Next in our hcmf// 2025: Rewind series, we’re revisiting a night where sound unfolded as environment, immersion and legacy all at once.
Sholto Dobie’s
@sholtodobie 'cascades' transformed the concert space into a shifting field of breath and resonance. Using concertinas, self-built organ pipes and air pumps, Dobie set quiet, sustained tones in motion — sounds dilating and shimmering as Dobie moved among the audience. It was less a piece to observe than a situation to inhabit, where time stretched and space subtly reconfigured itself.
In contrast, Jessie Marino’s
@atjessiemarino 'SLOW BLINK' channelled raw, hypnotic force. Pushing fiddle and electronics into dense layers of distortion and saturation, she created towering walls of sound that resisted resolution. Drawing on drone lineages while carving out something unmistakably her own, Marino offered total immersion.
Completing the programme, Fred Frith
@ffrith7 brought five decades of radical exploration to the stage. From underground rock innovator to fearless improviser, his solo performance felt both searching and assured — continuing his lifelong question of what music is, and what it might yet become.
Together, the evening traced three distinct approaches to sound-making — spatial, immersive, iconoclastic — offering a vivid reminder of experimental music’s breadth, vitality, and restless curiosity.