Çiğdem III.

If you are afraid of the dark at night, we will set this city on fire! #24thFeministNightMarch #feministgeceyürüyüşü #8march #8mart #jinjiyanazadî

GRIEF / ANGER / RESISTANCE #saytheirnames #HANAU #6Jahre @19februarhanau @bi_ferhatunvar @remember.hanau

»Savaşmayı bırakan insana kim ne yapabilir ki? Yenilmek kadar büyük özgürlük yok, şimdi kazananlar düşünsün Osman.« @aylinbalboa

MAY DAY 2026 / Berlin

#uyumbozukluğu

Newroz pîroz be! 🔥

#volver

#HANAU 6 Jahre später. Wir gedenken— İbrahim Akkuş Said Nesar Hashemi Mercedes Kierpacz Hamza Kenan Kurtović Vili Viorel Păun Fatih Saraçoğlu Ferhat Unvar Kaloyan Velkov Gökhan Gültekin Sedat Gürbüz #saytheirnames

Industries of Denial Stage 10: From Musa Dagh to Port Saïd by Angela Melitopoulos and Kerstin Schroedinger Multi-channel installation, FI/GR/Ger 2025, 28 min Industries of Denial is an ongoing audiovisual research on the historic infrastructure project “The Baghdad Railway” at the beginning of the 20th century. Financed and realized by the German Empire, it became a strategic instrument of imperial expansion, nascent financial capitalism, and colonial debt policy, implicating Germany in the genocides in the Ottoman Empire and the deportation of minorities in Eastern Anatolia. The work addresses the 100-year long denial politics and the structural erasure of minority histories. As a cartographic installation with archival photographs on 16mm film and essayistic travelogues along the railway line, this 10th chapter of the project re-frames Franz Werfel's novel The Forty Days of Musa Dagh, about the armed resistance of Armenian villagers and their rescue. The installation superimposes the history and the denialism of genocidal politics with the migration routes and museum narratives by the people in this last remaining Armenian village in Turkey. image credits: 1. + 3.: Industries of Denial, video still © Schroedinger/Melitopoulos 2026 2.“French warship picking up a boat full of Armenian refugees fleeing from the massacre..." September 1915; The Sphere, 30 October 1915. (photographer unknown) 4. Archives de la planete,1918, Egypte, Port-Saïd, Groupe de réfugiés arméniens devant une tente du campement, photographer: Paul Castelnau 5. postcard backside, @zonkey

»Ey hevala evîndar Tu jî wek min brîndar Hene gelek wekî me Belkî zêdetir ji me«

»We set out without a lamp and the moon, the moon the kind feminine moon was always there in a childhood memory of a roof that was not. Of a roof that feared the newly planted fields and the locust swarms. Of a roof that did not protect you and me— and me and you were not protected. How much must be paid? How much must be paid? How much must be paid?« #ForughFarrokhzad

#barayeazadi