Exhibit320

Exhibit320 is hiring for multiple positions across curatorial leadership, research, artist development, operations, graphic design, and social media. We are looking for individuals with strong writing, communication, organizational, curatorial, and design skills, along with a deep interest in contemporary art and culture. To apply, please send your CV, portfolio (if applicable), and a short note about your experience to [email protected].

#ArtistUpdate | Dolla Shikder’s ‘Myths of Belonging’ series are a part of ‘I Insist, You Reckon’ curated by @vaidehigohilx , now on view at Exhibit 320, New Delhi. In her work, Dolla draws from memories of her family, transferring the emotional toll of migration and the knowledge of loss onto fabric. The porous quality of transparent cotton cloth reflects the distinct mode of narration that she has chosen for her reminiscence. These artworks explore ideas of memory and migration, tracing a sense of home across distances and losses, and move between what was seen and what is imagined, with motifs carrying meaning as she remembers it.

Introducing our director Rasika Kajaria is a Delhi-based gallerist known for founding Exhibit320, a contemporary art space that has consistently supported experimental and process-driven artistic practices in India. The galleries approach focuses on material exploration, conceptual depth, and fostering dialogue between emerging and established artists across disciplines. Through exhibitions and collaborations Rasika has played a significant role in shaping conversations around contemporary South Asian art and its global intersections. @indiainvenice @rasikakajaria @sumakshisingh @ministryofculturegoi @nmacc.india @serendipityartsfoundation @labiennale

Introducing our artist Sumakshi Singh is an artist and educator whose practice moves across embroidery, sculpture, installation, painting, and drawing. Based in New Delhi, her work explores memory, architecture, fragility, and disappearance through intricate thread-based structures and spatial interventions. Drawing from personal histories and sites marked by loss and migration, Singh transforms delicate materials into immersive environments that exist between presence and absence. She has exhibited internationally across museums and galleries in India, Europe, Australia, and the United States, while also teaching and lecturing at institutions including The School of the Art Institute of Chicago, Oxford University, and Columbia University. She is currently representing India at the 61st La Biennale di Venezia as part of the India Pavilion, "Geographies of Distance: Remembering Home", curated by Dr Amin Jaffer and Presented by the Ministry of Culture, Government of India, in partnership with the Nita Mukesh Ambani Cultural Centre and Serendipity Arts Foundation. The pavilion marks India’s return to the Venice Biennale after seven years. Singh’s installation, "Permanent Address", is a life-sized reconstruction of her demolished ancestral home in New Delhi, created entirely with embroidered thread, reflecting on memory, displacement, domestic space, and the fragility of belonging. @indiainvenice @ministryofculturegoi @nmacc.india @serendipityartsfoundation @labiennale @rasikakajaria

Presenting 𝙋𝙚𝙧𝙢𝙖𝙣𝙚𝙣𝙩 𝘼𝙙𝙙𝙧𝙚𝙨𝙨 by Sumakshi Singh. "Preservation, mourning, and reimagination gently converged into something like slow, repeated acts of love." 33 Link Road, New Delhi. Her grandparents built it after Partition. Her mother was born there. Her grandfather died there. Before its demolition, she visited with a sketchbook and a measuring tape, touching every surface, listening to how each detail wanted to be translated into thread. What stands in the Arsenale today is what she made instead of letting it disappear. Curated by Dr. Amin Jaffer, 𝙂𝙚𝙤𝙜𝙧𝙖𝙥𝙝𝙞𝙚𝙨 𝙤𝙛 𝘿𝙞𝙨𝙩𝙖𝙣𝙘𝙚: 𝙧𝙚𝙢𝙚𝙢𝙗𝙚𝙧𝙞𝙣𝙜 𝙝𝙤𝙢𝙚 brings together the works of Alwar Balasubramaniam, Asim Waqif, Ranjani Shettar, Skarma Sonam Tashi, and Sumakshi Singh, reflecting on material, memory, and lived experience through distinct artistic practices. Commissioned by the Ministry of Culture, Government of India, in partnership with the Nita Mukesh Ambani Cultural Centre and the Serendipity Arts Foundation, the National Pavilion of India is now open at the Arsenale di Venezia for the 61st International Art Exhibition — La Biennale di Venezia. Photography by @joe.habben & @ave_zz @gssjodhpur @ministryofculturegoi @nmacc.india @serendipityartsfoundation @aminjaffer_curator @ngma_delhi @ignca_delhi @lalitkalakademi @sumakshisingh @skarma_sonam_tashi @asimwaqif @talwargallery @naturemorte_india @exhibit320 @aparajita_jain @labiennale #IndialnVenice #GeographiesOfDistance #RememberingHome #FragmentsOfMemory #LaBiennalediVenezia (Geographies of Distance, India in Venice, India Pavilion, Venice Biennale, La Biennale di venezia, yearning, India, Venice, Indian art, home, fragments of home, exhibition design, visual design, curatorial practice, visual culture, art, artists, narratives, material memory, tactile memory, textures of home, sensory memory, light and shadow, spatial memory, architecture and emotion, built environment, design narratives)

At the Venice Biennale 2026, Sumakshi Singh presents Permanent Address — an immersive reconstruction of her demolished family home in New Delhi, created entirely with delicate embroidered thread. Suspended in space like a fading memory, the work transforms absence into presence. Neither fully visible nor entirely gone, the fragile structure becomes a meditation on home, loss, domestic labour, and remembrance. Part of the India Pavilion exhibition Geographies of Distance: Remembering Home, the installation asks: when physical spaces disappear, what remains with us? Read: /weaving-memory-space-and-silence-the-art-of-sumakshi-singh/ Image details: Artwork and the process of the work. @indiainvenice @sumakshisingh @exhibit320 #sumakshisingh #permanentaddress #venicebiennale2026 #indiapavilion #contemporaryart #indianart #installationart #memory #home #geographiesofdistance

PERMANENT ADDRESS at the India Pavilion @labiennale 2026. Geographies of Distance: Remembering Home Curated by @aminjaffer_curator Presented by @ministryofculturegoi @nmacc.india @serendipityartsfoundation @indiainvenice #IndialnVenice #GeographiesOfDistance #RememberingHome #FragmentsOfMemory #LaBiennalediVenezia

The National Pavilion of India presents Geographies of Distance: remembering home at the 61st International Art Exhibition – La Biennale di Venezia. Commissioned by the Ministry of Culture, Government of India, in collaboration with the Nita Mukesh Ambani Cultural Centre and Serendipity Arts, and curated by Dr. Amin Jaffer, the exhibition reflects the cultural depth of the nation at a key moment on the world stage. For the India Pavilion at the 61st Venice Biennale, Singh presents a powerful new installation that recreates her demolished family home in New Delhi through suspended architectural fragments rendered in white embroidered thread. Hovering in space like the ghost of a vanished structure, the work transforms memory itself into a form of architecture—fragile, porous and sustained through acts of remembrance. Both deeply personal and universally resonant, the installation reflects on the disappearance of familiar spaces in a rapidly transforming India. In many ways, the project marks a culmination of Singh’s long engagement with memory, materiality, and the politics of domestic space, positioning her as an Indian woman and artist whose practice moves fluently between local histories and global conversations Sumakshi Singh Geographies of Distance: Remembering Home India Pavilion, Arsenale Preview — 6 - 8 May 09.05 – 22.11.2026 @ministryofculturegoi  @nmacc.india  @serendipityartsfoundation  @aminjaffer_curator @indiainvenice  @labiennale @rasikakajaria @chakradharprayag

The National Pavilion of India presents Geographies of Distance: remembering home at the 61st International Art Exhibition – La Biennale di Venezia. Commissioned by the Ministry of Culture, Government of India, in collaboration with the Nita Mukesh Ambani Cultural Centre and Serendipity Arts, and curated by Dr. Amin Jaffer, the exhibition reflects the cultural depth of the nation at a key moment on the world stage. Sumakshi Singh is one of the most intellectually rigorous voices in contemporary Indian art, with a practice that spans installation, drawing, sculpture, embroidery and writing. Based in Gurugram, she has developed a distinctive artistic language over more than two decades, using thread as both material and metaphor to explore memory, architecture and the fragile structures that shape human experience. Her work has been presented in more than 20 solo exhibitions and over 100 group shows internationally, including at institutions such as MAXXI in Rome, the Museum of Contemporary Art in Lyon, the Saatchi Gallery in London and the Gallery of Modern Art in Queensland. Alongside her studio practice, Singh has built a reputation as a thinker and educator deeply engaged with the intellectual life of contemporary art. She has taught at the School of the Art Institute of Chicago and lectured at institutions including Oxford University and Columbia University, reflecting a commitment to pedagogy and critical discourse that runs parallel to her artistic work. Drawing on India’s centuries-old textile traditions, Singh elevates embroidery into a structural language, dissolving the base fabric to leave behind delicate architectural drawings made entirely of thread. In doing so, she quietly challenges inherited hierarchies between craft and art and the often-overlooked labour historically associated with women’s work. Sumakshi Singh Geographies of Distance: Remembering Home India Pavilion, Arsenale Preview — 6 - 8 May 09.05 – 22.11.2026 @ministryofculturegoi  @nmacc.india  @serendipityartsfoundation  @aminjaffer_curator @indiainvenice  @labiennale @rasikakajaria @chakradharprayag

We are proud to share that Sumakshi Singh is part of the India Pavilion at the 61st International Art Exhibition – La Biennale di Venezia. Titled “Geographies of Distance: Remembering Home”, the pavilion is curated by Dr. Amin Jaffer features Sumakshi Singh, Alwar Balasubramaniam, Ranjani Shettar, Asim Waqif, and Sonam Tashi Skarma. Sumakshi Singh’s practice brings together thread, embroidery, and architectural form to reconstruct spaces that exist at the intersection of memory and loss. Often drawing from personal histories and sites that no longer remain, her works translate absence into structure—delicate, intricate, and suspended between presence and disappearance. Sumakshi Singh Geographies of Distance: Remembering Home Curated by Dr. Amin Jaffer India Pavilion, Arsenale 09.05 – 22.11.2026 @ministryofculturegoi @nmacc.india @serendipityartsfoundation @aminjaffer_curator @indiainvenice @labiennale @rasikakajaria #IndialnVenice #GeographiesOfDistance #RememberingHome #FragmentsOfMemory #LaBiennalediVenezia

For Maitreyi Desai, the world begins in outlines. Edges, contours, alignments—translated into lines that are both precise and fluid. Through repetition and variation, her drawings hold a quiet dynamism. They ask us to slow down, to stay with the line, and to notice how much it carries. Image 1,2 Forest view Drawing (multiple inks on acid-free paper) 7.9 x 11.4 inches Fields of a dream Drawing (multiple inks on acid-free paper) Size: 7.9 x 11.4 inches 2026 @lines.205 @rabadiaxanushree @vaidehigohilx

There is a certain kind of attention that abstraction demands—one that is slow, reflective, and deeply attuned to the act of making. In the practices of Anushree Rabadia and Maitreyi Desai, line and form become sites of this attention. Rooted in everyday encounters with nature, their works distil experience into gesture, texture, and rhythm. Whether through ink on paper or tactile relief surfaces, both artists explore how something as minimal as a line can carry movement, memory, and feeling—inviting a quieter, more sustained way of seeing.