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clarence lin thein

@clatoons

director / cinematographer sydney based
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ALT:EX in april, I was fortune enough to showcase two games that I made at @powerhousemuseum ALT:GAMES festival. i made these games through an @aceparramatta and @mitw_creative workshop called Beyond The Script where we learnt Ink, Twine, and Bitsy over the course of a month from the guys over at @serenadegames this whole experience was surreal. i’ve always enjoyed playing games growing up, but i had never really considered exploring storytelling through games until now. it’s such whole new world, and it’s made me appreciate games a whole lot more. right now, i’m playing clair obscure: expedition 33, and it’s so amazing. i’m very grateful that i was able to experience this, and learn skills that i previously didn’t have i want to thank Barry, @misty3388 , George and Jae, @chloeappleby__ , my classmates, @hichuey , and my friends who played my games, and also the ones who came to check out my games i don’t know if i’ll make more games. i hope i do, but until then, if you’re interested in playing these two games, they’re available to play online for free at clatoonscity.itch.io THE FOREST OF MY HEART a poetic visual novel about loss and grief COFFEE a short text based game about anxiety with a few different endings keen to play and make more games ⭐️
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2 days ago
blub (this is water) 🐟
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1 month ago
TRASH & SPRINT | WYAT I made a few vids for a new, non-toxic activewear brand called @wearwyat . trash was delivered in 9:16 and sprint was delivered in 16:9, so I just made them both square. thanks instagram. I also got the biggest tan after this shoot, but it’s chill. Client @wearwyat Talent @iluv.fav @m45nny Director / DOP @clatoons Production Designer @kate_wilsonnn Editor / Colourist @clatoons shot on Panasonic S1H with Canon FD’s
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2 months ago
when I think of 2025, it feels like I didn’t do that much. burnout is one hell of a thing. where is the balance when turning a hobby into work? though I didn’t do as much as I did in 2024, the projects I did do in 2025 were so new to me, and ambitious, and they were way out of my comfort zone. I was able to make a video for Puma, direct an animated music video, direct a short film someone else wrote, shoot a feature film, work with original props. that’s all insane ! I think it’s so easy to get caught up in what I didn’t do, or what I should’ve done, when I should be appreciating what I did do. I’ve learnt a lot. hopefully, I’ve grown, too. it’s weird that as each year passes, there’s just more and more stuff to navigate. that’s life, I guess. thank you again to those who continuously believe and trust in me. thank you to those who put up with me and all my quirks. thank you to the ones who came and the ones who have gone. thank you to you all. I have a good feeling about 2026. a new clatoons era, perhaps? more films, more projects, more art, more life? who knows? whatever I end up doing this year, I’ll make sure to look back on it with fondness. I have to give myself compassion, and I have to remember to just keep swimming ⭐
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4 months ago
LOCAL my first feature film as a DOP !!! i’m so grateful that Graeme trusted me with his baby. this was one of the most fun, smooth, respectful sets ive ever been on. 3 weeks of pure fun and good vibes. it’s not often you get off a long form and go, “wow that went really smooth and really well.” i think it’s safe to say that we became a family afterwards. love you guys 💛 special thanks to @sinclairsuhood and @bill_wush for being my backbone. they supported me so much throughout this whole process and listened to me yap about whatever came to mind on set. also, they’re amazing bloody photographers. all of these photos were from them i learnt a lot from this experience, and im very keen for you all to see this film. hopefully this is just the beginning :)) shoutout to @camerahire and @gracie_clinton too !! this feature was shot on the Panasonic S1H with Dulens APO Mini Lenses and Laowa Ranger Zoom
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6 months ago
welcome back - the animated music video out now on youtube ⭐📺 man, where do I even begin with this??? We started this project nearly 11 months ago now. It's surreal that it's finally here, with the help of such an incredibly talented and dedicated team. To Jess, Phoebe, Jade, Josephine, Rachel who animated and Clarence who directed, I love you guys. Without your help this simply would've not existed. Thank you so so so much 🫶 Credits: Story by Chuey and @clatoons Producer - Chuey Director - @clatoons Storyboard & Lead Animators - @j3tyn9 & @starscrapers Supporting Animators - @jayjayjay_sc , @gigi_chococat & @rachel.y_w Also huge (!!!) thanks again to @blackbird.foundation and their Protostars program for giving us the crucial extra push to help fund this project ❤️ With the release of the animation, this now marks the end of this era. I've got a whole lot of new stuff I've been working on. More will be revealed when the time is right :) Link to animation in bio 🌆 cya soon <3
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6 months ago
CLICK, CLACK, FRONT & CAPS shot this for my bro @dfa_films last year. donnie has such an interesting approach to filmmaking and it’s always so refreshing for me to try and forget what I usually do and do what feels right with his approach. this film was predominately set in a car, which would be a nightmare for a low budget short film, but I have to shoutout my cam and lighting dept who made it easy for me. also i got to drive a mustang for the first time on this shoot so that was sick film isn’t out yet, but it’s cruising around Writer / Director @dfa_films Cast @brittanyhickey_ @clarke.parkinson @barret.griffin111 DOP @clatoons 1st AD @farazzled 1st AC @b.ling_film 2nd AC @bitcoingurk Soundie @captain_darkhorse Gaffer / Grip @ropes.lx Production Design @emilivro Costume Design gtabparfum HMUA @quyenchung HMU Assist @kim_audrey_ Catering @chatstable BTS Stills @bill_wush PA @blendered69 Drivers @salzabarr @kodak__jake Colourist @gretavanoyencolour Re-Recording Mixer Andrew McGrath Sound Design Erin McKimm Voice Coach @maaaaaaddiee Sound Engineer Voice-Over @maliiiiii22 Recording Studio Voice-Over @trackwork_ Red Komodo 6K w/ Sigma Cine Art Zooms
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10 months ago
remember, there’s plenty of fish in the sea. i don’t know what that means, but i hope that helps.
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1 year ago
YOUR MEAL | MONSTRESS i love working with these guys. this was a quick one that we planned and shot within a week, but we still managed to do some cool cool stuff. check out the song and the video on spotify and youtube respectively !! Artist @monstressbandofficial Music Producer @zorsysan Talent @sarah.homeh @hayleychandrums @jadeslater051 @lewy_jenna Director, DOP, Editor @clatoons Production Design @kate_wilsonnn Stills @georgia.brogan Panasonic LUMIX S5 w/ 21mm Dulens APO Mini
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1 year ago
Summer sunsets, snacks, and #speedcat 🌅 Speedcat Summer Series – Four short films, next-gen directors, one unforgettable summer. Summer picnics are always such a fun and chill way to hang out with friends. With this film, I wanted to try and capture that feeling when you’re in good company and time slips away from your fingertips; when the fun allows the warmth of the sun to transition into a cool night breeze. Client @pumaau Agency @burstycompany Talent @bella.rroberts @lara.kocsis @_omewu Director / DOP @clatoons Production Designer @veronica.silver 1st AC @kate_wilsonnn Runner @gabbievaggis
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1 year ago
some fun, silly moments from BUNNY; my first feature film as a 1st AC this was a 3 week away block at a farm near Goulburn with tiny houses, fluffy cows, pretty sunsets, and foggy nights. though some days were tougher than others, I do look back at the shoot with fondness, and also an admiration for the passion everyone had on this shoot to make something cool 🐰
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1 year ago
HOMECOMING what an incredible project to be a part of. I jumped onto this project purely based off the script, and I came out of it with a good time, and some really good friends. these two weekends were so much fun, and @jwdmlp is an incredible collaborator. I’m glad I was able to experiment with my process for this film. the coverage was super stripped back, and the lighting was quite naturalistic, experimenting with two different, but subtle looks. I’m happy with how this has turned out, and can’t wait for you all to see it :)) Writer/Director @jwdmlp Producer @alyssadimmers Cast: @amanda_maplebrown @madiphoenix99 @adambowes93 Corinne Sennitt, Nova Raboy @kenwelsh2020 DOP @clatoons Production Design @annikakumarr Editor @alvin_lav Composer @chueymusic 1st AD @aulundun 1st AC @ellastone.dop (1st Weekend) @abigail.wu.film (2nd Weekend) 2nd AC @elledemiri (1st Weekend) @emikabastianon_ (2nd Weekend) Gaffer @bill_wush Best Boy @jacksprkes Lighting Assist @kate_wilsonnn Stills @rosie.j.photography @barneyw.dp @a.yeon.o Soundie: Marius Marias Art Dept Assist @haydenjones227 @ellie_lestrange2 @vlsco Stylist @nessbushu Wardrobe Assist @pixie.ditchs.petri.dish Hair/Makeup Artist @emily_satirah_mua Script Supervisor @billy_robertson99 @olivertopp_ Location Manager @busylizzy88 PA @busylizzy88 @camibiala @mitchlongton Colourist @clatoons Sound Design: Marius Marais Panasonic LUMIX S5 with Canon FD Lenses
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1 year ago