@estelleyoon Instagram profile, stories

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Photo essay for The Museum Magazine @nationalmuseumofaustralia Issue 26 (Hallyu Edition) So honoured to have photographed Eastwood and its community. I spent much of my childhood here, when my parents were running a college in hopes of obtaining PR. I remember picking mulberries from a tree that once leaned over a fence. The tree is not there anymore. But the grocery store my family has always shopped at, and the cafe we still get our birthday cakes from to this day, remain. They continue to hold and shape the vibrant hybridity of Korean culture in Australia. The Summer 2025–26 edition of The Museum is themed ‘Hallyu’ and complements @vamuseum V&A’s exhibition 𝙃𝙖𝙡𝙡𝙮𝙪! 한류! 𝙏𝙝𝙚 𝙆𝙤𝙧𝙚𝙖𝙣 𝙒𝙖𝙫𝙚, on show at the National Museum of Australia until 10 May 2026. Special thanks to senior designer Po @wordsdontcomenaturally and to everyone who generously stepped in front of the camera.

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4 months ago

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우체국 소포 (Post Office Parcels) float glass, packing tape, MDF custom plinth, 2025 These reimagined parcels interrogate practices of containment and precarious protection in relation to diasporic identity, addressing the affective labour of transnational movement, the disorientation of continual displacement, and the shifting conditions of home. Migration is refigured as memory, rendering the fragile architecture of belonging visible. New Contemporaries @sca_sydney 3-13 Dec '25

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4 months ago

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Series of blown glass, 25年

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4 months ago

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쎄쎄쎄 (sse-sse-sse) will be screened @16mmfilmfestival @harkat.studios 28-30 Nov 쎄쎄쎄 (sse-sse-sse) is an homage to intergenerational love, as a grandmother and her granddaughter connect through the traditional South Korean lullaby 반달 (ban-dal).

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5 months ago

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@the.juno.jung 𓂃 𓈒 𝜗᭪

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5 months ago

누구의 기억 ( ), 2025Publication in @pulp.usu issue 22 layout designed by @portialovee ⋆˚࿔ ˚⋆

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누구의 기억 (𝘚𝘦𝘤𝘰𝘯𝘥 𝘌𝘹𝘱𝘰𝘴𝘶𝘳𝘦), 2025 Publication in @pulp.usu issue 22 layout designed by @portialovee ⋆˚࿔ 𝜗𝜚˚⋆

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5 months ago

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기억이 잠시 앉아있던 자리 (𝘏𝘦𝘳 𝘨𝘢𝘻𝘦), 6月 ‘25

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6 months ago

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@jgtones

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6 months ago

16mm additional cinematography for Live at Phoenix @phoenixcentralpark performed by Simon Barker x @hinafuji_ " "Director: @georgia.broganProducers: @joshmilch @an.so.ieCinematographer: @diamond_tat1st AC: @ralph.aviAdditional Cinematography: @estelleyoonColourist: @nicholas.andrews.studioLighting Design: Andre VanderwertRecording Engineer: Michael WickensMix Engineer: Nathan MoasThumbnail Photographer: @jordankmunnsSupervising Producer: @gushuntExecutive Producer: Judith Neilson AM

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16mm additional cinematography for Live at Phoenix @phoenixcentralpark performed by Simon Barker x @hinafuji_ "𝘛𝘦𝘳𝘳𝘢𝘪𝘯𝘴 𝘰𝘧 𝘛𝘳𝘢𝘯𝘴𝘪𝘵𝘪𝘰𝘯" Director: @georgia.brogan Producers: @joshmilch @an.so.ie Cinematographer: @diamond_tat 1st AC: @ralph.avi Additional Cinematography: @estelleyoon Colourist: @nicholas.andrews.studio Lighting Design: Andre Vanderwert Recording Engineer: Michael Wickens Mix Engineer: Nathan Moas Thumbnail Photographer: @jordankmunns Supervising Producer: @gushunt Executive Producer: Judith Neilson AM

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6 months ago

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Sunmi, &blown glass candle holder 8月 ‘25

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7 months ago

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2년만에, 6月 ‘25

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7 months ago

MV will premiere at SXSW @sxswsydney 13-19 October나는 어디에 (naneun eodiae) is a quiet meditation on displacement, identity, and resistance. Moving through gestures of longing and ritual, the work explores the tension of existing beyond binaries while being shaped by them. Through embodied calligraphy, it traces a presence that refuses to fade.Music, Talent: AnSoDirector, DOP, Editor: Estelle Yoon @estelleyoonProducers: Estelle Yoon, Soie An @an.so.ieAssistant Director: Michelle Yoon @mychelleyoonLighting Designer: Frankie Clarke @frankib_Lighting Assistant: Ji Yoon Chung @ji.y00n.iiProduction Assistant: Ellisa Yoon @ellisayoonTitle Designers: Hans Lee @hanseullee_ & Shiha Kim

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𝐧𝐚𝐧𝐞𝐮𝐧 𝐞𝐨𝐝𝐢𝐚𝐞 MV will premiere at SXSW @sxswsydney 13-19 October 나는 어디에 (naneun eodiae) is a quiet meditation on displacement, identity, and resistance. Moving through gestures of longing and ritual, the work explores the tension of existing beyond binaries while being shaped by them. Through embodied calligraphy, it traces a presence that refuses to fade. Music, Talent: AnSo Director, DOP, Editor: Estelle Yoon @estelleyoon Producers: Estelle Yoon, Soie An @an.so.ie Assistant Director: Michelle Yoon @mychelleyoon Lighting Designer: Frankie Clarke @frankib_ Lighting Assistant: Ji Yoon Chung @ji.y00n.ii Production Assistant: Ellisa Yoon @ellisayoon Title Designers: Hans Lee @hanseullee_ & Shiha Kim

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8 months ago