Home dru___1Posts

dru-1 🇵🇸

@dru___1

@infinite.machine 🇹🇹 🏴󠁧󠁢󠁳󠁣󠁴󠁿
Followers
1,864
Following
1,304
Account Insight
Score
27.97%
Index
Health Rate
%
Users Ratio
1:1
Weeks posts
Thanks for reaching out @nts_radio & @diesel grateful to have my music featured.
0 2
1 year ago
‘NO’ EP out today on all platforms (except Spotify) Vocal feature @bugiebby Remixes @dru___1 @domizako @djcolinas Mastered by @sodaplains Cover by @iryna_drahun Cover credits: Styling by evil m Clothes by @yumi.just4fun x evil m, Hella heels Hair by @filakovalaura Make up by @annie.rat
424 42
2 months ago
0 1
8 months ago
The NTS bodywork show is now archived/available on their website and on SoundCloud. Restrained myself to only playing one Pelada and Tzusing track, thanks again @kaili__os for having me.
0 3
11 months ago
Thank you for having me as a guest on your show @kaili__os I am really grateful to be on bodywork. I had a lot of fun putting this together for my first NTS show. On NTS 2 at 04:00am BST.
0 8
11 months ago
dru-1 'preshuh' Out now in all digital platforms dru-1’s “preshuh” was composed in the artist’s home of Trinidad during Carnival of 2024. Reflecting on the experiences and influences that shaped the record, UK-based artist Drew Lovett recalls inviting friends to stay with their family during the festivities, experiencing overproof rum, pan bands, card games, and doubles. Community and a celebration of sociality seem to shimmer through the EP’s bass-ridden tracks, evident not-least in the prominent sound bites and vocals recorded on-site from those close to the artist during the Carnival. The project unfolds across six tracks, each composition draped in FM synthesis and layered over gritty basslines. “preshuh” builds upon the vision realized in the artist’s debut project, a 4-track EP released on Why Be’s Yegorka in 2024. This record punches with more technical precision, making a mature statement that feels cohesive and intentional, while retaining its playful essence. Lovett collaborates with Marta Rosa on percussion for the final three tracks—“maco queen,” “palance,” and “a4s.” Experienced in full, Lovett’s EP is a call to togetherness—a sonicvinvitation to gather, move, and celebrate without restraint. Infused with the frenetic energy of the carnival where it was conceived, the project unapologetically embraces the dancefloor, urging bodies into motion, and spirits into communion. Beneath its pulsating rhythms lies a deeper longing—not just for revelry, but for connection. In a world still relearning the rhythms of closeness, it asks: How do we rebuild the spaces where joy and community once thrived? Mastered by @tbmastering_ Artwork by @lucas_owen Percussion @marodiz Words by @sueuga_
127 4
1 year ago
We are excited to announce our new release by the Trinidadian, UK based, sound artist dru-1.  'preshuh' unfolds across six tracks, each composition draped in FM synthesis and layered over gritty basslines. “preshuh” builds upon the vision realized in the artist’s debut project, a 4-track EP released on Why Be’s Yegorka in 2024. This record punches with more technical precision, making a mature statement that feels cohesive and intentional, while retaining its playful essence.  'preshuh' is out April 25th and you can preorder it via bandcamp. The lead single 'maco queen' is available across all digital platforms now. Photo by @richarddowker Words by @sueuga_ Mastered by @tbmastering_
205 17
1 year ago
First record on Yegorka is out today called 'tabanca' on all streaming platforms and in HQ on bandcamp. Thanks so much to @900kjuke Why Be and Dan DeNorch for having me on their Label, and all their efforts and patience. Beautiful artwork by @en_pe Thanks to @warui_www , @_s.manner @sarahsson_ for your support & @nkc_proddz , @object.blue & @hesaitix for all your notes and suggestions mixed by Drew Lovett mastered by @sodaplains
209 21
1 year ago
omar el lahib
72 1
3 years ago
Jenkin Van Zyl: Surrender
84 1
3 years ago
guglielmo castelli
72 0
3 years ago
RIP to my favourite painter Pierre Soulages 1919-2022. Had the pleasure of staying in Rodez to see his museum in his hometown, would recommend. His concept of light beyond chiaroscuro (outrenoir) and thick black impasto always made me happy to see on display, go to his museum if you get the chance, great to see his etchings and bronze casts too #pierresoulages
104 0
3 years ago