Dea

“I’m not good at taking care of people so I take care of things” Ford Sierra Pond Garden Shed Wardrobe Pond and Garden Shed (in Winter) Found polaroids, 107mm x 88mm each Scanned 2026

Thank you @sillysallystudios for the pic 🌹

Pppoeemsss 1. Caleb Femi 2. Samuel Beckett 3. Momtaza Mehri 4. Gregory Pardlo 5. Hafez

In Tbilisi, underpasses are full of traffic noise, incense, counterfeit designer clothes, and xerox machines, where you could copy anything for a few tetri — magazine pages, manga, images you wanted to keep but couldn’t really own. Lately I’ve been xeroxing pages from photobooks again. Mostly Japanese photographers. Limiting myself to two pages per book, single-sided, notes on the back. Read the full article to see selections from: Takashi Homma Nobuyoshi Araki Keizo Kitajima Ikko Narahara Daido Moriyama / Osamu Dazai Most of these came from Bibliotheek Sint-Lukas. (Still copying)

Happy spring. Here is my favourite photograph of flowers that I’ve taken.

INTERCOM (67) c/o DEA KHALVASHI ( @deasideaz ) “Working on my thesis on the absurdity of new media formats on TikTok. I am going to be showing one of my photos in Tokyo this October, and some other small projects here and there... I was drawn to the format of Intercom because it allows space for a full-length visual file, and I wanted to play with that. Since I usually use photography as a starting point for my projects, I shaped this into a kind of site-specific listening experience. On the audio side, I tried to balance things I’ve been listening to day-to-day, but it also ended up taking on a bit of a narrative form. I think there’s also a sense of geographic disorientation running through it.” -Dea K. Volume 67 is brought to you by in-situ installation artist and designer Dea Khalvashi. Hailing from Georgia based in Belgium. Tune in Monday, January 26 for the 67th installment of “INTERCOM.” only on our Twitch channel @ 7 PM PST

2025 was crazy stupid fun Thank you for being a part of it 🫰

2025 is coming to an end, and so is the run of the Fritje Calendar that Maarten and I made. So let’s celebrate! The crunch of a golden-brown fry is a sensation few can rival. Let this calendar serve as an artistic homage to our beloved comfort food, a gentle nudge to visit your favorite Frituur. The Frit’ Calendar - a visual celebration of Brussels’ fry culture Featuring contributions by: Cyriaque Villemaux, Ívar Glói @sentimentalbathroom , Dea Khalvashi, Maarten Van Mieghem & Carmen Pazos Magariños @carmenpazosmagar , Akiko Ueda @_akikoueda , Pieter Bernabei @pieter.bernabei , Anna Verghote @annaverghote , Hanna Torseke @sillysallystudios , Amel Omar @amel_omar_ , Kaz Mose @kaz_mose , Machteld Mercelis @machteldmercelis , Houda Ben Azzouz @houda.benazzouz

Work in progress 🥀

[product] Fourslash Radio Volume 2 For the artwork of this volume, Fourslash collaborated with the Georgian artist @deasideaz , whose artistic practice encompasses photography, sculpture, painting, and digital media. The reference image for the CD cover is a digital photograph of a wild flower field found on a drive through rural Georgia, where long purple flowers, poppies and yellow blossoms blend together with the greenery to create a vibrant celebration of colour and form. After a lengthy sketching process exploring ways to recreate this scene on each CD, the artist (and we) concluded that the process from digital file to physical object should be kept as direct as possible. By printing it on the CD, that is. Each CD is unique and represents 1/25th of a the photograph. Joyful and generous, they complement the carefully curated music and monochrome package design perfectly. By purchasing a CD, you acquire an original piece of art by Dea Khalvashi, and engage in a conversation with Fourslash about design, music, and the importance of physical objects in an increasingly digital era.

My memory card went missing. I have been trying really hard to remember the photos I took while lying in bed with my eyes closed. I see some of them, but I think I won’t soon; I have a feeling they’ve already decided to leave me. When I can remember them, I jot them down quickly in words. Now the photographs look different. They look like how memory feels, half real, half guessed.

[product] Fourslash Radio Volume 2 We’re proud to present to you the second volume in the Fourslash Radio series—a concept born out of frustration with the limitations of digital playlists and a desire to remind people of the importance and beauty of physical music formats. VOL. 2 – The CD – is the carrier of a 11-track curated selection of magnificent pieces of music. The mixtape—design, typography, cover art, tracklist, and packaging—has been put together with a single purpose: to make the listening (and sensory) experience of this object magical (and AS physical as possible!). Limited to 25 hand-numbered copies. Consider it a must-have for CD lovers and collectors alike. For €15, VOL. 2 is available to you while stock lasts. DM to order. Be fast. Okay, now play that ish. ————————— Creative Direction: @four.slash Product photography: @timmohesselink Mixtape: @four.slash Graphic Design: @four.slash CD artwork: @deasideaz Production: @four.slash & @onno.els