rebirth. Not (fer) Nothin offers works from artists who each in their way
employ a salvage mentality, gleaning materials slated for decay and refashioning them into missives on
metabolic processes and the possibilities of regeneration.”
—Rachel Elizabeth Jones @ratbabyjones
📷: @robben_munoz ✨
Not (fer) Nothing. 🌸
On view at Persons Unknown through this Sunday 11/16, make an appt to view this week or come celebrate at the closing reception with us Sunday 11/16 from 1-5pm!
Not (fer) Nothin: Ashton S. Phillips, Jenny Rask, Heidi Ross, Mica Scallion-Ford
@ashtonsphillips@jjennyraskk@halloumi_heidi@flwr.patch
“My mother—and maybe someone you know, too—uses dryer lint skimmed from the trap to make firestarters,
homely little capsules imbued with a mythological task. Lint is not quite nothing; it still might be retrieved for
further purpose before oblivion and rebirth. Not (fer) Nothin offers works from artists who each in their way
employ a salvage mentality, gleaning materials slated for decay and refashioning them into missives on
metabolic processes and the possibilities of regeneration.”
—Rachel Elizabeth Jones @ratbabyjones
📷: @robben_munoz ✨
Not (fer) Nothin, October 25th through November 16th at Persons Unknown with works from Ashton S. Phillips, Jenny Rask, Heidi Ross, and Mica Scallion-Ford.
Curated by Rachel Elizabeth Jones:
“My mother-and maybe someone you know, too-uses dryer lint skimmed from the trap to make firestarters, homely little capsules imbued with a mythological task.
Lint is not quite nothing-it still might be retrieved for further purpose before oblivion and rebirth. Not (fer)
Nothin offers works from artists who each in their way employ a salvage mentality, gleaning materials slated for decay and refashioning them into missives on metabolic processes and the possibilities of regeneration.”
Ouroboros by Robben Muñoz
