Felipe Romero Beltrán

[SOLO SHOW] -Bravo- Carré d’art Nimês @carreartmusee.nimes November 07 - March 29 - Thrilled to present my first institutional presentation of Bravo in France - Big thanks to the @carreartmusee.nimes team, to @heleneaudiffren and to @jean_marc_prevost for their support - Curated by @victoriadelval1 @kbrfmapfre @arteyculturafm Handprints @_adrianwong_ Special Thanks to @hatch_paris - ❤️

- On view until 01/05 - @foam_amsterdam ❤️

- Berlin Show at @galerieklemms Open until 12/04 - @hatch_paris ❤️

FANTASTIC MAN ISSUE 42. // PAGES 234-255 // @manfantastic - Photography - @feliperomerobeltran Styling - @jodieabarnes Casting - @julialangecasting Hair - @tomwrighthair Makeup - @patrickglatthaar Set Design - @jeannebriand_setdesign Prints and Retouch - @pacifico.postlab Production - @nilmproduction - Director of Photography (DOP) - @pablo.mmmm Photography assistants - @_adrianwong_ & @le.0s Styling Assistants - @jankowski_antoni & @mercedes__rigby Hair assistant - @dariograssihair Makeup assistant - @justine_sirabella Set design Assistant - @anatolechartier - Talents - Aleksandr, Aurelien & Youssef - Special thanks - Victoria Sullivan & Sam Rhodes - ❤️

FANTASTIC MAN ISSUE 42. // PAGES 234-255 // @manfantastic - Photography - @feliperomerobeltran Styling - @jodieabarnes Casting - @julialangecasting Hair - @tomwrighthair Makeup - @patrickglatthaar Set Design - @jeannebriand_setdesign Prints and Retouch - @pacifico.postlab Production - @nilmproduction - Director of Photography (DOP) - @pablo.mmmm Photography assistants - @_adrianwong_ & @le.0s Styling Assistants - @jankowski_antoni & @mercedes__rigby Hair assistant - @dariograssihair Makeup assistant - @justine_sirabella Set design Assistant - @anatolechartier - Talents - Aleksandr, Aurelien & Youssef - Special thanks - Victoria Sullivan & Sam Rhodes - ❤️

Currently on view at the gallery is the video piece Instrucción by Felipe Romero Beltrán. Conceived as a strenuous yet graceful experience, the work investigates how the body contends with displacement and transgression. Developed through a collaborative choreography with dancer Lucía You and migrant Bilal Siasse, alongside three additional dancers, the piece draws on three years of research into the migration and integration experiences of young men who crossed the Spanish border by boat. @luciahelenayou Structured in three chapters, Cargas (Charges), Suelos (Floors), and Elevaciones (Elevations), the video documents the exchanges, conversations, and creative process of its participants, celebrating improvisation, collective reinvention, and new rituals of presence and resistance. Instrucción positions the body as a living archive, exploring movement, identity, and transformation. The work engages with two central themes: translating the border-crossing experience into choreographic language, and recording the dynamics of (in)communication between European dancers, distanced from these experiences, and migrants navigating marginalization. Through this dialogue, the project challenges dominant narratives and fosters new forms of solidarity and survival. © Felipe Romero Beltrán

Últimos meses en @citedesartsparis - @fondation_carasso - ❤️

- Dictée (2026) - On view at @citedesartsparis - A collective reading begins: different individuals read aloud excerpts from the French foreigner law. The document integrates the foreigner while simultaneously preserving them as - un autre-. This exercise embodies the voice of the law through multiple voices, each authorized to pronounce it. - Infinitely grateful to Madda, Eliot, Margot and Daniel for making this possible. - ❤️

📚 - Special Edition of Bravo - - A signed first edition of Bravo, housed in a silver-debossed dyed card side-stapled box. - Archival Pigment Print on Hahnemuhle Fine Art Baryta paper, signed and numbered by the artist. - Via @jointsloose

Last day at Paris Photo 2025 — Booth B55, presenting Felipe Romero Beltrán in the Voices sector. @parisphotofair @feliperomerobeltran Divided into three chapters — Endings, Bodies, Breaches — Romero Beltrán’s documentary approach challenges systems of classification, enclosure, and identification, shaping a visual language that reflects the restrained and controlled notions of identity at the border. ‘Bravo’, composed of fifty-two photographs, traces this reality through architecture, people, and landscapes: bare interiors; walls and surfaces where textures and colors quietly speak; fragments of roads and buildings marked by migratory passage; portraits of the men and women the artist encountered during his time in the region. With meticulous precision, Romero Beltrán’s portraits both reveal and withhold resilience, exhaustion, and hope, while his still interiors — a speaker, a mattress, a table covered with a white cloth — carry a charged symbolic weight. Bravo stands as an urgent, poetic meditation on a border defined by its own contradictions, where hope and despair, movement and stillness, inevitably converge. Installation view of Bravo at Paris Photo 2025 by Felipe Romero Beltrán, presented by Hatch Gallery and Klemm’s Berlin. ©︎ Choreo. Courtesy of the artist, Hatch Gallery, and Klemm’s Berlin.

OPEN TODAY @parisphotofair - Hatch Gallery and Klemm’s Berlin are pleased to present a solo exhibition by Felipe Romero Beltrán in the Voices section of Paris Photo 2025 - Booth B55. The presentation debuts Bravo (2021- 2024), a new body of work that transforms the Rio Bravo / Rio Grande-the river dividing the U.S. and Mexico-into a quiet yet charged protagonist. - @feliperomerobeltran @galerieklemms @parisphotofair - Structured in three chapters Endings, Bodies, and Breaches, and accompanied by the video El Cruce (Crossroads), Bravo explores the border as both a physical threshold and a psychological state. - Panel design @possiblescenarios Handprints @_adrianwong_ - Installation view of Bravo at Paris Photo 2025 by Felipe Romero Beltrán, presented by Hatch Gallery and Klemm’s Berlin, Paris, 2025. © Choreo. Courtesy of the artist, Hatch Gallery and Klemm’s Berlin. - ❤️

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