“call me before you leave” photo publication by our co-founder/ creative director @laur4v4 and art director @millamxy can now be purchased online on our website. YAY
link in bio xx
#HOTHAPPENINGS presenting #BIG 🍑 COMEBACK: viko & penglords concert @so36 with their album AQUARIUM 🥽
shoutout to the visual creative director @syntaxerror4o4 ‼️
videos @millamxy
text @laur4v4
#sexystuff presenting @habdichlieb.berlin
we keep falling in #LOVE with berlin’s underground.
a collective born in 2023, somewhere between late-night edits and shared #DREAMS . now a 9-member force turning raw ideas into actual cinema — and sharing this platform with others.
they’re creating space for young filmmakers to see their work where it belongs: on a #BIG screen, in a dark room, with strangers who feel everything. 💌
“Die Hab Dich Lieb Filmnacht” is back for round three.🎬🎬🎬
Kant Kino, Berlin April 24 (doors 22:00) April 26 (doors 20:00) — SOLD OUT
from their own productions like Polnische Ravioli (2023), Bolle (2024), Hiphopsen (2024) to their latest Friedfische(2025), they’ve been buildinG something #HONEST MESSY & ALIVE
this isn’t just a screening — it’s a love letter to cinema. and to everyone still daring to make it.
OMG WTF??? RETADO & DOUBLE G WITH OUR #DOPE KEYCHAINS 🤩 SUCH A #DRIP - #DROPPING 🥁🥁🥁 MMMMONDAY 🚨 CAN YOU WAIT? we don’t think so 🆘
photo @laur4v4 light @vanessalinden
#SEXYSTUFF presenting @lusterboden from vienna. they dropped their second album “Na Bravo” last friday #EPIC AF -
RELEASE SHOW MAY 20TH IN VIENNA
photos:
1 @maxpnell
2-5 @simonrajchl
#SEXYSTUFF presenting JAZZMATAZZ: low lights. slow rhythm. everything a little softer.
in 1993, Guru — one half of Gang Starr — released Jazzmatazz, Vol. 1.
hip hop and jazz had always been connected.sampling, influence, shared roots. but this was different. instead of looping records, Guru brought musicians into the studio —
artists from jazz and hip hop, playing together in real time. live instrumentation. steady bars. no rush. the result: something warmer, deeper, more intimate.
jazzmatazz became a series:
Jazzmatazz, Vol. 2: The New Reality
Jazzmatazz, Vol. 3: Streetsoul
Jazzmatazz, Vol. 4: The Hip Hop Jazz Messenger: Back to the Future
each one expanding the idea — from raw jazz sessions to more soul, R&B, and contemporary textures.
Guru’s voice stayed the same throughout:
calm, grounded, almost weightless — letting the music breathe.
that’s where this energy comes from. late-night, bass-heavy, effortless.
not loud. not forced. just presence.
a kind of #sexystuff that doesn’t try to be seen —
but always is.
jazzmatazz isn’t about invention.
it’s about connection. and while listening, all I want is to sit in a dim jazz bar, candlelight,, smoking a big ass joint, feeling iconic & calm — and let the music do the rest. :P
Before ‘streetwear’ became strategy, this was just how it looked. Loose fits, graphic tees (LOVE), hoodies that felt lived in — not styled.
Pulled from Breaking Bad (2008–2013), this aesthetic wasn’t built to trend. It came from character, environment, real life — New Mexico heat, suburban edges, everyday chaos.
Like a bass-loaded slow song, that swaggy sexy groove, these outfits carry real depth. Cool, easy, never forced but on point.
It’s that #dripdrop feeling — comfortable, but still rockstar.
Just hanging in the fit, still looking slay.
We <3 the layers.
We <3 the thrifted pieces.
We <3 the creativity in what already exists.
Because real swag isn’t bought new.
It’s worn in, mixed up, made personal.
In 2026, it hits again: personal over polished.
OMG NO WAY! SELMA KÖRAN everybody 👏👏for ISSUE 004 VISION 🚨🚨🚨 EVERYONE SLAYED AT THE SET NGL🔥🔥 we learned it’s the year of the FIREWH*RE 📢1️⃣ hah
photos @marlenehujer direction @laur4v4@millamxy
