@byshriya Instagram profile, stories

@kayratheodore wearing Look 5 from ‘ , ’ at Paris Fashion WeekTalent - @kayratheodoreStyling - @nokyapPhotography - @zaitoldme

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@kayratheodore wearing Look 5 from ‘𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦’ at Paris Fashion Week Talent - @kayratheodore Styling - @nokyap Photography - @zaitoldme

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1 month ago

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Erykah Badu wearing @byshriya for @schonmagazine !!! So truly honoured and excited to have been a part of this. A huge thank you to @ayumiperry and @erykahbadu for styling my skirt and bringing it to life. photography. @tylerpatrickkenny creative direction, fashion + talent. @erykahbadu co-styling. @ayumiperry @opusbeauty hair. @yasmin_amira_ make up. @amandawilsonmakeup @aframe_agency nails. @byjuanalvear @opusbeauty videography. @simoneholland.mkv first fashion assistsant. @franceleslia fashion assistants. @angelinakhyan , @christellesylvainn , @getinky_ + @markkyrolos executive production. @daniellehstyles + @arielleletice production. @tunnelmediagroup words. @shamathegreat location. @contrastudios

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5 months ago

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Backstage at my NYFW debut at Brooklyn Borough Hall, sponsored by @kidsuper x @bkbpreynoso . Shot by @yomnamemad

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7 months ago

This past Sunday, I had the unbelievable honour of showing my collection, , , at Brooklyn Borough Hall.I am endlessly grateful to @kidsuper and @bkbpreynoso for creating this platform and making opportunities like this possible for designers like me. Having my NYFW debut just a couple of months after graduating is truly a once-in-a-lifetime moment. Thank you for making it real.I also want to thank my incredible team for making this happen. You all truly brought this collection to life. I feel so lucky to be surrounded by such talented and generous creatives:Stylists: @rachelwaxenberg @aldotgBackstage Assistants: @cata_._torres @zoewaechterBackstage photography: @yomnamemadNails: @crazy4clawzModels: @x1tl4ll1 @q_salmon @itsnotclairef @tenny_zhang @zenobiathegreatVintage accessories: @armouryshopI am beyond grateful to have crossed paths with all of you, and so excited for what’s to come! ⭐️

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This past Sunday, I had the unbelievable honour of showing my collection, 𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦, at Brooklyn Borough Hall. I am endlessly grateful to @kidsuper and @bkbpreynoso for creating this platform and making opportunities like this possible for designers like me. Having my NYFW debut just a couple of months after graduating is truly a once-in-a-lifetime moment. Thank you for making it real. I also want to thank my incredible team for making this happen. You all truly brought this collection to life. I feel so lucky to be surrounded by such talented and generous creatives: Stylists: @rachelwaxenberg @aldotg Backstage Assistants: @cata_._torres @zoewaechter Backstage photography: @yomnamemad Nails: @crazy4clawz Models: @x1tl4ll1 @q_salmon @itsnotclairef @tenny_zhang @zenobiathegreat Vintage accessories: @armouryshop I am beyond grateful to have crossed paths with all of you, and so excited for what’s to come! ⭐️

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7 months ago

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Look 2 from my Thesis Collection styled for @harpersbazaarukraine Stylist: @mrramirezz Model: @delfinamorbelli Photography: @melissa_isabelphoto Hair: @my_in_genius Makeup: @roccocortesemakeup

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9 months ago

Look 3 from the Collection styled by @mercedes.m.stylePhotographer: @sarahbschneiderLighting: @jpierrebonnetMUA: @shannonrodriguezartistryModel: @toluayanfalu x @fordmodels

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Look 3 from the 𝘐𝘯𝘵𝘦𝘳𝘵𝘸𝘪𝘯𝘦 Collection styled by @mercedes.m.style Photographer: @sarahbschneider Lighting: @jpierrebonnet MUA: @shannonrodriguezartistry Model: @toluayanfalu x @fordmodels

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9 months ago

Some b/w pictures from the shoot for my collection, , . , begins with a question — how much of yourself can you remove before you stop being you? The collection traces identity in motion, shaped by memory, loss, and the slow work of becoming. The pieces drift between what was and what’s becoming, holding shape in the in-between.Models: @fran.ci.ni.a @000000000000000000000000000isq @juliaclancyy @jarriedamir @jord.alxPhotographer: @m.corvinoMUA: @hinana_magic

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Some b/w pictures from the shoot for my collection, 𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦. 𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦 begins with a question — how much of yourself can you remove before you stop being you? The collection traces identity in motion, shaped by memory, loss, and the slow work of becoming. The pieces drift between what was and what’s becoming, holding shape in the in-between. Models: @fran.ci.ni.a @000000000000000000000000000isq @juliaclancyy @jarriedamir @jord.alx Photographer: @m.corvino MUA: @hinana_magic

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11 months ago

Look 5 | , Francinia wearing panelled suede jacket and cotton twill skirt. , begins with a question — how much of yourself can you remove before you stop being you? The collection traces identity in motion, shaped by memory, loss, and the slow work of becoming. The pieces drift between what was and what’s becoming, holding shape in the in-between.Model: @fran.ci.ni.aPhotographer: @m.corvinoMUA: @hinana_magic

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Look 5 | 𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦 Francinia wearing panelled suede jacket and cotton twill skirt. 𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦 begins with a question — how much of yourself can you remove before you stop being you? The collection traces identity in motion, shaped by memory, loss, and the slow work of becoming. The pieces drift between what was and what’s becoming, holding shape in the in-between. Model: @fran.ci.ni.a Photographer: @m.corvino MUA: @hinana_magic

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11 months ago

Look 4 | , Ise wearing hand embroidered ostrich embossed lamb skin top made of 20 panels paired with a linen godet skirt. , begins with a question — how much of yourself can you remove before you stop being you? The collection traces identity in motion, shaped by memory, loss, and the slow work of becoming. The pieces drift between what was and what’s becoming, holding shape in the in-between.Model: @000000000000000000000000000isqPhotographer: @m.corvinoMUA: @hinana_magic

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Look 4 | 𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦 Ise wearing hand embroidered ostrich embossed lamb skin top made of 20 panels paired with a linen godet skirt. 𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦 begins with a question — how much of yourself can you remove before you stop being you? The collection traces identity in motion, shaped by memory, loss, and the slow work of becoming. The pieces drift between what was and what’s becoming, holding shape in the in-between. Model: @000000000000000000000000000isq Photographer: @m.corvino MUA: @hinana_magic

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11 months ago

Look 3 | , Julia wearing faux fur cape and coffee dyed bubble skirt made using flour, water, cotton and tulle. , begins with a question - how much of yourself can you remove before you stop being you? The collection traces identity in motion, shaped by memory, loss, and the slow work of becoming. The pieces drift between what was and what’s becoming, holding shape in the in-between.Model: @juliaclancyyPhotographer: @m.corvinoMUA: @hinana_magic

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Look 3 | 𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦 Julia wearing faux fur cape and coffee dyed bubble skirt made using flour, water, cotton and tulle. 𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦 begins with a question - how much of yourself can you remove before you stop being you? The collection traces identity in motion, shaped by memory, loss, and the slow work of becoming. The pieces drift between what was and what’s becoming, holding shape in the in-between. Model: @juliaclancyy Photographer: @m.corvino MUA: @hinana_magic

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11 months ago

Look 2 | , Jordan wearing rusted ponte knit top with twisted chiffon and tulle skirt. , begins with a question - how much of yourself can you remove before you stop being you? The collection traces identity in motion, shaped by memory, loss, and the slow work of becoming. The pieces drift between what was and what’s becoming, holding shape in the in-between.Model: @jord.alxPhotographer: @m.corvinoMUA: @hinana_magic

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Look 2 | 𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦 Jordan wearing rusted ponte knit top with twisted chiffon and tulle skirt. 𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦 begins with a question - how much of yourself can you remove before you stop being you? The collection traces identity in motion, shaped by memory, loss, and the slow work of becoming. The pieces drift between what was and what’s becoming, holding shape in the in-between. Model: @jord.alx Photographer: @m.corvino MUA: @hinana_magic

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11 months ago

Look 1 | , Jarrie wearing a suede dress consisting of 20 panels and 1500 eyelets laced up with a waxed cotton cording. , begins with a question - how much of yourself can you remove before you stop being you? The collection traces identity in motion, shaped by memory, loss, and the slow work of becoming. The pieces drift between what was and what’s becoming, holding shape in the in-between.Photographer: @m.corvinoTalent: @jarriedamirMUA: @hinana_magic

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Look 1 | 𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦 Jarrie wearing a suede dress consisting of 20 panels and 1500 eyelets laced up with a waxed cotton cording. 𝘐𝘯 𝘗𝘪𝘦𝘤𝘦𝘴, 𝘚𝘵𝘪𝘭𝘭 𝘞𝘩𝘰𝘭𝘦 begins with a question - how much of yourself can you remove before you stop being you? The collection traces identity in motion, shaped by memory, loss, and the slow work of becoming. The pieces drift between what was and what’s becoming, holding shape in the in-between. Photographer: @m.corvino Talent: @jarriedamir MUA: @hinana_magic

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11 months ago

Shriya Myneni

@byshriya