𝒟𝒶𝓇𝓎𝓃

𓄰𓇖𓄰𓇖𓄰 When @mio.misha told me how much she loved the aesthetic of Victorian era, I couldn’t help but think of @atelier__lin as a secret garden. The flower care card turned into the imaginative garden plan itself, inspired by old architectural drawings. To “protect” the garden, I twisted the logo into a metal fence motif for the business card. When the two prints overlap, they create a layered story, a hidden garden behind a crafted ornate gate.

𝔟𝔯𝔞𝔫𝔡 𝔳𝔦𝔰𝔲𝔞𝔩 𝔦𝔡𝔢𝔫𝔱𝔦𝔱𝔶 𝔣𝔬𝔯 @atelier__lin The brand‘s visual identity of @atelier__lin explores the relationship between elegance, strength and poetic detail. Inspired by the distinctive character of the victorian era and the beauty of exotic gardens, the design expresses the brand‘s elegance yet grounded nature through customized initials and patterns, while offering versatile applications across print and editorial context. 1,2 ᴘɪᴄᴛᴜʀᴇꜱ ꜰʀᴏᴍ @deathtostock

Into the n҉o҉i҉s҉e҉ poster DIN A1 transparent paper 15-20€ (scaling price) Pre-order n̲o̲w̲ via dm

first round of logo sketches for @appledoll ꫂ ၴႅၴ𖤝

I’ve been sitting with this one for months, finally ready to share now ⚘⠜ 𝓻𝓮𝓫𝓻𝓪𝓷𝓭𝓲𝓷𝓰 for @appledoll , an LA makeup brand. Femininity built into the bones of the script, copperplate-inspired, the forward lean, the swell of thicks against hairlines. Thank you @appledoll for trusting this slow hand (𝘔𝘰𝘤𝘬𝘶𝘱𝘴 𝘧𝘰𝘳 𝘷𝘪𝘴𝘶𝘢𝘭𝘪𝘴𝘢𝘵𝘪𝘰𝘯. 𝘕𝘰𝘵 𝘢𝘤𝘵𝘶𝘢𝘭 𝘱𝘳𝘰𝘥𝘶𝘤𝘵.)

𝒻𝑜𝓇 𝓉𝒽𝑒 𝑒𝒶𝓇𝓉𝒽 𝒹𝒶𝓎: i grew up scared of the forest. every thai child does, in some way. the Takian especially — we’re told she holds a woman’s spirit, that she watches, that you don’t say her name after dark. and because we were afraid, we stayed away. we built our lives with our backs to the woods. we grew up in a country wrapped in some of the most beautiful forests in the world and most of us have never really seen them. the fear kept them sacred, yes. but it also kept them strangers to us. i came home this trip, went to the waterfall, and hugged a Takian. she was enormous, so enormous that I can’t help myself not wrapping my arms around her and I asked myself how did i live a whole thai childhood without knowing her? Thai people should actually be afraid of the right thing. afraid of leaving plastic at her feet. afraid of carving our names into her. afraid of walking past something ancient and treating it like nothing. the fear was love in its oldest clothes. i’m still learning how to wear a newer one — lighter, closer, less afraid to come close this beauty ◡̎

I don’t talk about this enough but some of my favorite process for branding starts away from the screen. For @padma.earth , I worked with clay and raw textures to find the right element and feeling for their website. It was fun experimenting with possibilities outside the digital world!

some moments hidden in the new shitty iphone camera roll update

: ᴀɴ ᴏꜰꜰᴇʀɪɴɢ ꜰᴏʀ ᴀ ᴅᴀʏ ᴏꜰ ᴛᴇɴᴅᴇʀɴᴇꜱꜱ ᯽ Rebranding for @padma.earth — a Los Angeles ecological art & design studio working across sculptural dining, installations, and a deep relationship with food, land, and people. 𖤣𖥧𓋼𓍊 𝓐𝓵𝓵 𝓵𝓮𝓽𝓽𝓮𝓻𝓼 𝓪𝓻𝓮 𝓼𝓽𝓲𝓵𝓵 𝓰𝓻𝓸𝔀𝓲𝓷𝓰 𝓼𝓸𝓶𝓮𝔀𝓱𝓮𝓻𝓮. Nature already holds the shape of letters. The curve of a leaf, the subtle twist of a stem. The initial P for PADMA came from watching more than creating. The brandmark draws from the shapes and gestures of the purple sugar magnolia snap pea, paired with a customised wordmark that is designed to mimic the nodes of the plant‘s stem.

⸜☺︎⸝ Logo exploration for @bananaglobal ✐☡

𝙽𝚎𝚠 𝚜𝚒𝚝𝚎 𝚒𝚜 𝚏𝚒𝚗𝚊𝚕𝚒𝚜𝚎𝚍 𝚠𝚒𝚝𝚑 𝚏𝚛𝚎𝚜𝚑 𝚊𝚒𝚛 I finally managed to gather all my works in one place. A selection is now live on my website ᯽Darynci.com. So happy to be part of so many exciting projects. Looking forward to what’s next!!!!

Arrived at 26 ‪˙˚°⸜☺︎⸝