@stems_gallery Instagram profile, stories

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That’s one HARD body 🪨 @independent_hq @secci_gallery @omarmismar @stems_gallery @michaelbuhlerrose

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6 hours ago

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Still two days to visit our booth at @independent_hq with a solo presentation by @michaelbuhlerrose

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16 hours ago

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our current exhibition "Epaves" by Jannick Deslauriers and Camille Charbonneau has been be extended until May 30th! Transposed lines of flight in a blurred and fragmentary vision, sketches of a disturbed journey.. A journey that recalls the colonisers’ crossing to the New World, carrying models and instruments of oppression along from Europe to the Americas. In the name of progress, they imposed coercive social structures, moral pressure and political domination, embodied by churches, hospitals, monuments, and even botanical glasshouses, as showcases of control of otherness, in both human and plant forms. (written by Maud Salembier) @jannickdeslauriers @camillecharbonneau

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1 day ago

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Opening today @independent_hq Find us at booth #203 with a solo presentation by @michaelbuhlerrose "Bühler-Rose, who is presenting a solo booth with Stems Gallery of Brussels at Independent, came to the technique through a confluence of personal factors. The artist grew up in the punk scene before becoming a Hare Krishna monk and spending multiple years in India. During that time, he visited a carpenter in Mysore who was a disciple of one of his Sanskrit and philosophy teachers. “When I came back to New York, I went to the Met and wandered into the Gubbio Studiolo,” he recalled, noting how the connection clicked, especially given his long-standing interest in art-historical tropes. " -- (@cabellerina - @artnet )

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2 days ago

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Jannick Deslauriers & Camille Charbonneau walk us through their solo exhibition “Épaves”. "There’s an interest in our practices for the in-between, or things that are not fully defined, completely either in transparency or semantically. Something that we spoke very often about together is to create this feeling of absence, or like something that is not fully there, fully resolved. It really calls for the viewer’s imagination to kind of fill in what is not there." Film and edited by Armand Morin ( @showing_the_show ) @jannickdeslauriers @camillecharbonneau

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5 days ago

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Drawn from life, memory, and the history of painting, the everyday objects in Rouphail’s images intimately combine with one another through an atmospheric blend of sharp light and various visual layering devices. In his current body of work, the artist uses recurring subjects like flowers, pastries, books, and the American landscape as the compositional guidelines for his work, functioning as both framing devices and stand-ins for the figure. Paul Rouphail Extinction, 2026 Oil on linen mounted on panel 22.9 x 30.5 cm. - 9 x 12 in. @paulrouphail #paulrouphail

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9 days ago

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In the studio with @michaelbuhlerrose Ahead of his solo presentation with @stems_gallery next week at Independent, we visited artist Michael Bühler-Rose at his New York studio for a preview of new works from his Studiolo series, inspired by the @metmuseum ’s Studiolo from the Ducal Palace in Gubbio ca. 1478–82. See the work on view at Independent May 14-17 at Pier 36 on the Lower East Side (link in bio for tickets) 🎟️ #MichaelBuhlerRose #StemsGallery #IndependentNewYork #HumansofIndependent

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10 days ago

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opening next week: @independent_hq find us at booth #203 with @michaelbuhlerrose - Fragments of: Bühler-Rose Studiolo Winter ‘26 (FDR & Grand St.) 1-2, 2026 Wood Intarsia/Inlay: Red Cedar, White Cedar, Silver, Tamarind, Madhe, Kadyakshe, Aale, Dark Champa, Ebony, Honna, Orange Fruit, Dark Orange Fruit, Light Champa, Teak, Rose, Slate Matti, Dark Rose, Light Slate Matti, Tarsal, Goble, Bhugre, Akshay, Satin and Pine woods.

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11 days ago

$Atlantide post-apocalyptique, "Épaves" évoque tant une étrange église engloutie que la coque d’un bateau renversé, souvenir lointain des marins-architectes. Sans point d’ancrage dans cette carène ou charpente en tension fragile, nous plongeons dans un labyrinthe fragmentaire, comme réfracté dans un miroir déformant et fissuré. (Maud Salembier)"Epaves" Jannick Deslauriers & Camille Charbonneauon view until 16 May 2026@jannickdeslauriers @camillecharbonneau @maud_salembier$

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Atlantide post-apocalyptique, "Épaves" évoque tant une étrange église engloutie que la coque d’un bateau renversé, souvenir lointain des marins-architectes. Sans point d’ancrage dans cette carène ou charpente en tension fragile, nous plongeons dans un labyrinthe fragmentaire, comme réfracté dans un miroir déformant et fissuré. (Maud Salembier) "Epaves" Jannick Deslauriers & Camille Charbonneau on view until 16 May 2026 @jannickdeslauriers @camillecharbonneau @maud_salembier

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16 days ago

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upcoming fair Independent find us at booth #203 with Michael Bühler-Rose May 14-17, 2026 - Pier 36 New York @independent_hq @michaelbuhlerrose

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17 days ago

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Daisuke Tajima was part of our @artbrussels presentation last week! -- Daisuke Tajima Nightmares Standing Over Me II, 2026 Ink and acrylic on Kent paper mounted on wooden panel 72.7 x 91 x 3.3 cm. - 28 x 35 x 1 in. @tiendao06 @artbrussels @blouindivision

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18 days ago

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Julien Boudet with Jägermeister for Ultrarace Germany in Düsseldorf "Horsepower" The sculpture reinterprets the traditional horse-drawn carriage by replacing horses with motorcycles and the carriage with a car, exploring modern ideas of power and movement. It contrasts motorcycles’ raw, individual speed with the car’s structure and collective identity, showing how these forces coexist and support each other. Ultimately, it reflects on the evolution from animal to mechanical horsepower, connecting past and present in our fascination with mobility and machines. @bleumode @rennmeister72 @ultrace_official

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19 days ago