Cell

My set design art direction for Z Generation first collection at galerie @auroi_paris Conceived and sketched a little less than three months ago, this scenography aims to evoke a divine, generous, and otherworldly environment almost extraterrestrial. It draws inspiration from Jheronimus Bosch, The Garden of Earthly Delights, John Everett Millais’s Ophelia, and Guillermo del Toro’s film Pan’s Labyrinth, for their mysterious, mist-laden atmospheres and the constant tension between warmth and coldness. Designer @mohammad_pooreskandarian @dr_zahed Producer/director/casting @xirojin Location @auroi_paris Set designer & movement director : @cellulemere Production assistant (fake rocks) : @cclalr3 Set design show assistant : @david_sngl Floral and plant arrangement with : @espacefleurs_paris Grass with : @lesgazonsparisiens Stylist @helvetico.thin.bord PR @pr.you.consulting Hair @lindamandal Assisted by @vasso_stathopoulou @http6valk6iria6 @yihanjen Makeup @roscinomakeup Live Harp Performance & Vocals @anaba.harp Assisted by @spike_mua @maesmerizd Lookbook/runway photography @timothyboue Assited by @peggy_thargn BTS photography @jonathanbchr Videographer @edkelsoart Back stage @sister.zachariah @iamsarakasravi @badrayc @david_sngl @cagolegrunge @miglepraninskait Sponsor @biereparisienne Harpist’s costume @yosramojtahedi Soirée performance @skylfr @d.sphaeros @therealmadmade @louise.opus.orium

iMom, 愛(ai)Baby (2025) short movie part 2 - (Contra) Per-𝑓ormare Invited by @magazineantidote / @antidoteparty__ 02.10 — Movida Club Paris during FW Master thesis research « (Contra) Per-𝑓ormare », the human body becomes the site of a hybridization between the digital tool and the repetitive action, mimicking work, play or the creation of content. How can the figure of the user-performer, placed in a position of submission to digital devices, reveal the sadomasochistic dynamic that underpins our everyday relationship with technology, between control mechanisms, and the production of value for capitalist platforms ? The user, or in this case the performer, is immersed in digital furniture, a technological ex-growth that anchors itself in his or her body, making it an appendage of the system. This furniture becomes an interface of power, a tangible simulation of the domination exerted by the platforms. The performer is in a position of discomfort, forced into an absurd hyper-productivity, an endless digital performance. This constrained body symbolises voluntary submission, the paradoxical pleasure of obedience. It’s an incarnation of what Michel Foucault identified as the link between power and pleasure, reformulated here in a techno-capitalist context. The user takes pleasure in conforming, in producing, in exposing themselves while being exploited, monitored, calibrated. Art director : @cellulemere Performers : @nymphorchidea (Anna R) & @digitsphere (Julia) Photographer/movie : @alaricfer Edit : @nymphorchidea & me Sounds/Text: Cellulemere000ooo & Nymphorchidea voices « iMom ai愛baby » & « Per-𝑓ormare » Hairstylist : @nomorecocorse Assistant : @stellabocle #art #performance #ai #paris

Set design & Stage design for Judassime Spring / Summer 2026 — “Lost Highway” (@judassime ) At @u122ae_club For Lost in the Highway, I created a nocturnal Cabinet of Curiosities : a space between laboratory and battlefield, where creatures of the night confront their own demons. The installation features four 2-meter-tall articulated mirror arms in stainless steel, a pair of siamese articulated mirror arms on a brushed aluminum rolling cart, and at the center, a glass box paludarium with natural branches, colored water, and a fog machine. At the heart of the stage lies « les (Bonnes) Mines » Project - I designed and crafted 18 custom sculpted mirror mines with the help of @cclalr3 , scattered across the floor. Each mine embodies the dark zones within ourselves wounds, sins, obsessions. You try to avoid them, but inevitably step on one, triggering your own transformation. Performers drift through fog and flickering neon lights among ruins, fragile yet powerful, until madness erupts: mirrors shatter, light explodes, beauty fractures. It is the calm before the storm, a journey from fragility to strength, from chaos to rebirth. Amid smoke, shattered glass, leather, and silk, the space becomes a landscape of survival, desire, and metamorphosis, where pain turns to romance, ruin to beauty, darkness to light. Thank you @xirojin for inviting me to be part of this big project. Creative Director: Judassime @judassime Production Manager: @xirojin Assistant Manager: @ct0rius Photography: @elia_gabassi Hair: @karoliinasaunders Makeup: @raphael.arcadios Nails: @vitalessca PR Management: @ritualprojects Stage & Spatial Design: @cellulemere Concept assistant : @cclair Lights : @maximilien__pegasus Photography : @nymphorchidea Assistant : @tired_archive & helpers thank you so much

Stroller iMom (+-) After Care first fitting for CELL (soon) “Care becomes necessary after traumatic rupture.” CELL continues the direction of my previous MA2 research (Contra) Per-Formare , graduated in 2025, exploring performance, techno-capitalism and aftercare. Performance as power + efficiency, optimization, productivity, discipline, control, hyper-functionality. Aftercare as fragility - repair, recovery, vulnerability, exhaustion, overstimulation, bodily pain. The project explores the paradox of contemporary systems that constantly push bodies to perform while simultaneously creating the need for continuous repair. Ergonomic furniture, therapeutic devices, posture correctors, UV LED care systems, articulated supports, rehabilitative heels, mobile technological extensions — objects designed to support damaged bodies gradually become fashionable prosthetic necessities. The body is exhausted, yet still expected to appear elegant, stable, productive, and powerful. Stroller iMom(+-)After Care embodies this tension between strength and collapse : a coquette, disciplined, hyper-functional figure moving through a world where care itself becomes infrastructure. The stroller transforms into a mobile CELL : half medical unit, half emotional support machine, half technological altar. A body in recovery. A body maintained. A body still expected to perform. Upcoming project. Stay tuned CELL Design - Cell Fitting on @digitsphere Assist partner Set/Content @mastab0lide #performance #designer #cyber #beauty #technology

iMom Pegasus by GSM (Gövernmental Såcher Måsoch) Phase V 30.04.2026 for the 6th anniversary of Forensics @forens.x @replicantevents (🚨REPOST with 🌫️, previous short movie violently deleted.) As an Artist & designer, i do not accept that my work is being rendered invisible in this way, nor that the allegations are false. My work is artistic and socially engaged, and I refuse to be silenced or intimidated. —————————————————————————— iMom Pegasus by GSM introduces a maternal figure under gövernance. The series is rooted in an exploration of 愛 (ai) love and A.I., artificial intelligence: a form of love that erases the boundary between mother and child. “by GSM” activates a system of rules and contracts. The mother commits. She contracts. To carry a child of flesh or of technology - is to enter a protocol. (Responsibilities. Norms. Expectations.) The child is no longer of flesh. It becomes image, projection, a technological extension of the body. The mother no longer awaits a child, but a package. Each notification becomes an ultrasound. Each delivery, a birth. The stroller becomes a cell. A closed, connected space : a mobile motherboard. Within 媽, the mother contains the horse (馬) a force that pulls, carries & sustains. What is being protected does not exist. An ideal, phantom child. The iMom takes care of an absence. This act of care becomes performance: to support, display, preserve an image. To be seen, desired, validated. As in Maman (1999) by Louise Bourgeois, the maternal figure envelops and protects as much as it confines. Nymph embodies this constraint: carrying a weight without a body, meeting expectations - yet nothing must alter the surface. The body remains luminous. Intact. Beauty persists. That is all that matters. Birth does not occur. It’s suspended. Credit : Art direction : Cellulemere Performance by @cellulemere x @Nymphorchidea Props, fourniture & Installation : Cellulemere Songtrack on the shortfilm : Belle by @Alaricfer ft @Kennymphe remix by Cellulemere Films with the help of @digitsphere & @aftermaat Post production film by @nymphorchidea #art #a

As our reels has been taken down as usual, a few images here of iMom Pegasus (By GSM) performed at @forens.x Soundtrack of my live perf available in my soundcloud + Research & #3d #rendering of Horse Mom @nymphorchidea 🏇 march-april In this set, i pay tribute to the new track Belle by @alaricfer and @kennymphe (stream now) to introduce a brand-new series of iMoms who are even stronger and more beautiful. Stay tuned…Something’s in the pipeline…

Overstimmed iMoms (October 2025) Part 2 Focus : Play-Mom played by @kennymphe & Pro-Active Mom played by @nymphorchidea Performance for the first print launch of Edgeline Magazine, “Existential Crisis” @edgelinemag Overstimmed iMoms (2025) explores the shifting figure of motherhood in the age of digital globalization, where technology, consumerism, and identity collapse into a continuous flow. This focus brings forward two hyper-performative figures of contemporary motherhood : Pro-Active Mom embodies relentless productivity and self-optimization. A working girl-boss, she exists in a state of constant activation where performance is not a choice but a condition of survival as if pausing meant erasure. Even in moments of supposed care or transformation, she remains connected: scrolling, responding, producing. Notifications and ringtones become her rhythm, a continuous soundscape that drives her forward. She does not step out of the system; she accelerates within it. Play-Mom, on the other hand, navigates motherhood through immediacy, pleasure, and exposure. Mobile, impulsive, and always online, she smokes her puff, watches corn, and goes live on TikTok. She consumes and performs simultaneously, turning connection into entertainment and the screen into a stage. Identity becomes fluid, constantly reactivated in loops of visibility each live a rebirth, each post a fleeting pulse of freedom. Together, they articulate a tension within contemporary motherhood : one driven by performance and survival, the other by pleasure and continuous self-reinvention, both captured in the feedback loop of digital life. Photographer : @alaricfer Art direction / Space Installation / Gears : @cellulemere Performers : @nymphorchidea @kennymphe @digitsphere @stellabocle Hair @an4lplug

Mermaid muse @nymphorchidea walking for @lovelouderofficial yesterday

Mini justicier 🙁❤️‍🩹 Self-sabotage Styling session with @stellabocle captured by @cclalr3

Very first edition « Bloom » of Nymph Garden private party for @nymphorchidea 25th Birthday Co-curated by Cell x @nymphorchidea CGI & 3D animation invitation poster by me (3D model of Nymph inspired by @marie.sauvage shibari on @nymphorchidea ) Buffet lineup : Performance @humanchuo X @nymphorchidea Live music @cellulemere (full track set available in my SoundCloud) Djset @alaricfer @jean.llf @kennymphe

The trip of a lifetime, I will never forget this year. 🫶🏼🤍 #adventure #2025 #rajaampat #papua #indonesia

Reinterpreting the Bekett sneaker through time capsules with @alaricfer and @naoslb as part of @Isabelmarant x @ifmparis collaboration. AD: @demirramazanov @alaricfer @naoslb Photography: @mario_simon_lafleur Set Design: @cellulemere Lighting: @yann_denis_ Post-production: @shahenthome AI Animations: @demirramazanov Sound: @alaricfer Featuring @o______ooooo Special thanks to  @ifmfashionimage  @alicelitscher  @stephanewargnier  @christophe_renard