✨Meet this artists presenting work at the upcoming First Draft 2/20
@theicala ✨
RSVP in Bio!!
Arushi Singh is a dance scholar, writer, educator, and performer from New Delhi, now based in Los Angeles. Moving between theory and practice, she traces how dance both shapes and is shaped by the worlds it inhabits. Holding a PhD in Culture and Performance from UCLA, her award-winning research examines contemporary and experimental dance in South Asia—its shifting institutional terrains, systems of patronage, and the political economies that sustain or unsettle performance.
Her writing appears in South Asian Dance Intersections, Didaskalia, Conversations Across the Field of Dance Studies, Dance Chronicle, Race & Yoga, and Tilt Pause Shift: Dance Ecologies in India, with forthcoming essays in The Oxford Handbook of Dance Praxis and Jacob’s Pillow Dance Interactive.
Her choreographic practice runs in conversation with this scholarship—rooted in Indian movement vocabularies yet restless in its search for new temporalities, architectures, and relations. Recent collaborations in Los Angeles include works with Ajani Brannum, Emily Barasch, Victoria Marks, Lionel Popkin, and Christine Suarez.
As a performance artist and emerging scholar, Moodzi (Abhijeet Mudgerikar) narrates stories at the intersection of social dance, gender experimentation, cultural geography, and interactive systems. They are currently pursuing an MFA in Choreographic Inquiry at UCLA, where they are investigating the etymology and cultural circulation of nazar—translated as gaze, perception, or the “evil eye”—from its Arabic origins to its regional transformations across South Asia. Their research is informed by a background in architecture and their practice of queer Black social dances in India, through which they draw relations among space, migration, and cross-cultural interaction.