Julia

@magliano.insta A/W 2026 show, represented by @tomorrowisanotherday_agency

Debut, for @hoda_kova SS26 show, represented by @tomorrowisanotherday_agency

@scabs_research look book, styled by @aftermaat , when summer was cool Thanks to @difunjuhnz

Unpublished work, August 2025, Shot by @vic____lee Hair & Makeup by @illryoill Styled by @eli3sj

Stroller iMom (+-) After Care first fitting for CELL (soon) “Care becomes necessary after traumatic rupture.” CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare. Performance as power + efficiency, optimization, productivity, discipline, control, hyper-functionality. Aftercare as fragility - repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain. The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair. Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions — objects designed to support damaged bodies gradually become fashionable prosthetic necessities. The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful. Stroller iMom(+-)After Care embodies this tension between strength and collapse : a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure. The stroller transforms into a mobile CELL : half medical unit, half emotional support machine, half technological altar. A body in recovery. A body maintained. A body still expected to perform. Upcoming project. Stay tuned CELL Design - Cell Fitting on @digitsphere Assist partner Set/Content @mastab0lide #performance #designer #cyber #beauty #technology

Overstimmed iMoms (november 2025) Part 1 Focus : Coupon Mom played by @stellabocle & Stroller Mom played @digitsphere Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag Overstimmed iMoms (2025) explores the evolving figure of motherhood within digital globalization, where technology, consumerism, and identity collapse into one continuous stream. At the center of this focus are two hyper-contemporary archetypes : Stroller Mom embodies control, projection, and perfection. She is exemplary, disciplined, and obsessively precise. Every detail is curated from the stroller to the reborn baby she selects, one that mirrors her own image, her ideals, her narrative. Motherhood becomes a controlled simulation, a reflection loop where identity is stabilized through aesthetic and emotional mastery. Coupon Mom, in contrast, operates within a softer but equally saturated system of control: consumption. Reclined yet fully connected, absorbed by her iPad, she navigates a world of discounts, promotional codes, and algorithmic rewards. Comfort is optimized through ergonomic design and endless scrolling. Her satisfaction is quantified loyalty points, flash deals, spinning discount wheels on platforms like Shein or Temu. She becomes the quiet sovereign of digital consumption, where care, pleasure, and value are mediated through savings. Together, they form a dual figure of contemporary motherhood : one rooted in control and image, the other in consumption and reward both shaped, sustained, and intensified by digital infrastructures. Photographer : @alaricfer Art direction / Space Installation / gears : @cellulemere Performers : @nymphorchidea @kennymphe @digitsphere @stellabocle Hair @an4lplug Belly-Top for @stellabocle by @loadjro

Overstimmed iMoms (2025) Performance for the very first print launch of Edgeline Magazine, @edgelinemag « Existential crisis » Overstimmed iMoms (2025) focuses on the shifting figure of motherhood in the age of digital globalization, where technology, consumerism and identity constantly merge. The work expands on the archetype of the new model, version of a mother today : efficient, performative, hyper-connected, a woman who measures her love and value through control, productivity and consumption. Alongside the Stroller Mom, exemplary and control-obsessed, meticulously selecting the perfect reborn baby that mirrors her own image, and the Pro-Active Mom, the working girl-boss for whom performance is not optional but vital—as if stopping meant disappearance—She doesn’t even stop when she puts on her mask; she scrolls, notifications and ringtones are like a sound beat. This new iteration introduces two additional, short-circuited figures: Coupon Mom and Play-Mom. Coupon Mom, embodies a form of domestic consumerist devotion. Reclined, connected, absorbed by her iPad, she finds comfort in ergonomic cushions, online shopping and promotional codes. Her pleasure is measured in discounts and loyalty points. She wins on digital “wheels of fortune” on Shein and Temu, the queen of algorithmic comfort. Play-Mom, represents mobility and impulsive pleasure. She smokes her puff, watches corn, goes live on TikTok. She consumes, performs and enjoys herself in a constant stream. Connection becomes play; the screen becomes her stage. She is reborn in the loop, every “live” a new youth, every post a pulse of freedom. Art direction / Space Installation : @cellulemere Performers : @nymphorchidea @kennymphe @digitsphere @stellabocle Hair @nomorecocorse Video/Photos (soon) @alaricfer Assistant @tired_archive @aftermaat Belly-Top for @stellabocle by @loadjro Thank you for your contents contributions to those who were there at the performance. Content @_sluts_will_die_ , @alinaalamorean13 , @st__camilla #shein #temu #digital #digitalization #global #globalization #robot

iMom, 愛(ai)Baby (2025) Invited by @magazineantidote / @antidoteparty__ 02.10 — Movida Club Paris during FW Director: @cellulemere Performers: @nymphorchidea (Anna R) & @digitsphere (Julia) Photographer: @alaricfer Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Text remix track with Distanced and Hollow by Waynette Hairstylist: @nomorecocorse Assistant: @stellabocle iMom, 愛(ai)Baby explores maternal love in its most absolute form — a love so intense it erases the boundary between mother and child. The child becomes an image, a projection, a cellular and technological extension of the mother. The title plays on the ambiguity between 「愛」 (ai) — love — and A.I., artificial intelligence: “I, mother, love my child.” / “A mother loving an artificial intelligence.” “The mother no longer awaits a child, but a package; every notification becomes an ultrasound, every delivery a birth. The womb merges with the shopping cart.” The performance is conceived as an autonomous scene : a continuous, self-contained action. I imagine my performances as “scenes of life,” sometimes “domestic scenes,” re-enacting specific emotions and situations imposed upon the viewer. They are constructed emotional spaces where dramaturgy and spatiality are as essential as gesture. Since childhood, I’ve been fascinated by electronic household objects : functional, beautiful, and strangely intimate. I like to subvert them, to give them new meaning, to let them speak about the world we live in. Their obsolescence, driven by over-performance and endless updates — makes them symbols of our relationship to progress and dependency. The idea of comfort is central to my work : Today, comfort has become a standard imposed by technology. Our bodies and minds conform to devices and interfaces without even noticing. From home appliances to smartphones, these systems shape how we live, think, and feel. This tension between comfort and dependence, technology and flesh is what I seek to make visible, almost tangible, through performance.

Some more pictures about the Paris Salon, All credits to the photographer, @felkor.fitz

Styling by my dear @chahinethomas