chat is this real?!
MoMA 2024 Brand Campaign for @themuseumofmodernart
a series of social films: how to tell a story with artworks from the MoMA archives without altering the art 🤌
second slide is a WIP film that never made the cut, forth slide shows one of the films i made for the initial pitch
what. an. experience!!
agency: Wieden+Kennedy NY
production: Bonaparte
motion team:
Deveroe, Marco Rosella, Shane Lester and Leo Lorini ⚡️
Wieden+Kennedy NY
art director: Inna Kofman
copywriter: Nico Baumann
creative director: Christine Santora, Will Binder
art producer: Alex Lianopoulos
designer: Alejandro Molestina
Bonaparte Films
exec producer: Jana Reinermann
exec producer sales: Sami Kriegstein
senior post producer: Irka Seng
music composing: Stefan Benz
senior prod coordinator: Fallon Stang
prod coordinator: Aratrika Das, Lari Miranda
managing partner: Nico Kreis, Philip Toepfer
the solitude of my studio is where i usually find peace, so it was cool to realize i can find that same peace even on a stage as big as the one at @forwardfestivals
starting last year at the berlin edition, throughout this year in both berlin and vienna, i got to share my story of how i turned adversity into creativity to a big audience
it’s interesting to see that how many people got in touch with me and felt heard by my talks, and how there seems to be a need for authenticity in media. hm well i‘m not surprised lol
a stage can be a tricky place though. how does one balance between spreading what you believe in and self‑worshipping? what i can say is: with all those people who reached out and everyone i met through it, i’m probably the one who learned the most 🙌
i’m gonna engage more in talking and sharing my thoughts to bigger audiences, it’s really fun
thanks to @othmarhandl for the opportunity and for putting me on
@pia.weiermayer and everyone from the festival team for the love
and @loopinglovers for looping me in
how to fail at fitting in — and succeed at standing out ❤️
This month we’re exploring how artists are using AI not just to create, but to challenge creative norms.
In our latest feature, @deveroe_ shares his perspective on the push and pull between AI’s polished results and the raw, unpredictable energy that fuels his collage-driven work. For him, the magic still lies in tension, contrast, and imperfection.
Read the full story via the link in bio.
In collaboration with @forwardfestivals
#BeyondThePrompt #LTXStudio #AIArt #CreativeTech #DigitalCulture #Deveroe #CollageArt #MotionDesign #FutureOfCreativity
full circle moment ⭕️ 🤯
@koolsavas - Berlin
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from listening to his music at 13 to working with him 20 years later 🙌 what a ride ⚡️
third slide is the solo animation layer , last one is me back then lol . thank you @romanromacher@sonymusicde
oh and nobody beats me on a wacom 🥹😮💨
„This should feel like a MEME in motion“
was basically what I told my team when we were working on season 2 of superfails. also, with each episode being about 5 minutes in length, I wanted the edit to be just a bit too fast-paced – viewers should not be able to catch their breath, but instead be locked in for the time being. anti design, a bit too fast and a bit too much 😋
these are some clips and framegrabs from episode 9, #Neuland: Digitalisierung made in Germany
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ARTE Superfails season 2 out now 💥 go stream it now on @arte.tv and weekly on @youtube
💿 @deveroe_
☎️ @hyperboletv
✍️ @jonasxweinmann
🎧 @staubaudio
ARTE Superfails is BACK with massive fails, but this time it’s a multilingual meltdown 🥵🥵🥵
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Season 2 comes not only in German and French, but also in English, Spanish, Polish and Italian 🤯 grandi fallimenti in arrivo 🤌
_
ARTE Superfails season 2 out now 💥 go stream it now on @arte.tv and weekly on @youtube
💿 @deveroe_
☎️ @hyperboletv
✍️ @jonasxweinmann
👀 @mnltnnr
🎧 @staubaudio
job I did for a french fashion brand last year 👀 this campaign never got a release but had an interesting creative approach. i think it worked out pretty well, so i thought i’d share ➡️
80% of the assets i used come from postcards i found in a berlin flea market, about 10% are actual photos i took for stopmotion animation and the another 10% come from stock or clients archives 🧳
2nd slide shows a collection of postcards that were used ⚡️i was able to pull out a lotttt of assets from those.
3rd slide shows an actual dummy film (as i call them 🤷🏾♂️), a basic animation consisting of simple forms, rough VO and basic sounddesign to give a first impression about pace, timing and overall feel of the film
🧳🧳🧳
