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DENIS GUZZO

@denisguzzo

Landscape talks its language, through the seasons and the elements that we perceive in space and time. đź“ŤJakarta @re_use.eu
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[English below]La fotografia di Denis ci raccontaun mondo scattato in lastra 10x12ed assemblato in solidi platoniciche racchiudono in una magicaarmonia la complessitĂ  delpaesaggio. Denis Guzzo rompe labidimensionalitĂ  della fotografiacon quattro " installazionifotografiche" che si mettono inrelazione con il visitatore a 360gradi. Un lavoro che ci parla puredella sua ricerca personale strettatra contemporaneitĂ  olandese ela mitologia e l'archeologia greca.___Denis' photography tells usof a world shot on a 10x12 plateand assembled in platonic solidsthat enclose in a magicalharmony the complexity of thelandscape. Denis Guzzo breaks thetwo-dimensionality of photographywith four "photographicinstallations" that relate to the visitor at 360degrees. A work that also tells usof his personal research developedbetween Dutch contemporaneity andGreek mythology and archaeology.#TAG #TORINOARTGALLERIES @studiosantaveronica #documentaryphotography #Torino #turin
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[English below] La fotografia di Denis ci racconta un mondo scattato in lastra 10x12 ed assemblato in solidi platonici che racchiudono in una magica armonia la complessitĂ  del paesaggio. Denis Guzzo rompe la bidimensionalitĂ  della fotografia con quattro " installazioni fotografiche" che si mettono in relazione con il visitatore a 360 gradi. Un lavoro che ci parla pure della sua ricerca personale stretta tra contemporaneitĂ  olandese e la mitologia e l'archeologia greca. ___ Denis' photography tells us of a world shot on a 10x12 plate and assembled in platonic solids that enclose in a magical harmony the complexity of the landscape. Denis Guzzo breaks the two-dimensionality of photography with four "photographic installations" that relate to the visitor at 360 degrees. A work that also tells us of his personal research developed between Dutch contemporaneity and Greek mythology and archaeology. #TAG #TORINOARTGALLERIES @studiosantaveronica #documentaryphotography #Torino #turin
22 1
1 year ago
[English below]La fotografia di Denis ci raccontaun mondo scattato in lastra 10x12ed assemblato in solidi platoniciche racchiudono in una magicaarmonia la complessitĂ  delpaesaggio. Denis Guzzo rompe labidimensionalitĂ  della fotografiacon quattro " installazionifotografiche" che si mettono inrelazione con il visitatore a 360gradi. Un lavoro che ci parla puredella sua ricerca personale strettatra contemporaneitĂ  olandese ela mitologia e l'archeologia greca.___Denis' photography tells usof a world shot on a 10x12 plateand assembled in platonic solidsthat enclose in a magicalharmony the complexity of thelandscape. Denis Guzzo breaks thetwo-dimensionality of photographywith four "photographicinstallations" that relate to the visitor at 360degrees. A work that also tells usof his personal research developedbetween Dutch contemporaneity andGreek mythology and archaeology.#TAG #TORINOARTGALLERIES @studiosantaveronica #documentaryphotography #Torino #turin
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[English below] La fotografia di Denis ci racconta un mondo scattato in lastra 10x12 ed assemblato in solidi platonici che racchiudono in una magica armonia la complessitĂ  del paesaggio. Denis Guzzo rompe la bidimensionalitĂ  della fotografia con quattro " installazioni fotografiche" che si mettono in relazione con il visitatore a 360 gradi. Un lavoro che ci parla pure della sua ricerca personale stretta tra contemporaneitĂ  olandese e la mitologia e l'archeologia greca. ___ Denis' photography tells us of a world shot on a 10x12 plate and assembled in platonic solids that enclose in a magical harmony the complexity of the landscape. Denis Guzzo breaks the two-dimensionality of photography with four "photographic installations" that relate to the visitor at 360 degrees. A work that also tells us of his personal research developed between Dutch contemporaneity and Greek mythology and archaeology. #TAG #TORINOARTGALLERIES @studiosantaveronica #documentaryphotography #Torino #turin
20 1
1 year ago
[English below]La fotografia di Denis ci raccontaun mondo scattato in lastra 10x12ed assemblato in solidi platoniciche racchiudono in una magicaarmonia la complessitĂ  delpaesaggio. Denis Guzzo rompe labidimensionalitĂ  della fotografiacon quattro " installazionifotografiche" che si mettono inrelazione con il visitatore a 360gradi. Un lavoro che ci parla puredella sua ricerca personale strettatra contemporaneitĂ  olandese ela mitologia e l'archeologia greca.___Denis' photography tells usof a world shot on a 10x12 plateand assembled in platonic solidsthat enclose in a magicalharmony the complexity of thelandscape. Denis Guzzo breaks thetwo-dimensionality of photographywith four "photographicinstallations" that relate to the visitor at 360degrees. A work that also tells usof his personal research developedbetween Dutch contemporaneity andGreek mythology and archaeology.#TAG #TORINOARTGALLERIES @studiosantaveronica #documentaryphotography #Torino #Turin
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[English below] La fotografia di Denis ci racconta un mondo scattato in lastra 10x12 ed assemblato in solidi platonici che racchiudono in una magica armonia la complessitĂ  del paesaggio. Denis Guzzo rompe la bidimensionalitĂ  della fotografia con quattro " installazioni fotografiche" che si mettono in relazione con il visitatore a 360 gradi. Un lavoro che ci parla pure della sua ricerca personale stretta tra contemporaneitĂ  olandese e la mitologia e l'archeologia greca. ___ Denis' photography tells us of a world shot on a 10x12 plate and assembled in platonic solids that enclose in a magical harmony the complexity of the landscape. Denis Guzzo breaks the two-dimensionality of photography with four "photographic installations" that relate to the visitor at 360 degrees. A work that also tells us of his personal research developed between Dutch contemporaneity and Greek mythology and archaeology. #TAG #TORINOARTGALLERIES @studiosantaveronica #documentaryphotography #Torino #Turin
12 0
1 year ago
If anything, freedom is what you feel when first confronted with the Dutch Flevo polders. Freedom and perhaps a sense of being lost in space. The low horizons, immense skies, and endless perspectives are that of a desert landscape – albeit with a human element. But how do interpret such a unique landscape? How to settle and live there?Reclaiming land is a centuries-old tradition in the Netherlands. In the last century, it peaked in size made possible by technical innovations. Land reclamation had often been a strategy by which landowners extended their holdings, an investment by rich merchants, or was a public undertaking. In the case of the IJsselmeerpolders, the Dutch government wanted to safeguard food provision for the nation by providing agricultural land; later, urban development became an important motive. The IJsselmeerpolders—Wieringermeerpolder (constructed 1927–1930), Noordoostpolder (1937–1942), Oostelijk Flevoland (1950–1957), and Zuidelijk Flevoland (1959–1968)—provide almost ten percent of the total arable land in the country today.Freedomland is a visual journey into a highly regulated- man-made land; captured between forces of order and space, concept and execution, authority and freedom – and expressed as a new conceptual territory. The project aims to be a mirror  of this powerful geopolitical process of landscape and social engineering; a photographic journey back in time through the three main spatial and historical contexts of Flevoland: Almere, Lelystad and the Noordoostpolder.Denis observed and documented this process for years. He shows in his photos how the new land is being structured and prepared for use, how diverse dreams become reality, and how different ideas of freedom are being expressed. Ranging from the vacant land’s inherent promise to the diversity of realized projects, the photos show different forms and phases of this fundamentally malleable landscape.
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If anything, freedom is what you feel when first confronted with the Dutch Flevo polders. Freedom and perhaps a sense of being lost in space. The low horizons, immense skies, and endless perspectives are that of a desert landscape – albeit with a human element. But how do interpret such a unique landscape? How to settle and live there? Reclaiming land is a centuries-old tradition in the Netherlands. In the last century, it peaked in size made possible by technical innovations. Land reclamation had often been a strategy by which landowners extended their holdings, an investment by rich merchants, or was a public undertaking. In the case of the IJsselmeerpolders, the Dutch government wanted to safeguard food provision for the nation by providing agricultural land; later, urban development became an important motive.   The IJsselmeerpolders—Wieringermeerpolder (constructed 1927–1930), Noordoostpolder (1937–1942), Oostelijk Flevoland (1950–1957), and Zuidelijk Flevoland (1959–1968)—provide almost ten percent of the total arable land in the country today. Freedomland is a visual journey into a highly regulated- man-made land; captured between forces of order and space, concept and execution, authority and freedom – and expressed as a new conceptual territory.   The project aims to be a mirror  of this powerful geopolitical process of landscape and social engineering; a photographic journey back in time through the three main spatial and historical contexts of Flevoland: Almere, Lelystad and the Noordoostpolder. Denis observed and documented this process for years. He shows in his photos how the new land is being structured and prepared for use, how diverse dreams become reality, and how different ideas of freedom are being expressed. Ranging from the vacant land’s inherent promise to the diversity of realized projects, the photos show different forms and phases of this fundamentally malleable landscape.
22 2
1 year ago
If anything, freedom is what you feel when first confronted with the Dutch Flevo polders. Freedom and perhaps a sense of being lost in space. The low horizons, immense skies, and endless perspectives are that of a desert landscape – albeit with a human element. But how do interpret such a unique landscape? How to settle and live there?Reclaiming land is a centuries-old tradition in the Netherlands. In the last century, it peaked in size made possible by technical innovations. Land reclamation had often been a strategy by which landowners extended their holdings, an investment by rich merchants, or was a public undertaking. In the case of the IJsselmeerpolders, the Dutch government wanted to safeguard food provision for the nation by providing agricultural land; later, urban development became an important motive. The IJsselmeerpolders—Wieringermeerpolder (constructed 1927–1930), Noordoostpolder (1937–1942), Oostelijk Flevoland (1950–1957), and Zuidelijk Flevoland (1959–1968)—provide almost ten percent of the total arable land in the country today.Freedomland is a visual journey into a highly regulated- man-made land; captured between forces of order and space, concept and execution, authority and freedom – and expressed as a new conceptual territory. The project aims to be a mirror  of this powerful geopolitical process of landscape and social engineering; a photographic journey back in time through the three main spatial and historical contexts of Flevoland: Almere, Lelystad and the Noordoostpolder.Denis observed and documented this process for years. He shows in his photos how the new land is being structured and prepared for use, how diverse dreams become reality, and how different ideas of freedom are being expressed. Ranging from the vacant land’s inherent promise to the diversity of realized projects, the photos show different forms and phases of this fundamentally malleable landscape.
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If anything, freedom is what you feel when first confronted with the Dutch Flevo polders. Freedom and perhaps a sense of being lost in space. The low horizons, immense skies, and endless perspectives are that of a desert landscape – albeit with a human element. But how do interpret such a unique landscape? How to settle and live there? Reclaiming land is a centuries-old tradition in the Netherlands. In the last century, it peaked in size made possible by technical innovations. Land reclamation had often been a strategy by which landowners extended their holdings, an investment by rich merchants, or was a public undertaking. In the case of the IJsselmeerpolders, the Dutch government wanted to safeguard food provision for the nation by providing agricultural land; later, urban development became an important motive.   The IJsselmeerpolders—Wieringermeerpolder (constructed 1927–1930), Noordoostpolder (1937–1942), Oostelijk Flevoland (1950–1957), and Zuidelijk Flevoland (1959–1968)—provide almost ten percent of the total arable land in the country today. Freedomland is a visual journey into a highly regulated- man-made land; captured between forces of order and space, concept and execution, authority and freedom – and expressed as a new conceptual territory.   The project aims to be a mirror  of this powerful geopolitical process of landscape and social engineering; a photographic journey back in time through the three main spatial and historical contexts of Flevoland: Almere, Lelystad and the Noordoostpolder. Denis observed and documented this process for years. He shows in his photos how the new land is being structured and prepared for use, how diverse dreams become reality, and how different ideas of freedom are being expressed. Ranging from the vacant land’s inherent promise to the diversity of realized projects, the photos show different forms and phases of this fundamentally malleable landscape.
22 0
1 year ago
If anything, freedom is what you feel when first confronted with the Dutch Flevo polders. Freedom and perhaps a sense of being lost in space. The low horizons, immense skies, and endless perspectives are that of a desert landscape – albeit with a human element. But how do interpret such a unique landscape? How to settle and live there?Reclaiming land is a centuries-old tradition in the Netherlands. In the last century, it peaked in size made possible by technical innovations. Land reclamation had often been a strategy by which landowners extended their holdings, an investment by rich merchants, or was a public undertaking. In the case of the IJsselmeerpolders, the Dutch government wanted to safeguard food provision for the nation by providing agricultural land; later, urban development became an important motive. The IJsselmeerpolders—Wieringermeerpolder (constructed 1927–1930), Noordoostpolder (1937–1942), Oostelijk Flevoland (1950–1957), and Zuidelijk Flevoland (1959–1968)—provide almost ten percent of the total arable land in the country today.Freedomland is a visual journey into a highly regulated- man-made land; captured between forces of order and space, concept and execution, authority and freedom – and expressed as a new conceptual territory. The project aims to be a mirror  of this powerful geopolitical process of landscape and social engineering; a photographic journey back in time through the three main spatial and historical contexts of Flevoland: Almere, Lelystad and the Noordoostpolder.Denis observed and documented this process for years. He shows in his photos how the new land is being structured and prepared for use, how diverse dreams become reality, and how different ideas of freedom are being expressed. Ranging from the vacant land’s inherent promise to the diversity of realized projects, the photos show different forms and phases of this fundamentally malleable landscape.
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If anything, freedom is what you feel when first confronted with the Dutch Flevo polders. Freedom and perhaps a sense of being lost in space. The low horizons, immense skies, and endless perspectives are that of a desert landscape – albeit with a human element. But how do interpret such a unique landscape? How to settle and live there? Reclaiming land is a centuries-old tradition in the Netherlands. In the last century, it peaked in size made possible by technical innovations. Land reclamation had often been a strategy by which landowners extended their holdings, an investment by rich merchants, or was a public undertaking. In the case of the IJsselmeerpolders, the Dutch government wanted to safeguard food provision for the nation by providing agricultural land; later, urban development became an important motive.   The IJsselmeerpolders—Wieringermeerpolder (constructed 1927–1930), Noordoostpolder (1937–1942), Oostelijk Flevoland (1950–1957), and Zuidelijk Flevoland (1959–1968)—provide almost ten percent of the total arable land in the country today. Freedomland is a visual journey into a highly regulated- man-made land; captured between forces of order and space, concept and execution, authority and freedom – and expressed as a new conceptual territory.   The project aims to be a mirror  of this powerful geopolitical process of landscape and social engineering; a photographic journey back in time through the three main spatial and historical contexts of Flevoland: Almere, Lelystad and the Noordoostpolder. Denis observed and documented this process for years. He shows in his photos how the new land is being structured and prepared for use, how diverse dreams become reality, and how different ideas of freedom are being expressed. Ranging from the vacant land’s inherent promise to the diversity of realized projects, the photos show different forms and phases of this fundamentally malleable landscape.
34 2
1 year ago
Every year thousands of windmill’s blades are discarded but they they still preserve huge potential and strength to be repurposed. Designed by Superuse Studios for the foundation “Kinderparadijs Meidoorn” in Rotterdam the WIKADO playground is one of a kind. The composition of these big accessible volumes defines the different areas of the playground where each tower has its own character. The designers mapped the old situation and selected the elements that were fit for reuse in a new playground. After this process a design was made. Five (discarded) rotor blades are used to create a maze like space with a panna court in the center, placed on the existing concrete circle. Four towers are placed around it, each with a distinctive character. Between the towers a net is hanging. This is fun to be climbed but also prevent balls ending up in the garden of the neighbours. Team: Césare Peeren, Jeroen Bergsma, Jos de Krieger the WIKADO is developed and can be used to generate any size and kind of playground!This serie include an early project by REFUNC called CONTAINOSAURUS which is located at the VERBEKE FOUNDATION in Belgium. ️All photos and video © @denisguzzo -> see more on my website -> Link In Bio ️ ️ #superusestudios #superuse #upcycling #zerowaste #REFUNC #architecture #urban #UrbanMining #BlueEconomy #playground #rotterdam #renewable #reuse #kinderparadijs #netherlands #dutchdesign #cesarepeeren #denisguzzo #blademade #renewableenergie
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Every year thousands of windmill’s blades are discarded but they they still preserve huge potential and strength to be repurposed. Designed by Superuse Studios for the foundation “Kinderparadijs Meidoorn” in Rotterdam the WIKADO playground is one of a kind. The composition of these big accessible volumes defines the different areas of the playground where each tower has its own character. The designers mapped the old situation and selected the elements that were fit for reuse in a new playground. After this process a design was made. Five (discarded) rotor blades are used to create a maze like space with a panna court in the center, placed on the existing concrete circle. Four towers are placed around it, each with a distinctive character. Between the towers a net is hanging. This is fun to be climbed but also prevent balls ending up in the garden of the neighbours. Team: Césare Peeren, Jeroen Bergsma, Jos de Krieger the WIKADO is developed and can be used to generate any size and kind of playground! This serie include an early project by REFUNC called CONTAINOSAURUS which is located at the VERBEKE FOUNDATION in Belgium. ♻️ All photos and video © @denisguzzo -> see more on my website -> Link In Bio ♻️ ♻️ 🌱 #superusestudios #superuse #upcycling #zerowaste #REFUNC #architecture #urban #UrbanMining #BlueEconomy #playground #rotterdam #renewable #reuse #kinderparadijs #netherlands #dutchdesign #cesarepeeren #denisguzzo #blademade #renewableenergie
81 1
2 years ago
A VOICE BEHIND THE LENSLearn more about the art and science of building with rotor blades ️ Post BladeMade ️ Tag in bio @reuse.eu ️From my archive, this is the most published photograph of the last ten years. Indeed it portrays a great project and an important architectural statement: “Architects can play a fundamental role by using waste, and what’s more, ingenuity, to convert waste into structures that are useful, imaginative, and beautiful.”[Bahamón and Sa njinés 2010]
Design and building such unique projects also deserve the right eye and experience to be captured in a representative and iconic way.For the main overviews, I like to stack image-layers from the same perspective on a tripod. This photo, for instance, is the result of 12 different layers. This allows me to place the people in the composition to enrich the image, inspired by ancient Japanese and Chinese landscape paintings. I often place the people strategically to fill up voids or to empower perspective lines. These images are labor-intensive and require more shooting time but are also the most selected for printed publications. They aim to create a more substantial relation and proportion between space and people, functions, and flows. Learn more about this project and the art and science of building with rotor blades ️ Post ️BladeMade ️ Tag in bio @reuse.eu ️....#playground#documentary#rotterdam#urbanmining#superuse#placemaking#cesarepeeren#harvestmap⠀#designaspolitics⠀#circulareconomy#upcycling⠀#timelapse#zerowaste#reuse#urbanmining#placemaking#denisguzzo⠀#riuso #windblades#blademade@rottergram#travelphotography#traveltheworld#travelblogger#travelgram#architecturephotography
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A VOICE BEHIND THE LENS Learn more about the art and science of building with rotor blades ❗️ Post BladeMade ❗️ Tag in bio @reuse.eu ❗️ From my archive, this is the most published photograph of the last ten years. Indeed it portrays a great project and an important architectural statement: “Architects can play a fundamental role by using waste, and what’s more, ingenuity, to convert waste into structures that are useful, imaginative, and beautiful.”[Bahamón and Sa njinés 2010] 
 Design and building such unique projects also deserve the right eye and experience to be captured in a representative and iconic way. For the main overviews, I like to stack image-layers from the same perspective on a tripod. This photo, for instance, is the result of 12 different layers. This allows me to place the people in the composition to enrich the image, inspired by ancient Japanese and Chinese landscape paintings. I often place the people strategically to fill up voids or to empower perspective lines. These images are labor-intensive and require more shooting time but are also the most selected for printed publications. They aim to create a more substantial relation and proportion between space and people, functions, and flows.  Learn more about this project and the art and science of building with rotor blades ❗️ Post ❗️BladeMade ❗️ Tag in bio @reuse.eu ❗️ . . . . #playground #documentary #rotterdam #urbanmining #superuse #placemaking #cesarepeeren #harvestmap⠀ #designaspolitics⠀ #circulareconomy #upcycling⠀ #timelapse #zerowaste #reuse #urbanmining #placemaking #denisguzzo⠀ #riuso #windblades #blademade @rottergram #travelphotography #traveltheworld #travelblogger #travelgram #architecturephotography
32 0
5 years ago
A VOICE BEHIND THE LENSLearn more about the art and science of building with rotor blades ️ Post BladeMade ️ Tag in bio @reuse.eu ️From my archive, this is the most published photograph of the last ten years. Indeed it portrays a great project and an important architectural statement: “Architects can play a fundamental role by using waste, and what’s more, ingenuity, to convert waste into structures that are useful, imaginative, and beautiful.”[Bahamón and Sa njinés 2010]
Design and building such unique projects also deserve the right eye and experience to be captured in a representative and iconic way.For the main overviews, I like to stack image-layers from the same perspective on a tripod. This photo, for instance, is the result of 12 different layers. This allows me to place the people in the composition to enrich the image, inspired by ancient Japanese and Chinese landscape paintings. I often place the people strategically to fill up voids or to empower perspective lines. These images are labor-intensive and require more shooting time but are also the most selected for printed publications. They aim to create a more substantial relation and proportion between space and people, functions, and flows. Learn more about this project and the art and science of building with rotor blades ️ Post ️BladeMade ️ Tag in bio @reuse.eu ️....#playground#documentary#rotterdam#urbanmining#superuse#placemaking#cesarepeeren#harvestmap⠀#designaspolitics⠀#circulareconomy#upcycling⠀#timelapse#zerowaste#reuse#urbanmining#placemaking#denisguzzo⠀#riuso #windblades#blademade@rottergram#travelphotography#traveltheworld#travelblogger#travelgram#architecturephotography
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A VOICE BEHIND THE LENS Learn more about the art and science of building with rotor blades ❗️ Post BladeMade ❗️ Tag in bio @reuse.eu ❗️ From my archive, this is the most published photograph of the last ten years. Indeed it portrays a great project and an important architectural statement: “Architects can play a fundamental role by using waste, and what’s more, ingenuity, to convert waste into structures that are useful, imaginative, and beautiful.”[Bahamón and Sa njinés 2010] 
 Design and building such unique projects also deserve the right eye and experience to be captured in a representative and iconic way. For the main overviews, I like to stack image-layers from the same perspective on a tripod. This photo, for instance, is the result of 12 different layers. This allows me to place the people in the composition to enrich the image, inspired by ancient Japanese and Chinese landscape paintings. I often place the people strategically to fill up voids or to empower perspective lines. These images are labor-intensive and require more shooting time but are also the most selected for printed publications. They aim to create a more substantial relation and proportion between space and people, functions, and flows.  Learn more about this project and the art and science of building with rotor blades ❗️ Post ❗️BladeMade ❗️ Tag in bio @reuse.eu ❗️ . . . . #playground #documentary #rotterdam #urbanmining #superuse #placemaking #cesarepeeren #harvestmap⠀ #designaspolitics⠀ #circulareconomy #upcycling⠀ #timelapse #zerowaste #reuse #urbanmining #placemaking #denisguzzo⠀ #riuso #windblades #blademade @rottergram #travelphotography #traveltheworld #travelblogger #travelgram #architecturephotography
33 0
5 years ago
A VOICE BEHIND THE LENSLearn more about the art and science of building with rotor blades ️ Post BladeMade ️ Tag in bio @reuse.eu ️From my archive, this is the most published photograph of the last ten years. Indeed it portrays a great project and an important architectural statement: “Architects can play a fundamental role by using waste, and what’s more, ingenuity, to convert waste into structures that are useful, imaginative, and beautiful.”[Bahamón and Sa njinés 2010]
Design and building such unique projects also deserve the right eye and experience to be captured in a representative and iconic way.For the main overviews, I like to stack image-layers from the same perspective on a tripod. This photo, for instance, is the result of 12 different layers. This allows me to place the people in the composition to enrich the image, inspired by ancient Japanese and Chinese landscape paintings. I often place the people strategically to fill up voids or to empower perspective lines. These images are labor-intensive and require more shooting time but are also the most selected for printed publications. They aim to create a more substantial relation and proportion between space and people, functions, and flows. Learn more about this project and the art and science of building with rotor blades ️ Post ️BladeMade ️ Tag in bio @reuse.eu ️....#playground#documentary#rotterdam#urbanmining#superuse#placemaking#cesarepeeren#harvestmap⠀#designaspolitics⠀#circulareconomy#upcycling⠀#timelapse#zerowaste#reuse#urbanmining#placemaking#denisguzzo⠀#riuso #windblades#blademade@rottergram#travelphotography#traveltheworld#travelblogger#travelgram#architecturephotography
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A VOICE BEHIND THE LENS Learn more about the art and science of building with rotor blades ❗️ Post BladeMade ❗️ Tag in bio @reuse.eu ❗️ From my archive, this is the most published photograph of the last ten years. Indeed it portrays a great project and an important architectural statement: “Architects can play a fundamental role by using waste, and what’s more, ingenuity, to convert waste into structures that are useful, imaginative, and beautiful.”[Bahamón and Sa njinés 2010] 
 Design and building such unique projects also deserve the right eye and experience to be captured in a representative and iconic way. For the main overviews, I like to stack image-layers from the same perspective on a tripod. This photo, for instance, is the result of 12 different layers. This allows me to place the people in the composition to enrich the image, inspired by ancient Japanese and Chinese landscape paintings. I often place the people strategically to fill up voids or to empower perspective lines. These images are labor-intensive and require more shooting time but are also the most selected for printed publications. They aim to create a more substantial relation and proportion between space and people, functions, and flows.  Learn more about this project and the art and science of building with rotor blades ❗️ Post ❗️BladeMade ❗️ Tag in bio @reuse.eu ❗️ . . . . #playground #documentary #rotterdam #urbanmining #superuse #placemaking #cesarepeeren #harvestmap⠀ #designaspolitics⠀ #circulareconomy #upcycling⠀ #timelapse #zerowaste #reuse #urbanmining #placemaking #denisguzzo⠀ #riuso #windblades #blademade @rottergram #travelphotography #traveltheworld #travelblogger #travelgram #architecturephotography
38 1
5 years ago
A VOICE BEHIND THE LENSLearn more about the art and science of building with rotor blades ️ Post BladeMade ️ Tag in bio @reuse.eu ️From my archive, this is the most published photograph of the last ten years. Indeed it portrays a great project and an important architectural statement: “Architects can play a fundamental role by using waste, and what’s more, ingenuity, to convert waste into structures that are useful, imaginative, and beautiful.”[Bahamón and Sa njinés 2010]
Design and building such unique projects also deserve the right eye and experience to be captured in a representative and iconic way.For the main overviews, I like to stack image-layers from the same perspective on a tripod. This photo, for instance, is the result of 12 different layers. This allows me to place the people in the composition to enrich the image, inspired by ancient Japanese and Chinese landscape paintings. I often place the people strategically to fill up voids or to empower perspective lines. These images are labor-intensive and require more shooting time but are also the most selected for printed publications. They aim to create a more substantial relation and proportion between space and people, functions, and flows. Learn more about this project and the art and science of building with rotor blades ️ Post ️BladeMade ️ Tag in bio @reuse.eu ️....#playground#documentary#rotterdam#urbanmining#superuse#placemaking#cesarepeeren#harvestmap⠀#designaspolitics⠀#circulareconomy#upcycling⠀#timelapse#zerowaste#reuse#urbanmining#placemaking#denisguzzo⠀#riuso #windblades#blademade@rottergram#travelphotography#traveltheworld#travelblogger#travelgram#architecturephotography
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A VOICE BEHIND THE LENS Learn more about the art and science of building with rotor blades ❗️ Post BladeMade ❗️ Tag in bio @reuse.eu ❗️ From my archive, this is the most published photograph of the last ten years. Indeed it portrays a great project and an important architectural statement: “Architects can play a fundamental role by using waste, and what’s more, ingenuity, to convert waste into structures that are useful, imaginative, and beautiful.”[Bahamón and Sa njinés 2010] 
 Design and building such unique projects also deserve the right eye and experience to be captured in a representative and iconic way. For the main overviews, I like to stack image-layers from the same perspective on a tripod. This photo, for instance, is the result of 12 different layers. This allows me to place the people in the composition to enrich the image, inspired by ancient Japanese and Chinese landscape paintings. I often place the people strategically to fill up voids or to empower perspective lines. These images are labor-intensive and require more shooting time but are also the most selected for printed publications. They aim to create a more substantial relation and proportion between space and people, functions, and flows.  Learn more about this project and the art and science of building with rotor blades ❗️ Post ❗️BladeMade ❗️ Tag in bio @reuse.eu ❗️ . . . . #playground #documentary #rotterdam #urbanmining #superuse #placemaking #cesarepeeren #harvestmap⠀ #designaspolitics⠀ #circulareconomy #upcycling⠀ #timelapse #zerowaste #reuse #urbanmining #placemaking #denisguzzo⠀ #riuso #windblades #blademade @rottergram #travelphotography #traveltheworld #travelblogger #travelgram #architecturephotography
36 0
5 years ago
A VOICE BEHIND THE LENSLearn more about the art and science of building with rotor blades ️ Post BladeMade ️ Tag in bio @reuse.eu ️From my archive, this is the most published photograph of the last ten years. Indeed it portrays a great project and an important architectural statement: “Architects can play a fundamental role by using waste, and what’s more, ingenuity, to convert waste into structures that are useful, imaginative, and beautiful.”[Bahamón and Sa njinés 2010]
Design and building such unique projects also deserve the right eye and experience to be captured in a representative and iconic way.For the main overviews, I like to stack image-layers from the same perspective on a tripod. This photo, for instance, is the result of 12 different layers. This allows me to place the people in the composition to enrich the image, inspired by ancient Japanese and Chinese landscape paintings. I often place the people strategically to fill up voids or to empower perspective lines. These images are labor-intensive and require more shooting time but are also the most selected for printed publications. They aim to create a more substantial relation and proportion between space and people, functions, and flows. Learn more about this project and the art and science of building with rotor blades ️ Post ️BladeMade ️ Tag in bio @reuse.eu ️....#playground#documentary#rotterdam#urbanmining#superuse#placemaking#cesarepeeren#harvestmap⠀#designaspolitics⠀#circulareconomy#upcycling⠀#timelapse#zerowaste#reuse#urbanmining#placemaking#denisguzzo⠀#riuso #windblades#blademade@rottergram#travelphotography#traveltheworld#travelblogger#travelgram#architecturephotography
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A VOICE BEHIND THE LENS Learn more about the art and science of building with rotor blades ❗️ Post BladeMade ❗️ Tag in bio @reuse.eu ❗️ From my archive, this is the most published photograph of the last ten years. Indeed it portrays a great project and an important architectural statement: “Architects can play a fundamental role by using waste, and what’s more, ingenuity, to convert waste into structures that are useful, imaginative, and beautiful.”[Bahamón and Sa njinés 2010] 
 Design and building such unique projects also deserve the right eye and experience to be captured in a representative and iconic way. For the main overviews, I like to stack image-layers from the same perspective on a tripod. This photo, for instance, is the result of 12 different layers. This allows me to place the people in the composition to enrich the image, inspired by ancient Japanese and Chinese landscape paintings. I often place the people strategically to fill up voids or to empower perspective lines. These images are labor-intensive and require more shooting time but are also the most selected for printed publications. They aim to create a more substantial relation and proportion between space and people, functions, and flows.  Learn more about this project and the art and science of building with rotor blades ❗️ Post ❗️BladeMade ❗️ Tag in bio @reuse.eu ❗️ . . . . #playground #documentary #rotterdam #urbanmining #superuse #placemaking #cesarepeeren #harvestmap⠀ #designaspolitics⠀ #circulareconomy #upcycling⠀ #timelapse #zerowaste #reuse #urbanmining #placemaking #denisguzzo⠀ #riuso #windblades #blademade @rottergram #travelphotography #traveltheworld #travelblogger #travelgram #architecturephotography
24 0
5 years ago
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