This week on Scene Support, I’m talking with Max Kozol about what it actually takes to help keep a DIY music scene moving.
I met Max while booking
@meowmeowband ‘s April tour and was immediately taken with her enthusiasm, professionalism, and deep commitment to DIY music. Max is a Massachusetts-based promoter, sound tech, and junior talent buyer at
@mideastclub in Cambridge, with roots in booking shows for her own band and doing the behind-the-scenes work that turns scattered opportunities into real community.
We get into Boston and Cambridge DIY,
@broken_string_booking ,
@obrienspubboston ,
@warehouse_xi ,tour booking, talent buying, backline chaos, burnout, band hospitality, safe spaces, and why showing up for local music still matters.
In this clip, Max talks about one of the first real challenges of becoming a promoter: learning how to book consistent shows for other people, not just her own band. She reflects on early booking experience at the short-lived Rockwood Music Hall branch near Fenway, where she had 10 or 11 shows lined up in just a couple months before the venue shut down.
It’s a great reminder that DIY booking is part passion, part problem-solving, part heartbreak, and part just keeping at it anyway.
Listen to the full episode of DCxPC Live Presents: Scene Support wherever you stream podcasts or watch it on YouTube.
Executive Producer: Trev Allen with
@struggling_artist_record_club
#DCxPCLive #SceneSupport #DIYPunk #Brokenstringbooking #diymusic