LUIS CORZO

“Symbol of Service” for @flashartvolumes 003 Photographs of the AT&T longlines building Words by Paul Ruppert (@ppruppert )

Special project for @converse inside @flashartvolumes 003 @richaybar in his studio in Brooklyn Words by @whitneymallett

For @commedesgarcons + @independent_hq Exclusive for @nytimes Dream team @evemariekuijstermans @ceruleanmonologue @emilyystewart Thank you @coo.sti for the assist

“CA-1”, 2026 + “Aurora”, 2026 62cm x 50cm Impresión UV sobre panel compuesto de aluminio / UV print on aluminum composite panel ESP En exhibición en “LATAM_LATAM” en la Torre Latinoamericana. Un pequeño pero táctico manifiesto y recordatorio en medio del bullicio de una de las ciudades más grandes del mundo, en un momento del absurdo global. LATAM_LATAM pretende identificarse como una torre de control aérea, desde uno de los edificios más emblemáticos de todos los tiempos de la Ciudad de México: la Torre Latinoamericana. @__t_r_i_n_i_d_a_d__ , @en_el_14 , @senal.cdmx , @johndoegallery , y @airaswangdelafee conjuntamente se complacen en hacer una selección de artistas que recuerdan, desde sus orígenes, qué significa ser latinoamericano hoy en día, con sus desafíos, amores y contradicciones. Una especie de carta comunal para quien sea que necesite verlo. - ENG On view at “LATAM_LATAM” at Torre Latinoamericana A small but tactical manifesto and reminder amid the bustle of one of the largest cities in the world, at a moment of global absurdity. LATAM_LATAM seeks to position itself as an air traffic control tower, from one of the most emblematic buildings of all time in Mexico City: the Torre Latinoamericana. @__t_r_i_n_i_d_a_d__ , @en_el_14 , @senal.cdmx , @johndoegallery , and @airaswangdelafee jointly take pleasure in presenting a selection of artists who, from their origins, recall what it means to be Latin American today—with its challenges, loves, and contradictions. A kind of communal letter for whoever may need to see it.

Luis Corzo @cor.zo trabaja desde el cruce entre imagen, memoria y política, a partir de su experiencia con la migración y la diáspora guatemalteca en Estados Unidos. En esta muestra, el color se vuelve un gesto simbólico: el verde que se desplaza hacia el azul alude a la bandera de Guatemala y a la manera en que la identidad se fragmenta en contextos de desplazamiento, precariedad y amenaza constante de deportación. ¿Y si enterramos los cables? Enero - marzo 2026 Más información DM o [email protected] - Luis Corzo @cor.zo works at the intersection of image, memory, and politics, drawing from his experience of migration and the Guatemalan diaspora in the United States. In this exhibition, color becomes a symbolic gesture: green shifting toward blue alludes to the Guatemalan flag and to the ways identity fractures in contexts of displacement, precarity, and the constant threat of deportation. ¿Y si enterramos los cables? January - March 2026 For more information, DM or [email protected]

My work “Untitled (PASACO, 1996 #32), 2021” will be included in the upcoming exhibition 𝘚𝘱𝘦𝘢𝘬𝘪𝘯𝘨 𝘪𝘯 𝘗𝘢𝘪𝘳𝘴 at Bertha and Karl Leubsdorf Gallery. Opening this Thursday, February 5, 18:00-20:00 Context: “On March 10, 2019, Luis Corzo visited a Guatemalan prison known as “the Little Hell” to meet with José Luis Barahona Castillo—the man who, 23 years earlier, had held Corzo and his father hostage for over a month. Prohibited from bringing any photographic equipment into the prison, Corzo asked Barahona Castillo to write his name, the date, and the name of his hometown on a sheet of paper. Two years later, in August 2021, José Luis Barahona Castillo died in “the Little Hell” from an unknown cause.”

ESP ¿Y si enterramos los cables? Abre el hoy [18:00-22:00] en @castillointerior_ Exposición bipersonal: Luis Corzo Daniel Jáuregui Curada por @thenewdoctor46 - ENG ¿Y si enterramos los cables? Opening tonight [18:00-22:00] at @castillointerior_ Two person exhibition: Luis Corzo Daniel Jáuregui Curated by @thenewdoctor46

John Rivas for @superpositiongallery 🇸🇻

Cheiyin in her studio

“How Christophe Cherix Welcomed a Cuban Master Back to MoMA” By Victoria Burnett Photographs for @nytimes Thank you @_maridelis for the call and @helena_goni for the assist! #wifredolam

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#351 SUMMER 2025 “Grotesque Functionalism” OUT NOW @flashartmagazine The Summer issue is devoted entirely to women artists who engage the grotesque not as an aesthetic flourish but as a critical methodology. Twisted, visceral, and unruly - the grotesque serves here as a shared language, even as these practices diverge in form, medium, and tone. It is not a style but a mode of inquiry: a way of unmaking coherence, unsettling the familiar, and insisting on that which resists containment. Whether it manifests as bodily deformation, psychological dissonance, or material excess, the grotesque offers a means of undoing smooth surfaces and polite meanings. It is an art of leakage, fracture, and transformation. Cover 1/3 Artist: @karlakaplun Photographer: @cor.zo Editor in Chief: @geapolitik Creative Direction: @avventuroso Production: Flash Art Studios Location: Amecameca, Mexico Clothes: @stoneisland Eyewear: @kuboraum Featuring: #DaigaGrantina @xelaflactem puenktjaehn @no_sid @sloapy @waystomakemoneyonline @institutfunderbakke @aujourdhuirose #KikiSmith @pipilotti_rist_studio @rachealcrowther @agniepolska @artis.t10002 @ehrlbielicky @hOjia #KarlaKaplun #FlashArt351 #FlashArtMagazine #OUTNOW