CickinDunt

There was a RESEARCH SHOW S24 SURVEILLANCE CONNECTION. Our security point delivered live streams by surveillance cameras on two screens. Our research process was open everyone could watch how we search for the difference sources to find cameras. We were searched for surveillance cameras around s24 railway ( wetter cameras, city cameras, private community cameras with open access and another open surveillance video streams). S24 line going from Zug to Schaffhausen /Weinfelden. In 14:37 @amin_aminn left Wipkingen station and go by train to Schaffhausen. There she went a place with surveillance camera and we recorded her “appearance under camera in Schaffhausen” simple movement. After Anna Has come back to our security point in Wipkingen station. Our research show was organised for one day at 9 May 2026. It was part of the collective performance day in @wartsaalw @art_befivo_art @s.ruebensaal big big thanks for great organising and shows! #wartsaalwipkingen #cickindunt #videoart #surveillance_camera #cctvmovie #surveillancecameratheater #theater

Жесткие диски, облачные данные: мониторы как инструмент воспроизведения. Выставочно- пластическая вариант демонстрации частного архива театра под камерами. 19.02.2026 - 24.02.2026 Место: Цюрихская высшая школа искусств. Цюрих. Художественный дуэт cickindunt работает с интернет-камерами видеонаблюдения с 2014 года, исследуя это явление в различных дискурсах и сообществах. Дуэт создает документальные и перформативные видеоролики, а также видеоэссе и мультимедийные инсталляции, используя кадры, снятые с помощью прямых трансляций с камер видеонаблюдения. Этот конкретный проект объединяет около 40 видеоработ разных лет из архива cickindunt. Визуальный ряд инсталляции основан на почтовых узлах, серверных ангарах, майнинговых фермах, библиотеках и складах. В большинстве случаев цифровое искусство существует лишь как знак, иконка в системно организованном приложении для цифрового хранения данных. 📁📁📁📁 🆒🇨🇭🎥🎨 Знак и информация. Систематизация и подсчет. Эта выставка наш первый эксперимент с организацией высказывания в виде видео инсталляции. Типа моно-медиа инсталляции. Мы попытались создать не выставку в которой выставлены видео, а «тип пространства» Видеосклад. Hard drives, cloud data: monitors as the playback tool. plastic presentation of a private archive of “Theater under surveillance cameras” 19.02.2026 - 24.02.2026 Place: Toni Areal, Zurich The artist duo @cickindunt has been working with Internet surveillance cameras since 2014, exploring this phenomenon in various discourses and communities. The duo produces documentary and performative videos, as well as video essays and multimedia installations using footage shot with live streams from surveillance cameras. This particular project brings together approximately 40 video works from various years from the cickindunt archive. The installation’s imagery is based on mail hubs, server hangars, mining farms, libraries, and warehouses. Most of the time, digital art exists merely as a sign, an icon in a systemically organized digital storage application. 📁📁📁📁 🆒🇨🇭🎥🎨 We were tried to not make exhibition but “tipe of space” Video Storage. #surveillance_camera_theatre #cickindunt

Review of the Cherepanov’s set called “Cold Water” 2026 mix media. #cickindunt #briick_toy #современноеискусствo #europecontemporaryart #cherepanov’sset #artset #contemporaryart #scuplture #zurich

We are happy to invite you to Anna and Vitalis Exhibition: Hard drives, cloud data: monitors as the playback tool. An exhibition and plastic presentation of a private CCTV-theater archive. Artists: cickindunt. @cickindunt Opening: 19.02.2026 / 4-7 pm Finissage: 25.02.2026 / 4-7 pm Place: 3.T01 Nordraum The artist duo cickindunt has been working with CCTV cameras since 2014, exploring this phenomenon in various discourses and communities. The duo produces documentary and performative videos, as well as video essays and multimedia installations using footage shot with CCTV cameras. This particular project brings together approximately 40 video works from various years from the cickindunt archive. The installation’s imagery is based on mail hubs, server hangars, mining farms, libraries, and warehouses. Most of the time, digital art exists merely as a sign, an icon in a systemically organized digital storage application. 📁📁📁📁 🆒🇨🇭🎥🎨 CCTV cameras and the internet – a post-panopticon world in which people can observe each other. Our environment is permeated with machine vision infrastructure. The world continuously records itself. People debate the benefits and dangers of video surveillance control. Now excess and multichannel are the structure of perception: each camera produces content continuously, all channels exist simultaneously, a volume of data that humans cannot consume, but now this excess will be processed by AI, improving control methods and the comfort of services. Cameras, computers, screens – virtual reality still requires these real objects for data circulation. Real bolts are screwed into real walls, creating pressure. A multichannel world and a multichannel video sequence. Video is stored, video is played. Video rotation cycle. #transdisciplinarystudies

Public art #2222222 2026, Ringlikon,Zürich. What else I can say? #semiotic #cickindunt #uetliberg #ringlikon #publicart #cid #artinlandscape #landart first photo: Martin Jung. Others: @amin_aminn

PART 15 • Anna and Vitaly Cherepanovy (@cickindunt — @amin_aminn & @vitoucherep ) are a multidisciplinary artist duo from the Ural region, now based in Zurich. In many ways they are punks in the best sense: they live on their own terms, break norms, and bring energy into the flat routine of the industrial towns they grew up in. They see the world as a field of equal collaborations between different wills, a principle they call Park Volny. They work both together and independently, and their practice spans performance, painting, and various other media. Follow for more insights into Ural artists: @uralcontemporary All images are courtesy of the artists, @vladey & @annanova_gallery #uralcontemporary #AnnaCherepanova #VitalyCherepanov #АннаИВиталийЧерепановы

Memory and information. Memory in the Graffiti outside the house, memory of the interior walls, memory of the village and the people living there, our traumatized personal memory, our shared human memory, our fears - this combo begs me to somehow explain, structure, and remember it, but my memory capacity doesn’t hold everything. This text cannot exceed 1,000 characters, and references cannot fit within 1,000 characters. In this information overload, we desperately need memory prosthetics. Hard drives. This technology has emerged, and we’ve begun storing even more. Now I travel from folder to folder to collect or find what I’ve saved. There are so many folders that it affects how much time I spend browsing from folder to folder compared to how much I spend browsing the material I’m looking for. And the ratio favors folders and paths through them. This means that my visuality consists of images of hard drives with names like „summer 2024“ folder, „painting“ folder. And so on. We no longer need the actual photos of summer 2024: it’s enough that I know I have them and that they’re stored in the „summer 2024“ folder.

Dear Friends! We, the CickinDunt art group, invite you to the finale of our Exhibition in Vicosoprano!!! “Park Volny. Terminal Vicosoprano” 27 September (Saturday) Timeline: 14:00 - 19:00 Door open 16:00- Artist tour through exhibition 19:00 Dinner Address: Gassa ca D’pruz 5, 7603 Vicosoprano (in Val Bregaglia) Bus station: Vicosoprano Plazza Artist: CickinDunt art group Curator: Nicolò Krättli About exhibition: In the mountains in the south of the canton Graubünden in the village of Vicosoprano there is a house. In which charcoal burners used to live. Their way of life has almost disappeared except for the layout of the house, stoves and floors with walls. The graffiti is well preserved. The graffiti depicts symbols (a ball on a podium like globe) and scenes (wrestling and sword fighting) book like storage , dog like security… This historical “media projection”formed the basis of the exhibition Park Volny “Terminal Vicosoprano” in which the artists continue the history from the wall , bringing it to the extreme degree of post apocalyptic computer religious avant-garde utility. Bringing the house to the form of a power station where information is stored and processed. The house becomes part of the virtual park of Anna and Vitalii the “Park Volny” with special thanks to Jon Bischoff @bregaglia @biennalebregaglia

Violence, flowers, weapons, the art of stepping aside in time, double bottom, pseudo-redhead, crucified illusions, cunning. I haven’t learned to be so sly yet. Evil with a cute face from TikTok and Instagram talks about preserving resources, evil doesn’t look like evil. Evil is like a constructor: one does good, another does useful things, the third makes important discoveries, the fourth does beautiful things, the fifth does smart things, and together they suck energy and resources, the struggle for which gives rise to fascism, war, evil, violence. Here I am. We present the first part of the photo report from the exhibition: «I very like art and I sell weapons for buying more art» We want to thank: @dreiviertel_artspace @anna_hoegl and Cristian!!!! Thanks so much for u care!!!! And the Foundations of kanton and start Bern who washed away the dirt and gave us clean money! Насилие, цветы, оружие, искусство вовремя уйти в сторонку, двойное дно, псевдо-красноголовик, распятые иллюзии, хитрость. Я еще не научился так хитрить. Зло с няшным личиком из тиктока и инстаграма говорит о сохранении ресурсов, зло не выглядит как зло. Зло как конструктор: один делает добро другой делает полезные вещи третий делает важные открытия, четвертый делает красивое, пятый делает умное, а вместе они сосут энергию и ресурсы борьба за которые порождает фашизм, войну, зло, насилие. Вот и я там же. Представляем вам первую часть фотоотчета с выставки: «я очень любить искусство, поэтому я продавать ружие чтобы покупать больше искусства» Хотим поблагодарить: Анну и Кристиана а также @dreiviertel_artspace за супер заботу и внимание! Спасибо кантону и городу Берн который отмыл от грязи и дал нам чистые деньги.

Our summer was eventful. We went to Russia and hugged almost all our loved ones and relatives. We opened an exhibition in @nelsonsauvinbar , which we will tell you about later. We returned home to Zurich and immediately got to work. On August 7 - the day of our 10th wedding anniversary - we opened an exhibition in Bern @dreiviertel_artspace , which we will also tell you about in detail soon. And now we are in Bregaglia, in the village of Vicosoprano, we fell in love with this place a year ago and are now happily assembling our heterotopic cell in one of the 500-year-old houses in this village. @heliospheree Thanks for the photos. We have long dreamed of being captured by our favorite photographer. This is our first studio shoot)

“Park Volny. Terminal Vicosoprano” August 16 - Oktober 1 Address: Gassa ca D’pruz 5, 7603 Vicosoprano (in Val Bregaglia) Bus station: Vicosoprano Plazza Artist: CickinDunt art group Curator: Nicolò Krättli @bosquerreal 16:00 opening 16:30 music (Mira Tyrina) About exhibition: In the mountains in the south of the canton Graubünden in the village of Vicosoprano there is a house. In which charcoal burners used to live. Their way of life has almost disappeared except for the layout of the house, stoves and floors with walls. The graffiti is well preserved. The graffiti depicts symbols (a ball on a podium like globe) and scenes (wrestling and sword fighting) book like storage , dog like security… This historical “media projection”formed the basis of the exhibition Park Volny «Terminal Vicosoprano» in which the artists continue the history from the wall , bringing it to the extreme degree of post apocalyptic computer religious avant-garde utility. Bringing the house to the form of a power station where information is stored and processed. The house becomes part of the virtual park of Anna and Vitalii the “Park Volny” with special thanks to Jon Bischoff

Hello Dear Friends! We are the CickinDunt artgroup and the @dreiviertel_artspace invite you to the opening of the exhibition in Bern. on August 7th 19:00 Monbijoustrasse 69, 3007 Bern About the exhibition: «I very like art and I sell weapons for buying more art» I want all this, « I want to get back on my feet » but it seems I am falling into a black funnel together with the foundation on which I stand. I cannot simply make a career as an artist and not think that any of my actions have consequences in the form of sacrificing something or someone. This is no longer possible: just doing from the Heart. Canvases are woven by slaves, paints are mined by slaves, money is obtained at the expense of slaves, my home is built from materials mined by slaves, heating in the home is obtained by me at the cost of the death of animals and insects and fish. It turns out that technologically we are ready for the jump, but morally we are not. It seems to me that I/we are fighting the immoral instead of living organically. At the moment when someone is creating the future, trying to overcome immortality, I am trying to understand what they are doing, I am engaged in moralism and am afraid of death and a nuclear war of corporations. By the way, dolphins spend half an hour getting food, and the rest of the time they have fun. When, for example, I write this text, I think of myself not as a person, but as a type of person who writes a certain type of text for a certain type of event - for an exhibition; and who will start with something smart, rocking and critical, and will end with how much our works cost. And this is the whole pity and „synthetik base“ of my/human life. I am a machine repeating after other machines some actions in which I no longer believe. @krrakus