Christopher P Green

My solo show ‘Vitreous Humour’ with ALMA ZEVI, Venice, open until 16 September. There is an accompanying display of books and exhibition ephemera at Galleria Giorgio Mastinu, Venice. @almazevi @giorgiomastinu @theveniceglassweek Install photos: Enrico Fiorese

(Some of) my exhibition publications are now catalogued on edcat @edcatnet These ones span 2008-2025. If you have a copy of any of them (particularly the early ones) I’d be interested to know.

Thanks to everyone who made it out yesterday for the opening 😊 My solo show ’Painting, come radon chime’ at Auction House, Redruth is now open. The show comprises a group of small-scale paintings, a single piece of furniture, a portal, and a new site-specific sound installation. Exhibition: Friday 20 May - Saturday 28 May Open 11am - 5pm Fri/Sat (or by appointment) DM @auctionhouseart Auction House, Redruth, Cornwall @auctionhouseart #paintingcomeradonchime @christopherpgreen #christopherpgreen #artincornwall

The time I opened a gallery in Paris. Pt. 1

Greetings from the gate keeper

Studio, 2026

Very happy to have my publication ‘Dear Pictures’, a collaboration between myself (words) and by Kersti Jan Werdal (photographs), included in this year’s Dublin Art Book Fair (DABF). 04–14 December 2025 at Temple Bar Gallery + Studios, Dublin, Ireland
Opening: Thursday 4 December from 6–8pm DABF is Ireland’s leading art book fair and a centre for contemporary artist books annually produced by Temple Bar Gallery + Studios. It features limited edition books made by artists, designers and independent publishers which can be browsed or bought. Over the ten-day run, DABF produces a free programme of artist workshops, art commissions, book launches, tours, and talks in celebration of the artist book, publishing and artist-run culture.

@templebargalleryandstudios @dublinartbookfair 

41/42 titles on show include: ‘BECAUSE’ by Daniel Sturgis
@danielsturgis.studio 
 ‘Dear Pictures’ by Kersti Jan Werdal & Christopher P. Green 
@kerstijanwerdal @christopherpgreen 
 ‘Every painting paints itself’ by Sofia Stevi & Giacomo Mercuriali  @sofiastevi 
41/42 @4one4two

I’ve a new painting in a group show curated by Halime Özdemir di Larusso & Shaun McDowell opening this week in London. An international group exhibition of abstract painting, bringing together 19 artists from the UK, Ireland, Italy, Cyprus, Spain, the US and Costa Rica - affirming abstraction as a transnational language of freedom and energy. Artists include: Sinéad Aldridge (IE), James Capper (UK/IT), Diana Copperwhite (IE/UK), Rian Coughlan (IE/UK), Jo Dennis (UK), Bobby Dowler (UK/FR), Paul Embleton (UK), Sheenagh Geoghegan (IE), Christopher Green (UK), Sue Kennington (UK/IT), Erin Lawlor (IE/UK), Catherine Long (UK), Shaun McDowell (UK/IE/IT), Meletios Meletiou (Magnus Tempus Network, CY/IT), Cristallo Odescalchi (Magnus Tempus Network, IT), Innocenzo Odescalchi (IT), Pía Ortuño (CR/UK), Joe Reihsen (US), Mateo Revillo (ES/FR). Address: 88 Friary Road, Peckham, London By appointment: 15–19 October 2025 Preview Day: Friday 17 October, 11am - 11pm Enquiries: [email protected] @hali_oz @wheninlazio Image: Christopher Green ‘Somewhere to live’ 2025 Acrylic and foiled paper on birch panel 24 x 15 cm

I’ll be sitting in on the exhibition ‘Christopher P Green & Charlie Duck: 2007 a 2023’ at Hweg this Saturday 24th May from 10:00-16:00. Stop by and say hi if you’re in Cornwall :) Show ends on the 31st May but it’ll live on in book form, copies of which are available at Hweg, or online from @4one4two (worldwide shipping available). Details of the book: An exhibition catalogue for Hweg’s current show presenting the work of artists Christopher P. Green and Charlie Duck through a 17-year period of them having not met each other, the show (and the accompanying book) follows how two artists practices, and people, can converge, depart, cross-paths, and just-miss each other, through connections, shared interests, unlikely differences, common friends, and themes found between them and their work. Booklet includes a new collaborative text from artists Dan Howard-Birt and Nina Royle, and a conversation between Green and Duck. Published by 41/42 in collaboration with Hweg £6. Available via the link in the @4one4two bio. hweg @christopherpgreen @charlie.duck @danhowardbirt @nina.royle @4one4two

'Untitled (after Austin Osman Spare)' 2023 Watercolour block & Cornish groundwater on watercolour paper 10.5 x 14.8 cm I make these when, for various reasons, I can’t get myself to the studio. In these non-studio places, sources of found water are used to activate the dry watercolour blocks, linking the works to specific places. Works from the portable studio. #christopherpgreen #AustinOsmanSpare

Works often make reappearances from show to show, from one year into another. This work was started in 2016, first shown in 2018 (London), and again in 2022 (Redruth). Like each of us, paintings change over time; meanings shift. Christopher P. Green ‘Bob Law’s higher ground (formerly R.C Sheering is here, 2016-2018)’ 2018-2022 Acrylic on canvas over 4 panels 193 x 120 x 5.5 cm (total dimension) I was thinking about the artist/painter Bob Law when I decided to include this work in my show at Auction House, Redruth. Law spent time in Cornwall in his early years - for a while he lived in a cottage not so far from where I now live - and later returning to see out his earth days in Penzance. Little of his legacy exists here in Cornwall today, so I figured this work could perform as a temporary portal to him. Side note: This is one of the very few paintings I’ve made on canvas. It’s also the largest moveable work I’ve made to date. #christopherpgreen #boblaw #rcsheering @auctionhouseart

—o—o— Here’s to a happy new year. Sometimes things - in this case a painting - take a long time. This one, 14 years. Some happy, some not so happy, but that’s life. untitled (oku 2) 2008-2022 Acrylic, graphite, primer, medium on fibre board and redwood panel 8.7 x 56.8 x 3 cm #christopherpgreen #ikebana