kevin bernsten

@developing_nations

Recording studio // Aluminum neck guitars // baltimore, md // will travel for record making @triac_band @eye_flys
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Weeks posts
We started recording the first @bleak_shore record last week at @developing_nations and it sounds very bleak and very shore, which is right in our wheel house! We’re so stoked to be working with Kevin on this release and can’t wait for you to hear what he cooks up. Through all of the pizza, puppies, naps, toothpick inflicted injuries, chocolate croissants, multicar pileups, and dirty grimy riffs, I feel like we really have a solid album on the way and a possibly a singer with a peg leg! Just like nature intended. . . . @saluda @promarksticks @hamerguitars @segerguitars @kramerguitarsus @pearl_drums @evansdrumheads #doom #stoner #heavymetal #recording #fyp
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Misc
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Recording “Change” @developing_nations Camera and edit @ickhouse #saxophone #noiserock #rva #recordingstudio #recordingprocess
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This week on Riff Worship, we trace the origins of one of extreme music’s most prolific forces: @fullofhell . We’re joined by special guest John Wooten (@wootenphoto ) for a deep dive into the foundations of the band, culminating in their seminal 2011 debut full-length, Roots of Earth Are Consuming My Home! In this episode, we’ll also discuss: The band’s pivotal relationship with the legendary A389 Recordings and their formative studio sessions with longtime collaborator Kevin Bernsten (@developing_nations ). Dylan Walker’s early lyrical inspirations from classic literature and RPG video games to harpist Joanna Newsom that helped shape the album’s themes. A look at guitarist Spencer Hazard’s (@reapersgong ) tone chasing obsession and the gear used to sculpt the band’s wall of sound. Full of Hell’s DIY roots and the relentless work ethic that laid the groundwork for a now 15+ year career! LISTEN and SUBSCRIBE wherever you enjoy podcasts (Links in bio) @theevaultofheaven @spencerhazard @brandonbrown @davebland @dom.a389
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Tomorrow on Riff Worship #153 We’re joined by special guest @wootenphoto for a deep dive into @fullofhell ’s 2011 debut album, Roots of Earth Are Consuming My Home! LISTEN and SUBSCRIBE wherever you enjoy podcasts (Links in bio) @dom.a389 @theevaultofheaven @davebland @brandonbrown @spencerhazard @developing_nations
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Dumb Waiter “Change” Stream the new title track “Change” Artwork by @taylor.a.white PR @speakeasypr Richmond noise-rock outliers Dumb Waiter return with Change (July 31, @osseincollective ), a 13-track shift for the underground favorites, introducing vocals for the first time while maintaining the band’s experimental sensibilities. A preview arrives today with the release of the album’s title track, and an accompanying video directed by the band’s own Nicholas Crider. “Over the past few years I’ve gone through a lot of major life events. With each one, I’ve found myself lying awake thinking ‘I’m afraid of change. Please let’s not change. Please don’t change on me.’ No matter how desperate you are to stay put, life will push you forward. The lyric ‘I don’t like change’ feels like one of the most universal, simple, and honest things I could say. Despite that fear, I’m learning to lean into who I am, and I’m less afraid of stepping out of the proverbial uniforms that society, scenes, friends and family may impose. It feels like a perfect statement for the band’s newly formed identity.” Previously described by Decibel as “experimental freakies,” and by MetalSucks as a band “that isn’t pushing the envelope so much as shoving it right over the side of a goddamn cliff,” Change sees Dumb Waiter trading abstraction for urgency, still unpredictable but more direct in its message. “What more is there to say without saying anything?” saxophonist/vocalist Tristan Brennis explains of the band’s decision to include vocals on the new album.. “We quickly realized that we had a whole lot to say about the current state of the world and this hyper-acceleration of society that I think we’re all feeling day in day out.” Recorded with producer and mixer Kevin Bernstein at Baltimore’s @developing_nations studio and mastered by @plotkinworks Change retains the band’s density while sharpening its delivery. As drummer/vocalist Nathaniel Roseberry notes: “We put a lot of effort into creating multifaceted songs that didn’t present as complex. Even if there is ridiculous syncopation happening in the rhythm section, the other guys are smoothing it over to still keep that pop feel.”
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Death Grind/Powervilonce from Maryland 🇺🇲🇺🇸🇺🇲🇺🇸🇺🇲🇺🇸 Band: Pisscorpse Title: Precipice of Death Studio Album: #2 Released 3/27/2026 Independently Order and listen below 👇👇👇👇👇👇 /album/precipice-of-death #grindcore #powerviolence #pisscorpse @pisscorpse released March 27, 2026 D.T. - STRINGED PERVERSIONS AND LEAD EFFECTS NICK JONES - DRUMS BRANDON LOKEY - VOCALS ------------------------------------------------ RECORDED AND MIXED BY KEVIN BERNSTEN AT DEVELOPING NATIONS @developing_nations MASTERED BY SCOTT HULL ALBUM ART BY KYLE HOPPES @kylehoppesmusic LOGO BY CORY SWOPE
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What is @travisstrawderman dreaming about while we track guitars? Wrong answers only in the comments 👇 #doommetal #newmusic
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my life be like
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What an honor to get to follow these guys to Baltimore and be apart of their first LP. This record is CRUSHING. And we had nothing but good times bringing it together. Allowing me to make some noise where legends have made noise is something I’ll cherish forever. GOD SAVE BLUTO.
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Lately: creativity, crash outs, over doing it, stopping to smell the flowers, beautiful friends, neurotic dogs, heat wave, new leaf Catch me Sunday with @lathe.66 at @theottobar Flowers pushing through cold dirt to reach the sun
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BODY BROKER IS OUT NOW BODY BROKER KILLING JOURNEY GENERATIVE MUTATION NARCO INTERCEPTION UNIQUE HUMAN CREMATION ENTOMBMENT RECORDED BY ALAN BURCHAM AT A.B. RECORDINGS MIXED BY KEVIN BERNSTEN AT @developing_nations MASTERED BY WILL KILLINGSWORTH AT @dead_air_studios
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