Ensemble Adapter

@ensembleadapter

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LOVE LOVE er tónlistargjörningur sem fléttar saman opnum kerfum tónlistar, hreyfingu og efnislegri nærveru. Verkið er eftir Arnbjörgu Maríu Danielsen, unnið í samstarfi við danshöfundinn Leah Marojević, Matthias Engler og Gunnhildi Einarsdóttur sem skipa Ensemble Adapter og Sölku Valsdóttur. Kjarni LOVE LOVE er hið eilífa leikform, leikur án stiga, án sigurvegara, án enda en ætíð opinn fyrir truflun. Í tennisleik stendur hugtakið „love“ fyrir núll stig. Hér stendur núll fyrir óvissu; hinn magnþrungna pása áður en eitthvað hefst að nýju. LOVE LOVE er ekki spilað til þess að sigra, til þess að leysa eitthvað heldur til þess heldur til þess að haldast á hreyfingu. LOVE LOVE verður frumsýnt í Silfurbergi Hörpu þann 9. júní og er á dagskrá Listahátíðar í Reykjavík. Kvikmyndataka: @sagasig Förðun: @sunnabjorkmakeup Búningar: @solhansdottir
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2 days ago
LOVE LOVE is a music performance work, unfolding as an open system of sound, movement, and material presence, at the centre of LOVE LOVE is the eternal game itself—play without points, without winners, without an end, open to interruption. Created by Arnbjörg María Danielsen and developed in collaboration with choreographer Leah Marojević, Ensemble Adapter (Matthias Engler and Gunnhildur Einarsdóttir), and Salka Valsdóttir, the work dissolves boundaries between music, bodies, and objects. In tennis, love means zero. Here, zero is pressure: the charged pause before something begins again. LOVE LOVE is played not to win, not to resolve, but to remain in motion. LOVE LOVE will be premiered 9 June in Harpa at Reykjavík Arts Festival and tickets are now for sale - link in bio. Clip: cinematography: @sagasig makeup: @sunnabjorkmakeup
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12 days ago
bts LOVE LOVE premiere June 9th 2026 @reykjavik.arts.festival at the centre of LOVE LOVE is the eternal game itself—play without points, without winners, without an end, open to interruption. In tennis, love means zero. Here, zero is pressure: the charged pause before something begins again. LOVE LOVE is played not to win, not to resolve, but to remain in motion.
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1 month ago
LOVE LOVE by @arnbjorgdanielsen at @reykjavik.arts.festival . LOVE LOVE is a music performance by Arnbjörg María Danielsen, unfolding as an open system of sound, movement, and material presence. Developed with choreographer @leahmarojevic , @ensembleadapter (Matthias Engler and Gunnhildur Einarsdóttir), and electronic musician @neonmeeee , the work dissolves boundaries between music, bodies, objects, and electronics. LOVE LOVE is played not to win, not to resolve, but to remain in motion. 📍Tuesday, June 9, at 20:00. Silfurberg Hall, @harpareykjavik . Credits: Arnbjörg María Danielsen: concept, creator, direction. Leah Marojevic: co-creator/choreographer. Ensemble Adapter (Gunnhildur Einarsdóttir, Matthias Engler): composers/performers. Salka Valsdóttir: composer (electronics). Thomas Schaupp: dramaturg. Sól Hansdóttir: costume designer. Friðþjófur Þorsteinsson: light designer. Álfrún Helga Örnólfsdóttir: performer. Connor James Scott: performer. Nicol Chakmakova: performer. Una Sveinbjarnardóttir: performer. Þórir Jóhannsson: performer. LOVE LOVE is produced by @marvada_creations with support from @icelandmusic . Premiered at @reykjavik.arts.festival . 🔗 Ticket link in bio.
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1 month ago
Playing a little pop-up show @marvada_creations tonight. Live score to m3x3 by Analivia Cordeiro @physicalcinemafestival @stockfishfest . Opening starts at 18:00.
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1 month ago
In the latest issue of @positionenmusik , you can also find another review written by me, this time about the CD Clavis Metrica by @gudmundursteinngunnarsson Guðmundur Steinn Gunnarsson, recorded by @ensembleadapter . @gglimmer @xxcollegnoxx @matthiasengler108
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2 months ago
What a special gathering of old and new friends and colleagues in Berlin yesterday! Thanks to everyone involved!
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2 months ago
This Saturday, 20:30 at ExRotaprint: A documentary concert reflecting on 20 years of collaboration within Berlin‘s contemporary music scene. See you there!
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2 months ago
A very exciting and productive day at the Archives of Modern Japanese Music in Tokyo today! Stay tuned for further developments within our work „Vis-à-Vis“. Thanks to @goethe.institut.tokyo for the generous support! #torutakemitsu
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4 months ago
Vis-à-Vis tomorrow and Friday @bam_festival_berlin Berlin and next week Wednesday @tjarnarbio Reykjavik. #[THE] #torutakemitsu #johncage
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5 months ago
Vis-à-Vis, our new documentary-music-performance celebrating the legacy of [THE] (Philip Larson and Ed Harkins). Live in Berlin and Reykjavik this week. Come check it out! #bammusiktheater #tjarnarbíó
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5 months ago
Photos from last weekend‘s presentation of our new joint publication „What can opera (still) do?“ at @die_institution in Stuttgart, including our performance of Gunnhildur Einarsdóttir‘s opera „Das Ohr“. Photos by Dominique Brewing.
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7 months ago