Brandon Logan

Final day of Art Basel Hong Kong. We will be at booth 3D20 until 6pm this evening! Pictured: Brandon Logan Well Natured, 2025 acrylic and string 34 x 20 cm 13 3/8 x 7 7/8 in Brandon Logan Sap Hands, 2025 acrylic and string 32 x 19 cm 12 5/8 x 7 1/2 in

If you’re visiting Art Basel Hong Kong this week I have three works being presented by @inglebygallery Booth 3D20! 🇭🇰 1. ‘Weeping Stone’ 2026 2. ‘Eight Friends’ 2026 3. ‘Valley’ 2026 Photographs courtesy John McKenzie

Happy solstice, annual green post to remind myself more than anyone that the long cold dark is only temporary 🌱🌙 🐸 love and wishes for the season x

Ingleby | Frieze London 2025 Booth D19 Presenting work by Charles Avery, Hayley Barker, Andrew Cranston, Nick Goss, Kevin Harman, James Hugonin, Mia Kokkoni, Aubrey Levinthal, Brandon Logan, John Joseph Mitchell, Katie Paterson, Lorna Robertson, Ellen Siebers & Caroline Walker. Pictured: Brandon Logan 'Spent Rose', 2025 acrylic and string 19 x 12.5 cm Photographs: John McKenzie For more information about our presentation in London, please get in touch at [email protected], or visit the link in our bio. #friezelondon #ingleby #brandonlogan

Brandon Logan | Sid Motion Gallery, London ‘Willow Trust Illusion’ Until 1 November 2025 The making of each painting by Brandon Logan involves flooding, sealing, and fusing warps of string through the gradual layering of acrylic paint. The paintings acknowledge Orkney, the place where he grew up and now lives and works, finding their colours in the streets of Stromness and the Orkney landscape, and nodding to the islands’ rich traditions of weaving and tapestry. The title of the exhibition is drawn from three small boats long observed by Brandon Logan, docked side by side in Stromness Harbour. Logan’s exhibition at Sid Motion, his first solo exhibition in London, is the final iteration in a series of four collaborations between Sid Motion Gallery and Tom Cole. Photographs 7,8&10: Wenxuan Wang "The capacity for one place to evoke another – for an Orkney dawn to spur memories of Venice – finds an analogy in Logan’s paintings. Often, these seem other than what they are. Constructed from lengths of string and layers of acrylic paint, they evoke looms or the serried strings of musical instruments [...] Each painting casts into history, incites memory, summons analogies – and yet each painting is avowedly itself, an object and a structure." - James Cahill, September 2025 @brandonblogan @sidmotiongallery #brandonlogan #sidmotiongallery #willowtrustillusion

INGLEBY | TOKYO GENDAI 2025 Booth A06 Presenting work by Andrew Cranston, James Hugonin, Aubrey Levinthal, Peter Liversidge, Brandon Logan, Garry Fabian Miller, Craig Murray-Orr, John Joseph Mitchell, Katie Paterson, Ellen Siebers, Joel Tomlin, Caroline Walker & Frank Walter. Pictured: Brandon Logan 'Ilka Pleasure', 2025 acrylic and string 19 x 13 cm 7 1/2 x 5 1/8 in Photograph: John McKenzie For more information about our presentation in Tokyo, please get in touch at [email protected], or visit the link in our bio. #brandonlogan #ingleby #tokyogendai

Brandon Logan | Bard Scotland ‘Little Low Heavens’ Until 24 August 2025 On view as part of this years Edinburgh Art Festival Brandon Logan’s distinct approach to abstract art is characterised by a process in which lengths of string are built up with successive layers of acrylic paint. Logan’s practice is shaped by the rhythms and atmospheres of Orkney, where time is both visible and deeply felt—in the changing weather and light, the layered histories of the land, and the cycles of life. The islands hold traces of those who came before—Neolithic tombs, Iron Age brochs, Viking settlements, and the scars of two world wars—resonances that inform his material and conceptual approach. Artwork pictured: Brandon Logan ‘Peligroso', 2025 acrylic and string 144 x 75 cm To receive a digital catalogue of the exhibition, please email [email protected]. Photography: Murray Orr & John McKenzie @brandonblogan @bard.scotland @edartfest #brandonlogan #bardscotland #littlelowheavens #edartfest #ingleby

My peedie show ‘Little Low Heavens’ is currently showing @bard.scotland in Edinburgh for those in town until the 24th! 😸 A special and intimate one, the space is scattered with items from my home and studio and the soft walls of Bard really let the works melt in. Brought about in collaboration and with big big thanks to @inglebygallery and @edartfest it’s v exciting to be a part of all the hustle and bustle of the city in August 🌾🌞🌻✨

Last week we had the pleasure of visiting Brandon Logan's Stromness studio which was filled with lovely things, both big and small, and preparations for upcoming projects. Brandon will be showing a selection of paintings at @bard.scotland as part of @edartfest , which opens on 7 August. #EdArtFest #EAF25 #BrandonLogan #BARD

INGLEBY | ART BASEL HONG KONG 2025 Booth 3D10A Presenting work by Aubrey Levinthal, Andrew Cranston, Lorna Robertson, Hayley Barker, John Joseph Mitchell, Catherine Ross, Johanna Unzueta, Brandon Logan, James Hugonin, David Austen, Rob Lyon, Jonathan Owen & Andrew Miller. Pictured: Brandon Logan 'Alpine Long Time', 2024 acrylic and string 23 x 19.5 cm 9 x 7 5/8 in For more information about our presentation in Hong Kong and artwork availability, please get in touch at [email protected]. Photograph: John McKenzie #brandonlogan #ingleby #artbaselhongkong

Beautiful light in one of the offices today at the Glasite Meeting House. Pictured: Brandon Logan 'Odd Behaviour', 2024 acrylic and string 14 x 10.5 cm Lubna Chowdhary 'Certain Times LXXXVII', 2024 ceramic 56 x 127 cm For more information on either artists work, please don't hesitate to get in touch at [email protected], or ask a member of the team to view these works in person on your visit. #ingleby #brandonlogan #lubnachowdhary

February crawls along as ever but Salt Pig is currently hanging with Barbara and Ben @pierartscentre x