Tomorrow night, we premiere Firehorse 2026, as part of Co. ERASGA’s Undivided Colours (Asian Heritage Month). Two nights only: Join us May 14-15th 8pm at The Dance Centre (677 Davie St, Vancouver)!
Tickets here (and in our bio): /en-CA/ticketing/undivided-colors—2026
Note from Andrea:
I was born in 1966, a Fire Horse year in the Chinese zodiac’s 60-year cycle, where animal and element intertwine to shape a life. In this Firehorse year of 2026, as I complete the circle of 60 years, I find myself dancing a solo that is related to a larger collection of matrilineal work, Firehorse and Shadow, that I have been co-creating with collaborators Annie Katsura Rollins, Sarah Chase, Cindy Mochizuki, and composer Ben Grossman. This new solo moves through time as I do, weaving memory with the present, tracing echoes from past choreography that remain in my body. It is a quiet act of remembering and becoming, and one more way of bringing to light the often-unspoken experiences of Chinese Canadian women.
Choreographer and Performer: Andrea Nann
Creative Collaborator: Sarah Chase
Creative Producer: Kelsi James
@kelsilindajames
Composer and Sound Designer: Ben Grossman
@ben_macrophone
Lighting Designer: Jessica Han
@puddinghead9
Production Manager: A.J. Morra
@salad_chronicles
Firehorse and Shadow Collaborators: Cindy Mochizuki
@cindy_mochizuki , Annie Katsura Rollins
@anniekrollins
Outside Eyes: Kay Huang Barnes and Kelsi James
@kelsilindajames
Undivided Colours is a mixed program of dance Celebrating Asian Heritage Month 2026. Featuring: Co.ERASGA (
@co.erasga ,
@alvinerasgat ), Andrea Nann/Dreamwalker, Sujit Vaidya, Kasandra La China (
@kasandraflamenco ) and Bayanihan Creative Collective (
@bayanihan.victoriabc ).
Photo by Luciana Photography
@lucianaphotography_vancouver
[ID: Andrea is dancing Firehorse 2026 in the darkened theatre of The Dance Centre. She is alone onstage, hands crossed at the wrists, upper back arched, and face turned up. She is wearing light coloured clothing, and lit warmly. Her arms are bare, and catching the light. Her expression is deep with emotion; she is maybe communicating yearning, or release, or ache. End ID.]