expanded cinema

@expanded_cinema

Expanded Cinema Class @hgbleipzig / Academy of Fine Arts Leipzig
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Installation view of my diploma work „Der Garten ist das, was in der Zukunft liegt“ on February 03 2026 @hgbgallery . „Der Garten ist das, was in der Zukunft liegt“ emerged from an artistic collaboration with Thomas Weisheit (1973–2024) and was continued after his death. Rather than reconstructing or completing a closed work, the project carries an ongoing process forward under altered conditions, treating sound as a medium of memory and continuation rather than documentation. The title refers to the garden not as a physical place, but as a conceptual figure: an open, never finished space shaped through care, intervention, and time. It describes a way of working in which past, present, and future coexist, and meaning arises through repetition, transformation, and maintenance rather than linear narration. Presented as a 16-channel sound installation, the material unfolds spatially, emphasising process, simultaneity, and the continued presence of the work in space rather than its fixation as a finished form.
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3 months ago
✮ Recap: WITH WHOSE EYES? HIDDEN LABOUR AND INFRASTRUCTURE IN THE AI RACE ✮ with Nicolas Gourault, hosted by Expanded Cinema Class of Prof. Clemens von Wedemeyer 

The workshop took a hybrid approach, both theoretical and practical. In the morning, through the discussion of a few artworks depicting the process of training AI models, the students were able to reflect about the potential and caveats of exploring and exposing hidden digital labor. In the afternoon, the workshop made a jump to a hands-on approach of ComfyUI to experiment with some workflows for generating visuals using various machine learning techniques. Nicolas Gourault is an artist and filmmaker based in Paris (FR) with a background in visual arts and visual studies. He has worked with Forensic Architecture before graduating from Le Fresnoy, Studio national des arts. His work is imbued with this double training, navigating between online open-source investigations and the critical use of new media as documentary tools. His films and video installations explore the power relationships embedded in technologies and tries to build counter-narratives through the use of situated testimony and experimental image-making.  #unlearningdigitalities #hgbleipzig #costsofdisconnecting Photo: Eliza Goldox
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4 months ago
✮ Warm invitation to the screening of Nicolas Gouraults films „VO“ (2020) and „Their Eyes“ (2025), 04.12., 6:15pm in room 2.34. as part of the symposium program „Costs of (Dis)Connecting“. VO (2020) A deadly accident between a self-driving car and a pedestrian sets off an investigation about the role of human workers in the training of driverless cars. Testimonies from vehicle operators guide us through a night shift where the landscape merges with data from the car’s sensors. Their Eyes (2025) How does a machine learn to read the world? Testimonies and screen recordings introduce the experience of online micro-workers from the Global South: their job is to teach the AI of self-driving cars to navigate the streets of the Global North. As they investigate the images they receive from the US, they imagine micro-strategies in order to organize and hack back the system exploiting their hands and eyes. About Nicolas Gourault Nicolas Gourault is an artist and filmmaker based in Paris (FR) with a background in visual arts and visual studies. He has worked with Forensic Architecture before graduating from Le Fresnoy, Studio national des arts. His work is imbued with this double training, navigating between online open-source investigations and the critical use of new media as documentary tools. His films and video installations explore the power relationships embedded in technologies and tries to build counter-narratives through the use of situated testimony and experimental image-making. #unlearningdigitalities #hgbleipzig #costsofdisconnecting Graphics: Marie Walser
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5 months ago
Lodz
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7 months ago
A reflection on the exhibition “We Show What We (Don’t) Know – Images as Research” within the framework of the Transcultural Academy “Futures/Futurities” at the @japanischespalais.skd of the @skd.museum Dresden 2023, published by #RosaMercedes online journal #09 @harunfarockiinstitut A conversation by #LucieKolb with #MareikeBernien, #DoreenMende, #AnnaLisaReith and #ClemensvonWedemeyer on March 27, 2024. With artistic contributions by #AnnaSopova, #snc, #IngmarStange, #JohannBärenklau, #KatharinaBayer, #KseniaSova, #LeilaBrinkmann, #LuciaCharlotteOtt, #MahshidMahboubifar, #MartaSundmann, #NataliaZaitseva, #SijoChoiKim, #SimónJaramilloVallejo, #ValériadeAraújoSilva, #YunseonJeong and #SuYuHsin. Editorial assistance by #AlmaWeizman. What images does research itself produce? How can images, in both an artistic and documentary sense, themselves become tools of research? As if the images themselves could observe, analyze, comment or measure. A project that brings together 16 new artistic works that deal with research in museums as an aesthetic practice. Artists from the @expanded_cinema @hgbleipzig class at the HGB Leipzig met with numerous museum stakeholders over the course of a year: conservators, electricians, scientific staff, directors, X-ray technicians and provenance researchers from the SKD. Among other articulations, video installations, textiles, an imagined computer game, transformed angels, AI-generated porcelain and an interview with a pistol were created and exhibited. In reference to Antje Ehmann and Harun Farocki’s “Labour in a Single Shot”, one could also say that 16 “Takes on Research” have emerged. Images that not only document, but also have a researching effect. Observing, organizing, interpreting, they recognize the museum as a place of knowledge and history production. #Linkinbio Images (2) Mashid Mahboubifar (3) Simon Jaramillo Vallejo (4) Yunseon Jeong (5) snc Photos (c) @oliver.killig @vwedemeyer @lucieemiliekolb @annalisarth #forschungskd
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7 months ago
VIDEONALE.20 Pop-up Satelliten | Schaumburg | Studierende künstlerischer Hochschulen zu Gast Zwei inspirierende Abende in besonderer Location: Unser dritter Pop-up Satellit verwandelte die @schaumburgbonn in der Bonner Nordstadt in ein atmosphärisches Kino. Studierende künstlerischer Hochschulen präsentierten ihre Werke und luden zum Dialog ein. Ein großes Dankeschön an unsere Gastgeber:innen und ans Publikum – und ein ganz besonderer Dank an das Kurationsteam und die Studierenden, die uns Einblicke in ihre Arbeiten ermöglicht haben! @current_situation_udk @kunsthochschulefuermedien @alanus.bildende_kunst @klasseknapp @klassereisch @expanded_cinema Prof. Nina Fischer, Prof. Ute Hörner, Prof. Tessa Knapp, Prof. Clemens von Wedemeyer /// VIDEONALE.20 Pop-up Satellites | Schaumburg | Students of art academies as guests Two inspiring evenings in a special location: Our third pop-up satellite transformed the @schaumburgbonn in Bonn's Nordstadt into an atmospheric cinema. Students from art academies presented their works and opened up a lively space for exchange. A big thank you to our hosts and the audience – and a very special thank you to the curatorial team and the students who gave us an insight into their work! @current_situation_udk @kunsthochschulefuermedien @alanus.bildende_kunst @klasseknapp @klassereisch @expanded_cinema Prof. Nina Fischer, Prof. Ute Hörner, Prof. Tessa Knapp, Prof. Clemens von Wedemeyer / Images: VIDEONALE.20, Festival, 2025 © Jo Hempel @jo_hempel #videonale20 #videonalebonn #festival #videoart
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1 year ago
HGB RUNDGANG 2025 Expanded Cinema: Let me know if any of these resonate with you! Opening Hours Saturday 14-21 Sunday 12-18
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1 year ago
Expanded Cinema ⚫️ Rundgang 2025 13. 02. 2025 Thursday ~ 16. 02. 2025 Sunday <Let me know if any of these resonate with you!> ✔️ We would like to hear from you! Contact us if any of these resonate with you! Let me know if any of these resonate with you! mail: [email protected] instagram: @expanded_cinema ✔️ Visit our Bar! We are collecting money for emergencies within our class, for those who need urgent support related to migration and war. Graphic credit ; @sijo.sae
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1 year ago
The exhibition ‘Patterns of Seeing and Not Seeing’ presents works by Meisterschüler*innen of the expanded cinema class at the Academy of Fine Arts Leipzig (HGB). The exhibition includes video works, installations and drawings. In their works, the artists address questions about the production of visible and invisible patterns that define how we see. How can we create images that question these patterns? How can the act of seeing be transformed from an exploratory gaze to a gaze of resistance? The works discuss self-images and forms of emancipation through the camera lens, a self-organised film project in Portugal or the GDR gaze in Tanzania. Another installation deals with the sound of surveillance, while another video is on contemporary interpretations of the image of Nefertiti (Nofretete). Private … utopian … politicised … embodied & redirected patterns. Patterns of Seeing and Not Seeing presents works by Patrik Thomas, Valério de Araújo Silva, Anna Scherbyna, Anna Sopova, Michalina Musielak & Aya Ganor, Dana Kavelina. Expanded cinema class is headed by. Clemens von Wedemeyer and Mareike Bernien. Link: / / after-the-butcher, Ausstellungsraum für zeitgenössische Kunst und soziale Fragen, Spittastr. 25, 10317 berlin
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2 years ago
🌕 Happy Rundgang opening! 🌕 Expanded Cinema Rundgang exhibition <Agencies and Latencies> (Room 53/2.15) is to be seen until this Sunday!
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2 years ago
HGB RUNDGANG 2024 Expanded Cinema presents: agencies and latencies: exhibition & kinoprogram. Opening Hours 15.02 THURS 18-24 / 16,17. 02 FRI,SAT 14-21 / 18.02 SUN 12-18
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2 years ago
Exkursion nach Berlin 💫 @silent.green @sinematranstopia
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2 years ago