I'm nothing if not punctual, so here's some bts from an award nominated film I key gripped 5 months ago. Lots of overhead rigging in a tight space and other unique challenges with this one, it was a good time. Thanks to Gideon and Ben for having me aboard.
Pictured Crew:
Director: @gideonbulkley
DoP: @btorokfilm
Gaffer: @elijah_n._.haywood
Key Grip: me
Best Boy G&E: @mike.zuby_
Camera Operator: @no.elle.a
1st AC: @dani_dddk
2nd AC: @finn_the_finnographer
New cinematography work from 2024. I learned and grew as both a cinematographer and crew member immensely this past year. Every set I worked on helped me grow, every setback I learned from. Thank you to everyone who helped out, and who provided me the opportunity to help out. Can't wait to keep the ball rollin this year!
Key Gripping with a bunch of studs on this awesome project helmed by Mary Beth Eversole and Sofia Race. I'm very lucky to have been a part of bringing this powerful story to life. Despite the heavy content, the cast and crew made this a fun one. Thank you to all y'all who helped out, can't wait for the next one!
From wallspreader lighting rigs to blacking out every window in a two story house to kitting out the grip truck, Key Gripping this project was a great time. Couldn't ask for a better crew to work with, y'all kicked ass. Mr Elijah Haywood made this thing look badass. Lookin forward to the next one
An honor and a pleasure to shoot this incredible script by my good buddy Ben Connor. Thanks to every single person who helped out. We made a hell of a movie. Can't wait for the next one.
I want to start this by saying thank you Lord for providing me with the greatest source of light imaginable, the sun. And an even bigger thank you to Schneider Optics for working with the Lord to create a filter that makes my job incredibly easy. Seriously though, this was a great gaffing gig working for my good buddy @garretthoward7 on @highway_to_hellsworth prod 2 Nora. I even got a little return to my roots and did some theatrical lighting. Can't wait to work with everyone on this project again down the road!
(still a very late post, still catching up)
Great gaffing gig on this award winning project a few semesters ago. Working with everyone was such a pleasure, and the result was a beautiful film. Gotta love overhead rigging
@shootin_canons@nathancoberly_
(Sorry I'm late to posting y'all I've got some catching up to do lmao)
Directors Workshop post round 2. This project was fuckin amazing. Griffin reworked the opening of SAW into a hangover scene and it was genuinely the funniest thing I've ever shot. The combination of the acting, visual comedy in the setting, and the ad lib jokes constantly being thrown out made this set so enjoyable to work on. Thank you to everyone who helped out on crew. Yall the best. Heres some bts and stills.
To put it eloquently this project kicked ass. I was privileged to shoot this original script by the amazing Brook for one of my Directors Workshops. The badassery of the script made it pretty easy to bring it to life in a badass way. Thank you to everyone who helped me out with making this project(tagging everyone is alot of work but yall know who you are). Yall rule. Heres some stills and bts from the shoot.
Had the best time gaffing, cam op'ing (for a few shots), and doin sound (sometimes) on Mitch's Prod 2, Gut Feeling. Technical difficulties be damned, we made a banger of a movie. I wish i had some stills to show cause god damn, this project looked great. Shout out to Max for the fantastic work, and for letting me have some input in the project. Always a pleasure workin with everyone on the skeleton crew that we had. Cant wait for the next one!
P.S. We appreciate you Trey, thanks for the badass drone shots
