Today is première day!
To celebrate the birth of CARCASSE, here are a few pictures by
@gabrielaneeb
CARCASSE, 04/05/06.04.2025
@schwerereiter
Choreography: Léonard Engel / With: Gizem Aksu
@callforspecter , Tasha Hess-Neustadt
@tashamhn , Jin Lee
@zin__zinada , Mikael Marklund
@marklunds_helkroppsorkester und Tian Rotteveel / Music: Tian Rotteveel / Lightdesign: Emilio Cordero
@emiliocorderocheca_lighting / Costume design: Carla Renée Loose
@carlarenee_ / Production management: Elsa Büsing
@elsa.bue / PR: Simone Lutz
@simonelutzpr
‘It’s been a while since I haven’t felt disgust, anger or hopelessness when reading the news. I am surprised that these feelings, which many people probably share, are not expressed more clearly in the public debate. As if they need to be suppressed. As if these feelings are the last taboo in our society, when all other taboos have already been torn down. In CARCASSE, I want to create a place where the body is free to experience these emotions, to recognise them, to surrender to them completely, to move to their beat.’ (Léonard Engel)
How do we keep going when abjection wins? When democracy crumbles? When political hypocrisy reaches its peak? When everything we once held sacred is desecrated and shattered? When every emotion, every everyday gesture, is clouded by nausea?
In Carcasse, five performers confront the remains oftheir being. They inhabit a body whose structure is irrevocably marked—a skeleton, a carcass, in which disgust and helplessness dictate every movement. How can this body be brought to dance? Oscillating between gentleness and fury, stupor and ecstasy, they paint a picture of a bleak present and an uncertain future.
Gefördert durch das Kulturreferat der LH München
@kulturreferat.muenchen mit freundlicher Unterstützung von
@tanztendenz_muenchen und
@schwerereiter
#dance #contemporarydance #performance #bayerischesstaatsballett #schwerereiter #carcasse #disgust #abjection #kristeva