Scott Fitzpatrick

@essfitzpatrick

“artist” / DJ / tech / YWG Collective Broadcast Co.
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Weeks posts
@fiery_furnaces at @lowerthirdsoho Dream come true; my absolute favourite band ever. Just Eleanor and Matthew, vocals and piano, in a tiny room with less than 150 people. If you’re not familiar with the Fiery Furnaces, they’re a brother-sister duo from Chicago who spin wild, dense, hauntological tales, comic and heartbreaking, over music pitched somewhere in the universe of garage rock, indie pop, electronic prog freak out and old timey radio play. Live, they subject their catalog of songs to an absolute blender of mutation and distillation. Nothing stays in place for long. The effect is something like that idea that your life flashes before your eyes before you die; a dizzying indexical recovery, a scramble of fragments and incomplete remembrances. I don’t think they played a single song through front to back (maybe just “Evergreen”, before the encore), which could sound frustrating, if it weren’t for the thrilling reward of constant surprise and reorientation. Matthew is a gifted piano player with such an idiosyncratic ear for melody, truly out of time. Eleanor sings with a muscularity and tongue-twister-athleticism, in tones at once strict, commanding and delicately sorrowful. I laughed and gasped and tried to sing along to every word (a challenge for sure). They played something from every record, including my favourite, Rehearsing My Choir, which they recorded with their grandmother and which no critic I’ve read appreciated or understood. “Slavin’ Away”, one of my all-time favourite songs, demolished me, and the call and response singalong of “Tropical Iceland” at the end put me back together. What imprinted on me most from this performance, with the incredible scrambling of material, that I’ve never seen another artist convey so beautifully, is that nothing is precious, aside from your memory and the given moment. I hope I get to catch them again someday but if not I’ll remember this one.
16 2
18 days ago
@smerz_ at @heavenlgbtclub Someone told me in advance of this trip that Smerz suck live, but that is incorrect. I’ll often judge a performer based on how well they can hold the attention of the room, and this show reminded me a lot of the time I saw Tirzah, a very similar artist (who I love), making similarly delicate and diffuse pop music, who absolutely drowned in crowd noise. Smerz never lost control of the 1700 person room, even in the back, playing some of the quietest, most skeletal music I’ve ever heard live outside a sound-art context. “Stripped down” doesn’t even begin to describe it; I swear half the set was silence (is Smerz secretly a dub band?), with languid pauses between songs and cavernous space between drum hits. So much negative space. Also cool to see a band ostensibly labeled “electronic” hold it down with real drums, guitar and violin; a surprisingly organic set. And it’s always a treat to hear a truly incredible song performed live, and “You got time and I got money” is really something special. Grateful to catch the Big City Life experience.
25 1
19 days ago
@orcuttshelleymiller at @100clublondon Deadly show. Got to see Bill Orcutt do his thing solo last fall c/o @send.receive and that was amazing, and it was even better to get to see him play with the three piece. Their record was one of my favourites last year, and it was wild to hear it played live—it sounds so improvisatory on tape but they replicate it so precisely (in a good way, of course; it never felt stiff). I thrashed like a maniac and left a sweaty mess but sadly no one else in the crowd moved their feet at all (what the actual fuck how do you not move to a tune like Unsafe at Any Speed??? God .. fucking MEN) .. David Yow showed up for a couple covers at the end including a monstrous take on Captain Beefheart’s Hot Head. Totally epic.
22 4
20 days ago
@mystery_bulgarian_voices at @theclaphamgrand Les Mystères des Voix Bulgares was astonishing. 14 voices; something like staring directly into the sun, or falling from a great height, careening with exuberance and overwhelming, dizzying brightness. A sound so bright you have to squint. A monumental experience, staggering and ecstatic, rooted in beautifully ordinary expressions of joy—a song about a bride dreaming of her beloved; a song about a monk who yearns to dance with the villagers; a song about a funny conversation between two young people; a song about one’s parents; songs about love; songs about dancing. I thought about the arc of history of popular music and what it means for song to connect to community, and I thought a lot about my friends and family. My jaw didn’t just drop, it honestly shook. I wept and left a puddle. (And I’m sorry, this video really doesn’t do them justice.)
22 3
23 days ago
@cole.pulice at Old Church Stoke Newington Cried like a baby at this one. Cole played three beautiful long form pieces of music, contextualized by a moment of silence at the top of the show to pay respect to folks experiencing violence at the hands of ICE, and in solidarity with resistance activists in Minneapolis and beyond. So special to sit criss cross apple sauce on the floor of a nearly 500 year old church and listen to music so serene and reassuring and curious. Thanks Cole for the tape, and thanks @alabaster_deplume for the hug and your reminder to treat myself with grace on my way back into the night.
38 1
25 days ago
@mlbuch_ at @earthackney A brief but lovely set .. I admit I dozed off at least once—it had been a long travel day to arrive—but I dozed in the peaceful, beautiful way that William Basinski encourages at his shows. Gorgeously styled, she held the stage with such a relaxed sense of poise (even tho she admitted to feeling nervous and shaky off the top) .. also happy to spend time again at EartH, one of the prettiest venues I’ve ever been to.
15 0
25 days ago
AI HAS FEELINGS TOO: Intermedia performances with U of M students and Misagh Azimi + DJ set   Friday, March 27, 2026 Doors open 7:00 pm, performances begin 8:00 pm Public Domain, 633 Portage Avenue   FREE ENTRY for students, faculty, and staff from the University of Manitoba and the University of Winnipeg  (please bring your student/staff ID and a photo ID). Everyone else: $5 donation at the door + photo ID.   Our guest, Iranian-German composer and AI researcher Misagh Azimi, recently introduced us to his open-source AI software Fragmenta, which converts textual prompts into experimental sound. Students and faculty will present a series of short performances created with Fragmenta, accompanied by visuals by students from the School of Art. Following short performances, Azimi will perform a live electronic set. The evening will conclude with a DJ set by Scott Fitzpatrick. Bring your alternative dimensions glasses!   Food will be served at the event.   Follow the Faculty of Arts Media Lab Instagram @ummedialab for the full line-up.   Sponsored by the Faculty of Arts Strategic Initiative Support Fund.
33 0
1 month ago
Excited to be presenting Sound Like Light with @exchangedistrictwpg on March 6, as part of the Lights On the Exchange Festival 💥 8pm-midnight An immersive night of music, sound and light, at the @centennialconcerthall Sound Bites Room, featuring live performances by @compost_band and @colby__richardson 💡music selections by @wandaguenette @dj_hunnicutt and DJ Suraj 💿alongside digital projections by Julie Gendron of @manufacturing_entertainment 📽️ Tickets available at the link in the bio - tell all yr friends ✨ Special thanks to @merewinnipeg for their support as accommodations sponsor 🏩
95 4
2 months ago
Moving apartments for the first time in a long time / getting the feels pulling all the little bits and scraps off the walls
129 4
3 months ago
Really happy with how this installation of three digital photo works by Greg Hanec turned out for Lights On the Exchange. Thanks @contemprasigns for the awesome print and installation work and thanks @greghanec for sharing your Polar Coordinates with the festival! Lights On the Exchange is a project of @exchangedistrictwpg and runs from January 21–March 21. See Greg’s work at 433 Main St, and find more than a dozen other installations throughout the neighborhood.
103 5
3 months ago
It’s that time of year again! Get a ticket to the @platform_centre 11x14 fundraiser 🎟️ it’s the most fun you can have with your clothes on 🥳 Support a nice ARC and go home with a nice new artwork too .. maybe one of these enlarged xerox prints of mine featuring Jane Wyman and Rock Hudson if you squint 🖨️ Guaranteed nice time don’t snooze support artists all of the above ✨
86 4
5 months ago
🔔🕯️🖨️🖼️🫟 🎁 come buy some art, misprints & treasures help us clear out our flat files / back stock and cut our clothing collections in half @hannaclare @ktrnm @callowlily @essfitzpatrick @definitelytobin @triciaebrock hope 2 see you 🌟
124 2
5 months ago