DETA | Yongho Kim

Super excited for this one!!🔥🔥 Had the pleasure of directing and designing the trophy reveal video for LCP with the amazing team @sylas.creative ✨ Incredible sound by @h1.sound Trophy modeling by @sun.g 🏆 Compositing by the legendary CD @daeohhh 🙌 #lcp #leagueoflegends #trophy #design #cinema4d #redshift #

안녕하세요! 3D 디자이너 김용호입니다. 좋은 기회로 9월부터 @kindwolf.class 와 함께 레드시프트 강의를 진행하게 되었는데요. 클래스 상세페이지가 완성되어서 홍보차 릴을 정리하게 되었습니다. 밀도 있는 예제부터 챌린지까지 열심히 준비 중이니 많은 관심 부탁드립니다! 수업 내용은 프로필에 있는 링크를 확인해주세요!🙌 📢 신청기간 | 9월 2일 오후 3시 - 정원 마감시 🗓 수업 일정 | 9월 28일 -11월 16일 🕑 매주 토요일 오후 2시 - 6시 📍장소 | 카인드울프 (서울 마포구 양화로 105 4층) I will be conducting a redshift rendering class in Seoul starting September. Super excited for the opportunity and looking forward to see how it plays out. Wish me luck!🤞

Had the opportunity to work on the foam visuals for @zhiben.official This project was a great chance to explore new Houdini techniques and push some technical boundaries along the way. Huge shoutout to @visual_tense for bringing me on board and trusting me to help create these stunning visuals. #cosmetic #beauty #design #3d #houdini

The launch film for APOTHE’s new TulipRx PDRN Retinal Night Cell Ampoule 🌙 @apothe_official Designed, directed and produced by @offthegrid 3D Design and animation by @grapi.studio @de_ta__ 2D design by @im_yunja_ Sound design by @averyaudiosa #design #beauty #3d #cgi #passionfruitclub

For the 2026 Zhiben Cleansing Foam project, we developed a new visual direction focused on delivering the brand image and mood more effectively, rather than emphasizing functional differences, since the formula itself has not changed significantly. The lighting was designed using broad and softly diffused area lights to make the product appear clean and transparent. While maintaining the airy and minimal atmosphere of the previous film, the overall tone was refined to feel more premium and sophisticated. The animation balances stability and dynamic movement to better highlight the package design and product characteristics. Through rhythmic motion and layout transitions, the products move naturally through the space, creating a smooth visual flow. We also used water, foam, and changing formula textures to visually express the sensory cleansing experience and cleansing performance both directly and indirectly. The color palette is built around soft natural-light-inspired blue tones and gentle ivory colors, creating a clean, calm, and comfortable visual experience. Client : @zhiben.official Production : @visual_tense Producer : @lazzarobellaj Director : Kiseong Jeong Lookdev & Animation : Kiseong Jeong, Yongho Kim FX : Yongho Kim, Joonho Bang Composite : Kiseong Jeong Modeling : Jincheol Kim Sound : @h1.sound

Had a pleasure working on these styleframes for the LCK Cup opening with @superverymore this year 🙌 It was an amazing journey exploring loads of ideas and techniques that pushed me to become a better artist. A lot of Houdini work went into this project, so it was extra challenging, but also a lot of fun. 슈베모와 함께 작업했던 LCK 컵 오프닝 스타일프레임🏆 훌륭한 분들과 함께 작업할 수 있어 영광이었습니다 #lck #leagueoflegends #design #cinematic #faker

The 2026 Zhiben Cleansing Balm project focuses on a packaging-driven approach, emphasizing the flip-cap through animation and layout design. As the formulation remains largely unchanged, less emphasis is placed on the content itself, with greater focus on effectively conveying the brand image. Lighting is designed using broad, diffused area lights to create a clean and transparent appearance. While maintaining the clear and airy mood of the previous film, the overall tone is refined to feel more premium and sophisticated. The opening features out-of-focus foreground elements, gradually revealing the product as impurities are removed—visually suggesting a “purification process.” The flip-cap animation is crafted to feel both grounded and dynamic, highlighting the product’s key features while introducing a sense of rhythm. Through diverse layout transitions, the product moves naturally within the space, creating a smooth visual flow. Changes in formulation and texture are expressed visually to convey the sensory experience of cleansing, enhancing both the premium feel of the film and the perceived efficacy of the product. The color palette is based on blue-violet tones, contrasted with yellow-orange hues of the balm to emphasize the emulsification process. This contrast helps deliver a soft and comforting cleansing experience. Client : @zhiben.official Production : @visual_tense Producer : @lazzarobellaj Director : Kiseong Jeong Lookdev & Animation : Kiseong Jeong, Hyeongseok Kang FX : Yongho Kim, Joonho Bang Composite : Kiseong Jeong Modeling : Jincheol Kim Sound : @h1.sound

First time joining the Pwnisher Challenge, and it’s been a blast! I brought in a character from MetaHuman and created the clothing in Marvelous Designer, but I challenged myself to do most of the work in Houdini, so rigging, animation, FX, lighting, and rendering were all done inside Houdini. With the APEX tools, Houdini is really becoming a full-package software, and a lot of us already know that Houdini’s lighting and rendering have been industry standards for a while now. This was a great opportunity for me to explore new workflows and pipeline ideas, and honestly, I’m planning to stick with Houdini moving forward. Heavy compositing was done in Nuke, and I learned so much working on this piece. Hope to create more cool work with this workflow and huge thanks to @_pwnisher_ for putting together such an amazing event. It’s really meaningful to see the community come together and just create in this AI era. #pwnisherchallenge #dreamsequence #houdini #marvelousdesigner #nuke

[2026 LCK CUP: OP] 올해도 LCK CUP 오프닝 제작에 참여했습니다. CLIENT Riot Games CD @because.mood PD @aka_soran PLAN @pell_ace ARTIST @de_ta__ @seo.428 @pell_ace @because.mood ASSET @hn__good @miminninni @_taek.s_ SOUND @274custom_soundstudio #LCK #opening

'멋' (Meot) - AI R&D Film + AI Music by @de_ta__ It feels like we’ve entered a new era with AI. For a while, I tried to look away and pretend it wasn’t happening. But today, I decided to face it and see what I could genuinely take from it. Using AI still feels hard to control. It’s like rolling dice and hoping something usable comes out. To make this work, I had to speed up many shots and hide motion wherever possible, letting things disappear on the beat to mask obvious AI artifacts. I’m sure these tools will improve over time, but it may take a while before they reach the level of control motion designers are used to. In the end, I believe it comes down to who uses the tool and the story being told. I will probably keep working in 3D and pushing my skills learning houdini but also look forward to explore what AI and my 3D skills can create together. All generated with @higgsfield.ai @klingai_official @sunomusic #ai #aifilm #rnd #davinciresolve #study

Visuals for the VCT Pacific 2025 Awards Show 🏆 Client @vctpacific @valorant Big thanks to the amazing team: Production @core_a_studios @sylas.creative Art Direction & Design @de_ta__ Producer @daeohhh Modeling @taek.s @ilovemagonen #design #valorant #vct #cinema4d #cinematic

Little late to the game but slowly unlocking the power of houdini👟 Custom velocity + pop + redshift + comp in nuke #houdini #sidefx #buckuback #rnd #styleframe #design #rendering #nike #shoe #redshift