𝑆𝑡𝑎𝑛𝑑𝑎𝑟𝑑 𝑑𝑟𝑒𝑎𝑚𝑠
Sérigraphie sur papier Arches BFK 270 g
30 × 42 cm
Tirage de 25 exemplaires, signés et numérotés
Édition réalisée par Hugo Janin
180 € (édition seule)
300 € (encadrée, cadre aluminium noir)
Verre antireflet avec filtre UV
Disponible en DM ou à @romeropaprocki
Réalisé à l'occasion de l'exposition 𝔾𝕖𝕟𝕖𝕣𝕒𝕝 𝕄𝕠𝕥𝕚𝕠𝕟 - visible jusqu'au 25.04
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𝑆𝑡𝑎𝑛𝑑𝑎𝑟𝑑 𝑑𝑟𝑒𝑎𝑚𝑠
Screen print on Arches BFK 270 gsm paper
30 × 42 cm
Edition of 25, signed and numbered
Edition produced by Hugo Janin
€180 (print only)
€300 (framed, black aluminium frame)
Anti-reflective, UV-protective glass
Another room from our current exhibition 'General Motion', our first solo show at @romeropaprocki - on view until April 25.
The exhibition centres on a new body of work conceived as an extension of the imagery the artists have developed to date. While in recent years the duo has explored—and even embodied—a hybrid figure combining the businessman and the artist, here this figure shifts towards a dreamlike imaginary linked to transport, movement, and exchange, paving the way for a form of contemporary surrealism.
FR
De nouvelles vues de notre exposition 'General Motion', notre première exposition personnelle à la galerie Romero Paprocki, visible jusqu’au 25 avril.
L’exposition s’articule autour d’un nouveau corpus d’œuvres conçu comme une extension de l’imaginaire que les artistes développent depuis plusieurs années. Alors que le duo a récemment exploré — et même incarné — une figure hybride mêlant celle du businessman et de l’artiste, cette figure se déplace ici vers un imaginaire onirique lié au transport, au mouvement et à l’échange, ouvrant la voie à une forme de surréalisme contemporain.
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Credit: Allison Borgo
Another room from our current exhibition 'General Motion', our first solo show at @romeropaprocki - on view until April 25.
The exhibition centres on a new body of work conceived as an extension of the imagery the artists have developed to date. While in recent years the duo has explored—and even embodied—a hybrid figure combining the businessman and the artist, here this figure shifts towards a dreamlike imaginary linked to transport, movement, and exchange, paving the way for a form of contemporary surrealism.
FR
De nouvelles vues de notre exposition 'General Motion', notre première exposition personnelle à la galerie Romero Paprocki, visible jusqu’au 25 avril.
L’exposition s’articule autour d’un nouveau corpus d’œuvres conçu comme une extension de l’imaginaire que les artistes développent depuis plusieurs années. Alors que le duo a récemment exploré — et même incarné — une figure hybride mêlant celle du businessman et de l’artiste, cette figure se déplace ici vers un imaginaire onirique lié au transport, au mouvement et à l’échange, ouvrant la voie à une forme de surréalisme contemporain.
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Credit: Allison Borgo
DEBORAH BOWMANN - GENERAL MOTION
Opening March 28
Paris
The duo Deborah Bowmann’s first solo exhibition at Romero Paprocki centres on a new body of work conceived as an extension of the imagery the artists have developed to date.
Whilst in recent years the duo has explored, and even embodied, a hybrid figure combining that of the businessman with that of the artist, here this figure is shifted towards a dreamlike imaginary linked to transport, movement and exchange, paving the way for a form of contemporary surrealism.
The exhibition will be on view from March 28 to April 25.
The cat’s out of the bag! @kanal.centrepompidou just announced its inaugural exhibitions programme, with ten projects opening to all on Saturday 28 November 2026 ✨
NO SHOW brings together twenty Brussels-based artists under a concept developed by the artist duo @deborahbowmann and musician @maoupa_mazzocchetti , curated by @elieljones and @claire.cntmn_at.large .
On the grounds of Brussels’ first Luna Park, this exhibition poses a simple question: Can a museum entertain?
The provisional answer is NO SHOW, an exhibition in which art, light, sound and live performance come together in a fully immersive experience across five rooms. Guided by an unreliable narrator, visitors will move between front and backstage, fact and fabrication – humour functioning as both lure and critique.
In a time where art has to vie for attention amid relentless spectacle, the twenty artists that will inhabit this exhibition confront the expectation to entertain. They both embrace and reject the consumption of their identities, works and narratives.
Ultimately, NO SHOW explores how an exhibition might perform itself, subtly unsettling the boundaries and expectations of the museum.
With: @simon.asencio@tuuerme@marcbuchy@orso_cael #RyanCullen @jot.fau@monafilleul@selunawt@sandrine_morgante@heaven__de@la_vica_@shervinsheikhrezaei@emilerubino@sarah_and_charles@margauxschwarz #AMARI & #KajolSingh @uscpresents@kajariii__@amariskingdom #MiraMariaStuder @the_letters_pace_department@yemopark #EleanorIvoryWeber
We hope to see you all in Brussels!
28/11/2026 — 18/01/2027
Images: NO SHOW, Kanal - Centre Pompidou, Emile Rubino, 2026. / Portrait by @sepidehfarvardin .
We're kicking off the new Front Row season with an artist talk by Deborah Bowmann.
Deborah Bowmann is a collaborative artist persona formed by artists Amaury Daurel (b. 1990, Bordeaux) and Victor Delestre (b. 1989, Bordeaux). Working at the fringe of sculpture and set design, their practice spans curating exhibitions and producing sculptures, installations, and scenographic environments.
Deborah Bowmann develops alternative approaches to exhibition-making at the intersection of contemporary art and design, articulating a close relationship between studio practice and curatorial practice. From 2015 until 2022, they ran an eponymous exhibition space in Brussels.
In the spirit of a Gesamtkunstwerk, these exhibitions draw on détournements of domestic environments, bureaucratic settings, and commercial language, and operate within a service-oriented logic that moves between sculpture, design, and scenography. Within this context, authorship was frequently blurred, privileging the exhibition as a collective and spatial proposition.
Join us on 29 January at 7 pm in M HKA.
MAD Parcours
Wednesday 12 November, 12:00–21:00: Opening in the presence of the artists
Thursday–Saturday 13–15 November, 12:00–18:00
Discover how the ordinary becomes extraordinary during MAD Parcours, a pop-up exhibition featuring four artists who transform everyday objects into works of art, imbuing them with new aesthetic and financial significance.
Jofroi Amaral presents a bicycle entirely ordered, customized, and assembled by hand — from tailor-made steel to delicately tattooed leather. Though fully functional, its craftsmanship and artistry elevate it into the art sphere, with an aesthetic and financial value (priced at €30,000) that likely discourages everyday use.
Deborah Bowmann collect and assemble found or personal objects into frozen, defunctionalized sculptures through flocking. In The Joy of Painting series, they reframe small flea market canvases by artist Charles Benjamin within ornate shrines, instantly amplifying their aesthetic and commercial worth.
Valentin Souquet extends the handrail of Cloud Seven’s main staircase with an organically carved addition. While this might suggest a modern adaptation of a 19th-century bannister, it also reads as a sensual, aesthetic transformation of a functional element.
Eléonore Joulin subverts 18th-century iconography through playful material illusions, turning functional objects into surreal creations — lamps shaped like cheeses and sausages, slippers from cabbage leaves — blurring boundaries between the domestic and the fantastical.
Selected artworks are available for purchase upon request.
#cloudseven #madparcours #designweek #visitbrussels #brusselsagenda
